Art and Technology in Early Modern Europe
Wiley-Blackwell (Verlag)
978-1-119-29168-8 (ISBN)
In 12 essays by a distinguished group of art historians, Art and Technology in Early Modern Europe explores the relationship between artistic and technological advances from the Renaissance to the Industrial Revolution.
Provides a broad definition of technology for this period and addresses the influence of technological shifts on the history of early modern art
Covers c.1420-1820, the time period between the advent of the printed image and that of the photographically produced image
Discusses a wide range of early modern artists’ tools, instruments, skills, and techniques and their historical applications
Highlights a frequently overlooked aspect of research within art history that yields substantial insights into the analysis of the making and viewing of art
Richard Taws is Reader in the History of Art Department at University College London, UK. He is the recipient of fellowships from the Getty, the Institute for Advanced Study, Princeton, and the Bard Graduate Center, New York, and was recently awarded a Philip Leverhulme Prize. He is the author of The Politics of the Provisional: Art and Ephemera in Revolutionary France (2013) and is currently writing a book about art and technology in post-revolutionary France. Genevieve Warwick is Editor of Art History and author of The Arts of Collecting (2000 and 2012), Bernini: Art as Theatre (2012), and Picturing Venus in the Renaissance Print (2014), as well as collections of essays on Poussin, prints and drawings and Caravaggio, and numerous articles on art collections, art and science, and architecture and urbanism. Her research has received awards from the Kress Foundation, the Leverhulme Trust, the Getty Foundation, the Arts and Humanities Research Council UK, and the Renaissance Society of America.
6 Notes on Contributors
8 Chapter 1 After Prometheus: Art and Technology in Early Modern Europe
Genevieve Warwick and Richard Taws
20 Chapter 2 Historians in the Laboratory: Reconstruction of Renaissance Art and Technology in the Making and Knowing Project
Pamela H. Smith and The Making and Knowing Project
44 Chapter 3 Works in Progress: Painting and Modelling in Seventeenth-Century Holland
Jan Blanc
64 Chapter 4 Looking in the Mirror of Renaissance Art
Genevieve Warwick
92 Chapter 5 Squaring the Circle: The Telescopic View in Early Modern Landscapes
Amy Knight Powell
112 Chapter 6 After Galileo: The Image of Science in Niccolò Tornioli’s Astronomers
Giulia Martina Weston
128 Chapter 7 The Monument to Louis XIV at the Place Vendôme (1699) as a Technical Achievement: A Question of Interest
Etienne Jollet
150 Chapter 8 A Clock Picture as a Philosophical Experiment: The Tableau Mécanique in the Physics Cabinet of Bonnier de la Mosson
Hanneke Grootenboer
166 Chapter 9 Of Air Pumps and Teapots: Joseph Wright of Derby, John Singleton Copley and the Technology of Seeing
Bryan J. Wolf
186 Chapter 10 Technologies of Illusion: De Loutherbourg’s Eidophusikon in Eighteenth-Century London
Ann Bermingham
210 Chapter 11 Telegraphic Images in Post-Revolutionary France
Richard Taws
232 Chapter 12 Seizing Attention: Devices and Desires
Barbara Maria Stafford
239 Index
| Erscheinungsdatum | 31.12.2016 |
|---|---|
| Reihe/Serie | Art History Special Issues |
| Verlagsort | Hoboken |
| Sprache | englisch |
| Maße | 208 x 274 mm |
| Gewicht | 885 g |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Kunst / Musik / Theater ► Theater / Ballett | |
| ISBN-10 | 1-119-29168-2 / 1119291682 |
| ISBN-13 | 978-1-119-29168-8 / 9781119291688 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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