Afterall
Autumn/Winter 2014, Issue 37
Seiten
2015
Afterall Publishing (Verlag)
978-1-84638-155-3 (ISBN)
Afterall Publishing (Verlag)
978-1-84638-155-3 (ISBN)
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Features essays on art history and critical theory. This book looks at connectivity and the role of the museum in the contemporary age. It also examines notions of materiality and historicity in practices.
Since its launch in 1999, Afterall, a journal of art, context, and enquiry, has offered in-depth considerations of the work of contemporary artists, along with essays that broaden the context in which to understand it. Published three times a year, Afterall also features essays on art history and critical theory. Issue 37 looks at connectivity and the role of the museum in the contemporary age. Artists and projects considered are Boris Charmatz, Juan Downey, Janice Kerbel, Otobong Nkanga, and the Museum of American Art. In contextual essays, Melissa Gronlund looks at the representation of identity in the online age, Anders Kreuger revisits the Museum of African Art in Belgrade, and Dieter Roelstraete explores the Association for the Advancement of Creative Musicians in Chicago. Issue 38 examines notions of materiality and historicity in current practices through the work of James Richards, Sharon Hayes, R. H. Quaytman, and the Johannesburg - based collective Center for Historical Reenactments. Joao Ribas looks at the origins of the monographic exhibition, while Marcus Verhagen discusses issues of translation in recent practice.
Since its launch in 1999, Afterall, a journal of art, context, and enquiry, has offered in-depth considerations of the work of contemporary artists, along with essays that broaden the context in which to understand it. Published three times a year, Afterall also features essays on art history and critical theory. Issue 37 looks at connectivity and the role of the museum in the contemporary age. Artists and projects considered are Boris Charmatz, Juan Downey, Janice Kerbel, Otobong Nkanga, and the Museum of American Art. In contextual essays, Melissa Gronlund looks at the representation of identity in the online age, Anders Kreuger revisits the Museum of African Art in Belgrade, and Dieter Roelstraete explores the Association for the Advancement of Creative Musicians in Chicago. Issue 38 examines notions of materiality and historicity in current practices through the work of James Richards, Sharon Hayes, R. H. Quaytman, and the Johannesburg - based collective Center for Historical Reenactments. Joao Ribas looks at the origins of the monographic exhibition, while Marcus Verhagen discusses issues of translation in recent practice.
Helena Vilalta is a curator and critic based in London. Melissa Gronlund is the managing editor of Afterall. She teaches at the Ruskin School of Drawing and Fine Art, University of Oxford. Pablo Lafuente is coeditor of Afterall and Afterall's Exhibition Histories book series. He is also a reader at Central Saint Martins. Anders Kreuger is coeditor of Afterall and curator at M HKA, the Museum of Contemporary Art Antwerp. Zachary Cahill is a lecturer and coordinator of the Open Practice Committee of the Department of Visual Arts at the University of Chicago.
| Reihe/Serie | Afterall |
|---|---|
| Sprache | englisch |
| Maße | 20 x 30 mm |
| Gewicht | 539 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-10 | 1-84638-155-X / 184638155X |
| ISBN-13 | 978-1-84638-155-3 / 9781846381553 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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