Reading Rembrandt
Beyond the Word-Image Opposition
Seiten
1991
Cambridge University Press (Verlag)
978-0-521-39154-2 (ISBN)
Cambridge University Press (Verlag)
978-0-521-39154-2 (ISBN)
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This book explores the potential for interdisciplinary methodology between literature and visual art. The works by Rembrandt gain in depth and interest, but an original perspective of the role of visuality in our culture emerges, which ultimately has consequences for our views of gender, the artist, and the act of reading.
Reading Rembrandt: Beyond the Word Image Opposition explores the potential for interdisciplinary methodology between literature and visual art. In a series of close analyses of works by Rembrandt works whose attribution is still challenged, but can still be considered within the context of this study-and texts related to those works, Mieke Bal questions the traditional boundaries between literary and visual analysis. Bal also studies Rembrandt's complex handling of gender and the representation of women in Rembrandt's painting. Although Reading Rembrandt's methods originate outside the history of art, it demonstrates nonetheless the author's sensitivity to the visual aspect of Rembrandt's work. The works by Rembrandt gain in depth and interest, but an original perspective of the role of visuality in our culture emerges, which ultimately has consequences for our views of gender, the artist, and the act of reading.
Reading Rembrandt: Beyond the Word Image Opposition explores the potential for interdisciplinary methodology between literature and visual art. In a series of close analyses of works by Rembrandt works whose attribution is still challenged, but can still be considered within the context of this study-and texts related to those works, Mieke Bal questions the traditional boundaries between literary and visual analysis. Bal also studies Rembrandt's complex handling of gender and the representation of women in Rembrandt's painting. Although Reading Rembrandt's methods originate outside the history of art, it demonstrates nonetheless the author's sensitivity to the visual aspect of Rembrandt's work. The works by Rembrandt gain in depth and interest, but an original perspective of the role of visuality in our culture emerges, which ultimately has consequences for our views of gender, the artist, and the act of reading.
1. Beyond the Word-Image Opposition; 2. Visual rhetoric: The semiotics of rape; 3. Visual storytelling: fathers and sons and the problems of myth; 4. Between focalisation and voyeurism: The representation of vision; 5. Recognition: reading icons, seeing stories; 6. Textuality and realism; 7. Self-reflection as a mode of reading; 8. Blindness or insight? Psychoanalysis and visual art; 9. Blindness as insight: The powers of horror; 10. Dead flesh, or the smell of painting.
| Erscheint lt. Verlag | 29.11.1991 |
|---|---|
| Reihe/Serie | Cambridge Studies in New Art History and Criticism |
| Zusatzinfo | 60 Halftones, unspecified |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 185 x 261 mm |
| Gewicht | 1289 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| ISBN-10 | 0-521-39154-7 / 0521391547 |
| ISBN-13 | 978-0-521-39154-2 / 9780521391542 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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