Julian Trevelyan
Picture Language
Seiten
2013
Lund Humphries Publishers Ltd (Verlag)
978-1-84822-112-3 (ISBN)
Lund Humphries Publishers Ltd (Verlag)
978-1-84822-112-3 (ISBN)
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Julian Trevelyan: Picture Language follows the trail of a painter's visual language and motivation. The working life of Julian Trevelyan (1910-88) spanned more than 65 years. In that time he exhibited alongside Picasso, Miro and Dali, was a member of the British Surrealist group, an active participant in the Mass Observation Movement.
Julian Trevelyan: Picture Language follows the trail of a painter's visual language and motivation. The working life of Julian Trevelyan (1910-88) spanned more than 65 years. In that time he exhibited alongside Picasso, Miro and Dali, was a member of the British Surrealist group, an active participant in the Mass Observation Movement, taught both at Chelsea School of Art and the Royal College of Art, and wrote a number of books. After the Second World War his work was mainly concerned with depicting scenes around his Hammersmith home and the River Thames, where he lived with his wife Mary Fedden, as well as his travels around the world. Julian Trevelyan produced work with a broad appeal which was easily understood and yet gave his public a chance to interpret it as they wished. His paintings and prints are spread throughout Europe and many of them are reproduced here for the first time. From the selection gathered here, it is obvious that he left us with a bright and positive view of our place in our world. He was a realist, sceptical, fully aware of his failures, and yet he allowed his dreams and enjoyment of life to continue to flow and enrich ours.Philip Trevelyan, Julian's son, set out to discover more about his father's life as an artist. A documentary filmmaker, Philip takes us on a pictorial journey through Julian's life and presents here his personal view, offering insights from his researches and first-hand knowledge of life in Trevelyan's studio at Durham Wharf in London.
Julian Trevelyan: Picture Language follows the trail of a painter's visual language and motivation. The working life of Julian Trevelyan (1910-88) spanned more than 65 years. In that time he exhibited alongside Picasso, Miro and Dali, was a member of the British Surrealist group, an active participant in the Mass Observation Movement, taught both at Chelsea School of Art and the Royal College of Art, and wrote a number of books. After the Second World War his work was mainly concerned with depicting scenes around his Hammersmith home and the River Thames, where he lived with his wife Mary Fedden, as well as his travels around the world. Julian Trevelyan produced work with a broad appeal which was easily understood and yet gave his public a chance to interpret it as they wished. His paintings and prints are spread throughout Europe and many of them are reproduced here for the first time. From the selection gathered here, it is obvious that he left us with a bright and positive view of our place in our world. He was a realist, sceptical, fully aware of his failures, and yet he allowed his dreams and enjoyment of life to continue to flow and enrich ours.Philip Trevelyan, Julian's son, set out to discover more about his father's life as an artist. A documentary filmmaker, Philip takes us on a pictorial journey through Julian's life and presents here his personal view, offering insights from his researches and first-hand knowledge of life in Trevelyan's studio at Durham Wharf in London.
Philip Trevelyan is the only son of Julian Trevelyan and Ursula Darwin. He is currently a documentary filmmaker and sheep farmer.
Contents: Foreword; Introduction; Chapter 1 1910-1922 Hurtenham and the North; Chapter 2 1922-1928 Unconventional Art Classes; Chapter 3 1928-1931 Dreams and Poems; Chapter 4 1931-34 Into This Cauldron; Chapter 5 1934-1937 London, Surrealism, Politics and People; Chapter 6 1937-1939 Encounters with the Industrial North; Chapter 7 1939-1945 The Second World War; Chapter 8 1945-1950 A Second Studio in Paris; Chapter 9 1950-1963 Two Easels at the Wharf; Chapter 10 1963-1970 A Coiled Rope of Many Strands; Final Words; Acknowledgements; Credits; Index.
| Vorwort | Philip Trevelyan, Mel Gooding |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 240 x 290 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Malerei / Plastik | |
| ISBN-10 | 1-84822-112-6 / 1848221126 |
| ISBN-13 | 978-1-84822-112-3 / 9781848221123 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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Buch | Softcover (2025)
Iudicium (Verlag)
CHF 33,90
