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A Companion to Modern African Art (eBook)

eBook Download: EPUB
2013
John Wiley & Sons (Verlag)
978-1-118-51505-1 (ISBN)

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Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization.

  • A pioneering continent-based assessment of modern art and modernity across Africa
  • Includes original and previously unpublished fieldwork-based material
  • Features new and complex theoretical arguments about the nature of modernity and Modernism
  • Addresses a widely acknowledged gap in the literature on African Art


Monica Blackmun Visonà is Associate Professor in the School of Art and Visual Studies of the University of Kentucky, USA, where she teaches courses on African art and architecture, and art historical methods. The principle author of A History of Art in Africa (2000, 2008), she has also published Constructing African Art Histories for the Lagoons of Côte d’Ivoire (2010), and contributed articles to Art Bulletin and African Arts. She is currently researching the artists of the western Akan peoples for a museum exhibition.

Gitti Salami is Associate Professor of World Art History at Pacific Northwest College of Art, Portland, USA. In a decade of extensive field research in south-eastern Nigeria she has published numerous articles on Yakurr culture in African Arts and Critical Interventions: Journal of African Art History and Visual Culture. She has been awarded a Fulbright-Hays DDRA fellowship and a grant from the West African Research Association (WARA), and has held resident fellowships at the Smithsonian Institution and the University of East Anglia, UK. A forthcoming monograph examines contemporary Yakurr art genres from a postcolonial theoretical standpoint.


Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art

Gitti Salami is Associate Professor of Art History at Pacific Northwest College of Art, Portland, USA. In a decade of extensive field research in south-eastern Nigeria she has published numerous articles on Yakurr culture in African Arts and Critical Interventions: Journal of African Art History and Visual Culture. She has been awarded a Fulbright-Hays DDRA fellowship and a grant from the West African Research Association (WARA), and has held resident fellowships at the Smithsonian Institution and the University of East Anglia, UK. Her forthcoming monograph examines contemporary Yakurr art genres from a postcolonial theoretical standpoint. Monica Blackmun Visonà is Associate Professor in the School of Art and Visual Studies of the University of Kentucky, USA, where she teaches courses on African art and architecture, and art historical methods. The principle author of A History of Art in Africa (2000, 2008), she has also published Constructing African Art Histories for the Lagoons of Côte d'Ivoire (2010), and contributed articles to Art Bulletin and African Arts. She is currently researching the artists of the western Akan peoples for a museum exhibition.

"Breaking free from Eurocentric discourse on modernism,
A Companion to Modern African Art shifts the focus to the
African continent, prioritizing the local over the global.
Highly recommended."- Janet Stanley, National Museum of
African Art, Smithsonian Libraries

"This marvelous mélange proves that modern
African art cannot be constrained by canons, and least of all
Eurocentric ones. Instead, local codes and modes of creativity are
matched by cosmopolitanisms to produce vibrantly African
modernities now, as they long have." - A. F. and M. N.
Roberts, University of California, Los Angeles

Erscheint lt. Verlag 22.10.2013
Reihe/Serie Blackwell Companions to Art History
Blackwell Companions to Art History
Blackwell Companions to Art History
Sprache englisch
Themenwelt Kunst / Musik / Theater Allgemeines / Lexika
Kunst / Musik / Theater Kunstgeschichte / Kunststile
Kunst / Musik / Theater Malerei / Plastik
Schlagworte African/African-American Studies • Afrika-/Afroamerika-Forschung • Afrika /Kultur, Künste • Afrika /Kultur, Künste • Art & Applied Arts • Art History & Theory • art theory • Cultural Studies • Kulturwissenschaften • Kunstgeschichte u. -theorie • Kunsttheorie • Kunst u. Angewandte Kunst • modern art, modernity, reference, scholarship, postcolonial theory, postcolonial art, pan-Africanism, art education in Africa, art patronage, art theory, global modernism, art and globalization, artists, African epistemologies, art and revolution, art and politics, African diaspora, visual culture, art history in Africa, Contemporary African Art, African art history, African Studies, 20th century art history, alternative modernisms, African Cultures in the Modern World, Peoples of Contemporary Africa, Conti • Moderne Kunst
ISBN-10 1-118-51505-6 / 1118515056
ISBN-13 978-1-118-51505-1 / 9781118515051
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