Installation Art and the Practices of Archivalism
Seiten
2016
Routledge (Verlag)
9781138777422 (ISBN)
Routledge (Verlag)
9781138777422 (ISBN)
On the leading edge of trauma and archival studies, this timely book engages with the recent growth in visual projects that respond to the archive, focusing in particular on installation art. It traces a line of argument from practitioners who explicitly depict the archive (Samuel Beckett, Christian Boltanski, Art & Language, Walid Raad) to those whose materials and practices are archival (Mirosław Bałka, Jean-Luc Godard, Silvia Kolbowski, Boltanski, Atom Egoyan). Jones considers in particular the widespread nostalgia for ‘archival’ media such as analogue photographs and film. He analyses the innovative strategies by which such artefacts are incorporated, examining five distinct types of archival practice: the intermedial, testimonial, personal, relational and monumentalist.
David Houston Jones is Associate Professor of French Literature and Visual Culture at the University of Exeter, UK
Introduction 1. The Beckett Effect: the Intermedial Archive 2. The Archival Testimonial: Mirosław Bałka’s How It Is 3. The Relational Archive: Silvia Kolbowski and Eija-Liisa Ahtila 4. The Personal Archive: from Christian Boltanski to Lifelogging 5. The Archive and the Informational Sublime: Arnold Dreyblatt. Conclusion.
| Erscheinungsdatum | 28.06.2016 |
|---|---|
| Reihe/Serie | Routledge Advances in Art and Visual Studies |
| Zusatzinfo | 20 Halftones, black and white; 20 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 550 g |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| ISBN-13 | 9781138777422 / 9781138777422 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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