The Imperfect Art
Reflections on Jazz and Modern Culture
Seiten
1991
Oxford University Press (Verlag)
978-0-19-506328-8 (ISBN)
Oxford University Press (Verlag)
978-0-19-506328-8 (ISBN)
This perceptive study takes a fresh look at jazz in relation to other art forms and places it in the context of contemporary culture. This original approach relates the work of Louis Armstrong, Bix Beiderbecke, Duke Ellington, Charlie Parker, and Ormette Coleman to such subjects as primitivism, neoclassicism, improvisation, aesthetics, and good taste.
This stimulating and perceptive study of jazz relates the work of jazz artists such as Louis Armstrong, Bix Beiderbecke, Lester Young, Duke Ellington, Charlie Parker, John Coltrane, and Ornette Coleman to such subjects as primitivism in the arts, neoclassicism, good and bad taste, improvisation and recordings and the imperfection of art, and aesthetics in general.
This stimulating and perceptive study of jazz relates the work of jazz artists such as Louis Armstrong, Bix Beiderbecke, Lester Young, Duke Ellington, Charlie Parker, John Coltrane, and Ornette Coleman to such subjects as primitivism in the arts, neoclassicism, good and bad taste, improvisation and recordings and the imperfection of art, and aesthetics in general.
Ted Gioia is Lecturer in Jazz Studies at the University of Stanford
| Erscheint lt. Verlag | 21.2.1991 |
|---|---|
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 157 x 229 mm |
| Gewicht | 299 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Jazz / Blues |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| ISBN-10 | 0-19-506328-7 / 0195063287 |
| ISBN-13 | 978-0-19-506328-8 / 9780195063288 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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