Miquel Barcelo
Terra Ignis
Seiten
2014
Actes Sud (Verlag)
978-2-330-01932-7 (ISBN)
Actes Sud (Verlag)
978-2-330-01932-7 (ISBN)
- Keine Verlagsinformationen verfügbar
- Artikel merken
Published to accompany the Works of Fire exhibition at the Ceret Museum of Modern Art, this book presents Miquel Barcelos ceramics work.
This book, published to accompany the recent ‘Works of Fire’ exhibition at the Céret Museum of Modern Art, presents Miquel Barceló’s ceramics work. Created in Majorca in a former tilery and brickyard transformed into a workshop, the terracotta figures are damaged or disturbed by the introduction of bricks in the still-fresh clay, which humanizes their familiar forms. The self-portrait is a recurrent theme: eyes and mouth engraved into vases, and amphorae in shapes inherited from Antiquity; skulls and heads explicitly evoke the idea of vanity, an ever-present theme in Barceló’s work, which appears in the fractures, cracks, and swelling that the clay undergoes before or during firing. Apart from the self-portraits, there are emanations of the animal or plant world, also disturbed by the bricks which come to inhabit or destroy them. Rosebuds bloom, fish live and fossilize, bricks form secret cavities. These spectacular works owe their presence to their apparent fragility as well as to their life force, and the struggle and dramas they welcome. All Barceló’s themes are present in his ceramic works. As ever, the passage of time and death are expressed in the most fragile and durable way.
This book, published to accompany the recent ‘Works of Fire’ exhibition at the Céret Museum of Modern Art, presents Miquel Barceló’s ceramics work. Created in Majorca in a former tilery and brickyard transformed into a workshop, the terracotta figures are damaged or disturbed by the introduction of bricks in the still-fresh clay, which humanizes their familiar forms. The self-portrait is a recurrent theme: eyes and mouth engraved into vases, and amphorae in shapes inherited from Antiquity; skulls and heads explicitly evoke the idea of vanity, an ever-present theme in Barceló’s work, which appears in the fractures, cracks, and swelling that the clay undergoes before or during firing. Apart from the self-portraits, there are emanations of the animal or plant world, also disturbed by the bricks which come to inhabit or destroy them. Rosebuds bloom, fish live and fossilize, bricks form secret cavities. These spectacular works owe their presence to their apparent fragility as well as to their life force, and the struggle and dramas they welcome. All Barceló’s themes are present in his ceramic works. As ever, the passage of time and death are expressed in the most fragile and durable way.
| Zusatzinfo | Illustrated in colour throughout |
|---|---|
| Sprache | englisch |
| Maße | 240 x 300 mm |
| Gewicht | 720 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| ISBN-10 | 2-330-01932-7 / 2330019327 |
| ISBN-13 | 978-2-330-01932-7 / 9782330019327 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
kleine Kulturgeschichte einer brillanten Allianz
Buch | Softcover (2025)
Iudicium (Verlag)
CHF 33,90
