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Art Across Time Combined - Laurie Adams

Art Across Time Combined

Laurie Adams (Autor)

Media-Kombination
1023 Seiten
2001 | 2nd Revised edition
McGraw-Hill Publishing Co.
978-0-07-246678-2 (ISBN)
CHF 134,85 inkl. MwSt
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Helps students in their study of art through large-scale reproductions, color photographs, and incorporation of contextual material. With format illustrations, 80 per cent in color, it presents the history of art as a narrative grounded in scholarship - one that is a dialogue between viewers and the past.
"Art across Time" seeks to inspire students in their study of art through a combination of large-scale reproductions, extensive use of color photographs, and effective incorporation of contextual material. Large format illustrations, 80 per cent in color, allow students to appreciate delicacies of technique and detail that are lost in smaller or black and white representations. Similarly, the writing emphasizes the motivations and environment of the artists to give students a sense of the intent or purpose of work. The arts of cultures beyond the West are presented thematically and at points of cross-cultural contact - Japan and the Impressionists, and Africa and the European Avant-Garde - in "Windows on the World" sections. In all, "Art across Time", presents the history of art as a dynamic narrative grounded in scholarship, a narrative that is a dialogue between modern viewers and the past.

Laurie Schneider Adams received a Ph.D. in Art History from Columbia University. She is Professor of Art History at John Jay College, City University of New York, where she teaches art survey, and at the Graduate Center, where she teaches courses on the Italian Renaissance and on Art and Psychoanalysis. She has published articles on iconography and on art and psychology. She is the editor of Giotto in Perspectiveand of the journal Source: Notes in the History of Art; the author of A History of Western Art, The Methodologies of Art, Art and Psychoanalysis, and Art on Trial; and co-author (with Maria Grazia Pernis) of Federico da Montefeltro and Sigismondo Malatesta: The Eagle and the Elephant and of 5 children's books (with Allison Coudert).

IntroductionWhy Do We Study the History of Art? Part I Chapter 1The Art of Prehistory Window on the World: Rock Paintings Chapter 2The Ancient Near East Chapter 3Ancient Egypt Chapter 4The Aegean Part II Chapter 5The Art of Ancient Greece Chapter 6The Art of the Etruscans Window on the World: China: Neolithic to First Empire Chapter 7Ancient Rome Window on the World: Developments in South Asia Chapter 8Early Christian and Byzantine Art Window on the World: Developments in Buddhist Art Part III Chapter 9The Early Middle Ages Window on the World: Mesoamerica (1500 B.C. -A.D. 1500) Chapter 10Romanesque Art Chapter 11Gothic Art Window on the World: Buddhist and Hindu Developments in East Asia (6th-13th Century) Chapter 12Precursors of the Renaissance Part IV Chapter 13The Early Renaissance Window on the World: Perspective in Asian Painting Chapter 14The High Renaissance in Italy Chapter 15Mannerism and the Later Sixteenth Century in Italy Chapter 16Sixteenth-Century Painting in Northern Europe Part V Chapter 17The Baroque Style in Western Europe Window on the World: Mughal Art and the Baroque Chapter 18Rococo and the Eighteenth Century Part VI Chapter 19Neoclassicism: The Late Eighteenth and Early Nineteenth Centuries Chapter 20Romanticism: The Late Eighteenth and Early Nineteenth Centuries Chapter 21Nineteenth-Century Realism Chapter 22Nineteenth-Century Impressionism Window on the World: Japanese Woodblock Prints Chapter 23Post-Impressionism and the Late Nineteenth Century Window on the World: Gauguin and Oceania Part VII Chapter 24Turn of the Century: Early Picasso, Fauvism, Expressionism, and Matisse Window on the World: African Art and the European Avant-Garde Chapter 25Cubism, Futurism, and Related Twentieth-Century Styles Chapter 26Dada, Surrealism, Fantasy, and the United States Between the Wars Window on the World: Hopi Kachinas Chapter 27Abstract Expressionism Chapter 28Pop Art, Op Art, Minimalism, and Conceptualism Chapter 29Innovation and Continuity Glossary Suggestions for Further Reading Notes Literary Acknowledgments Acknowledgments Photo Credits Index

Erscheint lt. Verlag 1.9.2001
Zusatzinfo Illustrations, unspecified
Verlagsort London
Sprache englisch
Maße 215 x 274 mm
Gewicht 3447 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
ISBN-10 0-07-246678-2 / 0072466782
ISBN-13 978-0-07-246678-2 / 9780072466782
Zustand Neuware
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