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Conrad and Impressionism - John G. Peters

Conrad and Impressionism

(Autor)

Buch | Hardcover
222 Seiten
2001
Cambridge University Press (Verlag)
978-0-521-79173-1 (ISBN)
CHF 157,10 inkl. MwSt
In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. He investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views.
In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works.

John G. Peters is Assistant Professor of English as University of Wisconsin-Superior. He won the Joseph Conrad Society of America's Young Scholar's Award for 1999. This is his first book.

Preface; Acknowledgments; List of abbreviations; Introduction: objects of consciousness in Conrad's impressionist world; 1. Subject/object: science and the epistemological origins of literary impressionism; 2. Objects and events in the 'primitive eye': the epistemology of objectivity; 3. Other-like-self and other-unlike-self: the epistemology of subjectivity; 4. 'Sudden holes' in time: the epistemology of temporality; 5. Radical relativism, epistemological certainty and ethical absolutes: Conrad's impressionist response to solopsism and anarchy; Epilogue; Notes; Selected bibliography; Index.

Erscheint lt. Verlag 15.3.2001
Verlagsort Cambridge
Sprache englisch
Maße 152 x 229 mm
Gewicht 500 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 0-521-79173-1 / 0521791731
ISBN-13 978-0-521-79173-1 / 9780521791731
Zustand Neuware
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