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Vision, Devotion, and Self-Representation in Late Medieval Art - Alexa Sand

Vision, Devotion, and Self-Representation in Late Medieval Art

(Autor)

Buch | Hardcover
428 Seiten
2014
Cambridge University Press (Verlag)
978-1-107-03222-4 (ISBN)
CHF 143,15 inkl. MwSt
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This book focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book. Offering a direct view into the lives of medieval individuals, these are religiously loaded images that strike at the very core of medieval Christian concerns about salvation and the efficacy of prayer.
This book investigates the 'owner portrait' in the context of late medieval devotional books primarily from France and England. These mirror-like pictures of praying book owners respond to and help develop a growing concern with visibility and self-scrutiny that characterized the religious life of the laity after the Fourth Lateran Council in 1215. The image of the praying book owner translated pre-existing representational strategies concerned with the authority and spiritual efficacy of pictures and books, such as the Holy Face and the donor image, into a more intimate and reflexive mode of address in Psalters and Books of Hours created for lay users. Alexa Sand demonstrates how this transformation had profound implications for devotional practices and for the performance of gender and class identity in the striving, aristocratic world of late medieval France and England.

Alexa Sand is Associate Professor of Art History at Caine College of the Arts, Utah State University. She has published articles in The Art Bulletin, Gesta, Yale French Studies, Word and Image, the Huntington Library Quarterly, Studies in Iconography, and a number of edited essay collections. She is the recipient of the ACLS Charles Ryskamp Fellowship and the AAUW American Fellowship for Publication. She was recently the Gilbert and Ursula Farfel Fellow at the Huntington Library in San Marino, California.

Introduction: self-reflection, devotion, and vision in the image of the book owner at prayer; 1. Saving face: the Veronica and the Visio Dei; 2. From Memoria to Visio: revising the donor; 3. Framing vision: the image of the book owner and the reflexive mode of seeing; 4. Domesticating devotion: body, space, and self; 5. Power and the portrait: negotiating gender.

Erscheint lt. Verlag 31.3.2014
Zusatzinfo 7 Plates, color; 95 Halftones, unspecified
Verlagsort Cambridge
Sprache englisch
Maße 178 x 257 mm
Gewicht 1070 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
ISBN-10 1-107-03222-9 / 1107032229
ISBN-13 978-1-107-03222-4 / 9781107032224
Zustand Neuware
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