Zum Hauptinhalt springen
Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Gauguin's "Nirvana" -

Gauguin's "Nirvana"

Painters at Le Pouldu, 1889-90

Eric Zafran (Herausgeber)

Buch | Hardcover
184 Seiten
2001
Yale University Press (Verlag)
978-0-300-08954-7 (ISBN)
CHF 99,90 inkl. MwSt
  • Titel ist leider vergriffen;
    keine Neuauflage
  • Artikel merken
An exploration of the paintings and sculpture produced by Gauguin and other artists at Le Pouldu in 1889-90. It examines the history of this period, Gauguin's relationship with de Haan, their interest in religion and exotic cultures and the meaning of the symbolist works they produced.
Shortly before Gauguin made his first Tahitian journey in 1891, he spent nearly two years in the remote Breton fishing village of Le Pouldu. Seeking creative isolation in a “primitive” setting, he pursued his art accompanied by several followers. One of them was the Dutch painter Meyer de Haan, who was able to pay the living expenses in Le Pouldu and was also knowledgeable in literary and philosophical matters that fascinated Gauguin. Their association resulted in some of Gauguin’s most remarkable works, including the Wadsworth Atheneum’s symbolist portrait of de Haan inscribed “Nirvana.” This and the rich variety of paintings and sculpture by Gauguin produced in 1889–90 are the focus of this beautiful book.

Gauguin and de Haan settled into an inn at Le Pouldu run by an attractive unwed mother named Marie Henry, who began a liaison with de Haan despite the fact that he was a sickly hunchback. The intensity of relations between Gauguin and de Haan is reflected in many of the works, including frescoes, which they installed in the inn.

Gauguin’s time in Le Pouldu was crucial to the advancement of his art, and the vivid Breton subjects and personality of Meyer de Haan remained in his imagination to reappear even during his later Tahitian period. In this book several distinguished experts draw on previously unavailable sources to examine in depth the history of this period, Gauguin’s relationship with de Haan, their interest in religion and exotic cultures, and the meaning of the many innovative symbolist works they produced.


Published in association with the Wadsworth Atheneum

Eric Zafran is curator of European art at the Wadsworth Atheneum, Hartford, Connecticut.

Erscheint lt. Verlag 8.2.2001
Zusatzinfo 80 b-w + 130 color illus.
Sprache englisch
Maße 241 x 286 mm
Gewicht 1338 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Kunst / Musik / Theater Malerei / Plastik
ISBN-10 0-300-08954-6 / 0300089546
ISBN-13 978-0-300-08954-7 / 9780300089547
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
kleine Kulturgeschichte einer brillanten Allianz

von Andrea Gnam

Buch | Softcover (2025)
Iudicium (Verlag)
CHF 33,90