Renaissance Art in Venice
From Tradition to Individualism
Seiten
2016
Laurence King Publishing (Verlag)
978-1-78067-851-1 (ISBN)
Laurence King Publishing (Verlag)
978-1-78067-851-1 (ISBN)
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Art and architecture have always been central to Venice but in the Renaissance period, between c1440 and 1600, they reached a kind of apotheosis when many of the city's new buildings, sculpture and paintings took on distinctive and original qualities. This book presents a richly illustrated and easily navigable study of Venetian Renaissance art.
This book examines how sustainability has the potential to transform both the fashion system and the innovators who work within it.
Sustainability is arguably the defining theme of the twenty-first century. The issues in fashion are broad-ranging and include labour abuses, toxic chemicals use and conspicuous consumption, giving rise to an undeniable tension between fashion and sustainability.
The book is organized in three parts. The first part is concerned with transforming fashion products across the garment's lifecycle and includes innovation in materials, manufacture, distribution, use and re-use. The second part looks at ideas that are transforming the fashion system at root into something more sustainable, including new business models that reduce material throughput. The third section is concerned with transforming the role of fashion designers and looks to examples where the designer changes from a stylist or creator into a communicator, activist or facilitator.
This book examines how sustainability has the potential to transform both the fashion system and the innovators who work within it.
Sustainability is arguably the defining theme of the twenty-first century. The issues in fashion are broad-ranging and include labour abuses, toxic chemicals use and conspicuous consumption, giving rise to an undeniable tension between fashion and sustainability.
The book is organized in three parts. The first part is concerned with transforming fashion products across the garment's lifecycle and includes innovation in materials, manufacture, distribution, use and re-use. The second part looks at ideas that are transforming the fashion system at root into something more sustainable, including new business models that reduce material throughput. The third section is concerned with transforming the role of fashion designers and looks to examples where the designer changes from a stylist or creator into a communicator, activist or facilitator.
Tom Nichols is Reader in the History of Art and Head of Subject at the University of Glasgow. He has published widely on Venetian Renaissance art and is the author of Tintoretto: Tradition and Identity, Renaissance Art: A Beginner's Guide and Titian and the End of the Venetian Renaissance.
| Erscheinungsdatum | 26.08.2016 |
|---|---|
| Reihe/Serie | Renaissance Art |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 165 x 240 mm |
| Gewicht | 830 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-10 | 1-78067-851-7 / 1780678517 |
| ISBN-13 | 978-1-78067-851-1 / 9781780678511 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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