Michelangelo in Print

Reproductions as Response in the Sixteenth Century

Bernadine Barnes (Autor)

Buch | Softcover

242 Seiten

2016
Routledge (Verlag)
978-1-138-24722-2 (ISBN)

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In seeing printed reproductions as a form of response to Michelangelo's work, Bernadine Barnes focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences. Six essays set the reproductions in historical context, and consider the challenges presented by works in various media and with varying degrees of accessibility, while a seventh considers how published verbal descriptions competed with visual reproductions. Rather than concentrating on the intentions of the artist, Barnes treats the prints as important indicators of the use of, and public reaction to, Michelangelo's works. Emphasizing reception and the construction of history, her approach adds to the growing body of scholarship on print culture in the Renaissance. The volume includes a comprehensive checklist organized by the work reproduced.

Bernadine Barnes is Professor of Art History at Wake Forest University, USA.

Contents: Introduction; Michelangelo in fragments: prints after The Battle of Cascina and other works; The slow unveiling of the Sistine Chapel ceiling; From private to public: the presentation drawings in print; Private spaces made public: prints of The Last Judgment and the Pauline Chapel frescoes; Michelangelo among the ancients: prints of his Roman architecture; From sculpture to print; On seeing and describing; Conclusion; Checklist; Bibliography; Index

Erscheinungsdatum	07.09.2016
Verlagsort	London
Sprache	englisch
Maße	156 x 234 mm
Gewicht	453 g
Themenwelt	Kunst / Musik / Theater ► Kunstgeschichte / Kunststile
Themenwelt	Kunst / Musik / Theater ► Malerei / Plastik
ISBN-10	1-138-24722-7 / 1138247227
ISBN-13	978-1-138-24722-2 / 9781138247222
Zustand	Neuware