The Complete Annotated Gilbert and Sullivan
Seiten
2001
Oxford University Press (Verlag)
978-0-19-816710-5 (ISBN)
Oxford University Press (Verlag)
978-0-19-816710-5 (ISBN)
This volume, now available in paperback, provides the complete text of all the Gilbert & Sullivan operas (including the rarities The Grand Duke and Utopia Limited), together with extensive notes covering 'lost' songs and dialogue, contemporary references, production details, and interesting and amusing anecdotes.
The Complete Annotated Gilbert & Sullivan provides the complete text of all the Gilbert & Sullivan operas which are still performed today, together with extensive annotations covering 'lost' songs, alterations and additions, obscure allusions, production points, and comments of interest. Each opera has an introduction which places it in its context, and a potted history of performances up to the present. No other book provides such extensive commentary on the texts of the Savoy Opera nor such a source of innocent merriment to fans of the incomparable Victorian duo.
For each opera, there is a short introduction describing how the work came to be written, and giving its performance history. The text, including stage directions, is given on the right-hand page, and on the left (keyed in by line numbers) are notes. These give such information as the identity of a real-life person appearing or mentioned as a character, wordings that were different in the original edition (the one sent to the Lord Chamberlain for licensing), changes made for the first American performance, glosses on technical terms (e.g. legal terms), literary references, cross-references to similar items in other Savoy operas, comments from first-night critics, and many other things
The Complete Annotated Gilbert & Sullivan provides the complete text of all the Gilbert & Sullivan operas which are still performed today, together with extensive annotations covering 'lost' songs, alterations and additions, obscure allusions, production points, and comments of interest. Each opera has an introduction which places it in its context, and a potted history of performances up to the present. No other book provides such extensive commentary on the texts of the Savoy Opera nor such a source of innocent merriment to fans of the incomparable Victorian duo.
For each opera, there is a short introduction describing how the work came to be written, and giving its performance history. The text, including stage directions, is given on the right-hand page, and on the left (keyed in by line numbers) are notes. These give such information as the identity of a real-life person appearing or mentioned as a character, wordings that were different in the original edition (the one sent to the Lord Chamberlain for licensing), changes made for the first American performance, glosses on technical terms (e.g. legal terms), literary references, cross-references to similar items in other Savoy operas, comments from first-night critics, and many other things
Ian Bradley is an historian and the author of a number of books on 19th century liberalism. He is now a minister of the Church of Scotland, living in St Andrews and Senior Lecturer in Practical Theology in the School of Divinity at the University of St Andrews.
INTRODUCTION; SUGGESTIONS FOR FURTHER READING
| Erscheint lt. Verlag | 23.8.2001 |
|---|---|
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 1812 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| ISBN-10 | 0-19-816710-5 / 0198167105 |
| ISBN-13 | 978-0-19-816710-5 / 9780198167105 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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