The Lyrical in Epic Time

Modern Chinese Intellectuals and Artists Through the 1949 Crisis

David Der-Wei Wang (Autor)

Buch | Hardcover

496 Seiten

2015
Columbia University Press (Verlag)
978-0-231-17046-8 (ISBN)

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In this book, David Der-wei Wang uses the lyrical to rethink the dynamics of Chinese modernity. Although the form may seem unusual for representing China's social and political crises in the mid-twentieth century, Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. Wang calls attention to the form's vigor and variety at an unlikely juncture in Chinese history and the precarious consequences it brought about: betrayal, self-abjuration, suicide, and silence. Despite their divergent backgrounds and commitments, the writers, artists, and intellectuals discussed in this book all took lyricism as a way to explore selfhood in relation to solidarity, the role of the artist in history, and the potential for poetry to illuminate crisis. They experimented with poetry, fiction, film, intellectual treatise, political manifesto, painting, calligraphy, and music. Western critics, Wang shows, also used lyricism to critique their perilous, epic time. He reads Martin Heidegger, Theodor Adorno, Cleanth Brooks, and Paul de Man, among others, to complete his portrait.
The Chinese case only further intensifies the permeable nature of lyrical discourse, forcing us to reengage with the dominant role of revolution and enlightenment in shaping Chinese-and global-modernity. Wang's remarkable survey reestablishes Chinese lyricism's deep roots in its own native traditions, along with Western influences, and realizes the relevance of such a lyrical calling of the past century to our time.

David Der-wei Wang is Edward C. Henderson Professor of Chinese and Comparative Literature at Harvard University. His works include The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China; Fin-de-siecle Splendor: Repressed Modernity in Late Qing Fiction, 1849-1911; and Fictional Realism in Twentieth-Century China.

Acknowledgments Prologue Introduction: Inventing the "Lyrical Tradition" Part I 1. "A History with Feeling" 2. The Three Epiphanies of Shen Congwen 3. Of Dream and Snake: He Qifang, Feng Zhi, and Born-Again Lyricism 4. A Lyricism of Betrayal: The Enigma of Hu Lancheng Part II 5. The Lyrical in Epic Time: The Music and Poetry of Jiang Wenye 6. The Riddle of the Sphinx: Lin Fengmian and the Polemics of Realism in Modern Chinese Painting 7. The Spring That Brought Eternal Regret: Fei Mu, Mei Lanfang, and the Poetics of Screening China 8. And History Took a Calligraphic Turn: Tai Jingnong and the Art of Writing Coda: Toward a Critical Lyricism Notes Glossary of Chinese Characters Bibliography Index

Zusatzinfo	42 Illustrations
Verlagsort	New York
Sprache	englisch
Maße	152 x 229 mm
Themenwelt	Kunst / Musik / Theater ► Kunstgeschichte / Kunststile
	Kunst / Musik / Theater ► Musik
	Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Sprachwissenschaft
ISBN-10	0-231-17046-7 / 0231170467
ISBN-13	978-0-231-17046-8 / 9780231170468
Zustand	Neuware