NEW MyLab Arts with Pearson eText -- Standalone Access Card -- for Janson's Basic History of Western Art
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A concise introduction to the Western tradition in art.
Janson’s Basic History of Art provides readers with a beautifully illustrated and masterfully concise introduction to the Western tradition of art history. The text centers discussions around the object, its manufacture, and its visual character. It considers the contribution of the artist as an important part of the analysis.
This edition creates a narrative of how art has changed over time in the cultures that Europe has claimed as its patrimony and that Americans have claimed through their connection to Europe. Janson’s Basic History of Western Art continues to maintain separate chapters on the Northern European Renaissance, the Italian Renaissance, and the High Renaissance, with stylistic divisions for key periods of the modern era.
The 9th edition brings some exciting changes. For the first time, Janson’s Basic History of Western Art comes with MyArtsLab, which provides students with an interactive learning experience. Also, the text incorporates new learning objectives, graphics, and maps throughout. In response to reviewer’s requests, this new edition expands the coverage of Islamic art into its own chapter.
MyArtsLab is an integral part of the Davies et al, program. Key learning applications include, Art 21 and Studio Technique videos, 360-degree architectural panoramas and simulations and Closer Look tours.
A better teaching and learning experience
This program will provide a better teaching and learning experience—for you and your students. Here’s how:
Personalize Learning— MyArtsLab is an online homework, tutorial, and assessment program. It helps students prepare for class and instructor gauge individual and class performance.
Improve Critical Thinking – “Points of Inquiry” and “Points of Reflection” coordinated with learning objectives help students think critically about what they have read.
Engage Students– Updated images, MyArtsLab, and the clarity of the text provide a wonderful engaging student experience.
Support Instructors – Instructor resources are available in one convenient location. Figures, videos, and teacher support materials create a dynamic, engaging course.
Penelope J. E. Davies is Associate Professor at the University of Texas, Austin. She is a scholar of Greek and Roman art and architecture as well as a field archaeologist. She is author of Death and the Emperor: Roman Imperial Funerary Monuments from Augustus to Marcus Aurelius, winner of the Vasari Award. Walter B. Denny is a Professor of Art History at the University of Massachusetts at Amherst. In addition to exhibition catalogues, his publications include books on Ottoman Turkish carpets, textiles, and ceramics, and articles on miniature painting, architecture and architectural decoration. Frima Fox Hofrichter is Professor and former Chair of the History of Art and Design department at Pratt Institute. She is author of Judith Leyster, A Dutch Artist in Holland’s Golden Age, which received CAA’s Millard Meiss Publication Fund Award. Joseph Jacobs is an independent scholar, critic, and art historian of modern art in New York City. He was the curator of modern art at the John and Mable Ringling Museum of Art in Sarasota, Florida, director of the Oklahoma City Art Museum, and curator of American art at The Newark Museum, Newark, New Jersey. David L. Simon is Jetté Professor of Art at Colby College, where he received the Basset Teaching Award in 2005. Among his publications is the catalogue of Spanish and southern French Romanesque sculpture in the Metropolitan Museum of Art and The Cloisters. Ann M. Roberts, Professor of Art at Lake Forest College has published essays, articles and reviews on both Northern and Italian Renaissance topics. Her research focuses on women in the Renaissance, and her most recent publication is entitled Dominican Women and Renaissance Art:The Convent of San Domenico of Pisa. H. W. Janson was a legendary name in art history. During his long career as a teacher and scholar, he helped define the discipline through his impressive books and other publications. Anthony F. Janson forged a distinguished career as a professor, scholar, museum professional and writer. From the time of his father’s death in 1982 until 2004, he authored History of Art.
In this Section:
1) Brief Table of Contents
2) Full Table of Contents
BRIEF TABLE OF CONTENTS:
PART 1: THE ANCIENT WORLD
Chapter 1. Prehistoric Art
Chapter 2. Ancient Near Eastern Art
Chapter 3. Egyptian Art
Chapter 4. Aegean Art
Chapter 5. Greek Art
Chapter 6. Etruscan Art
Chapter 7. Roman Art
PART 2: THE MIDDLE AGES
Chapter 8. Jewish, Early Christian, and Byzantine Art
Chapter 9. Islamic Art
Chapter 10. Early Medieval Art
Chapter 11. Romanesque Art
Chapter 12. Gothic Art
PART 3: THE RENAISSANCE THROUGH THE ROCOCO: EARLY MODERN EUROPE
Chapter 13. Art in Thirteenth- and Fourteenth-Century Italy
Chapter 14. Artistic Innovations in Fifteenth-Century Northern Europe
Chapter 15. The Early Renaissance in Fifteenth-Century Italy
Chapter 16. The High Renaissance in Italy, 1495–1520
Chapter 17. The Late Renaissance and Mannerism in Sixteenth-Century Italy
Chapter 18. Renaissance and Reformation throughout Sixteenth-Century Europe
Chapter 19. The Baroque in Italy and Spain
Chapter 20. The Baroque in the Netherlands
Chapter 21. The Baroque in France and England
Chapter 22. The Rococo
PART 4: THE MODERN WORLD
Chapter 23. Art in the Age of the Enlightenment, 1750–1789
Chapter 24. Art in the Age of Romanticism, 1789–1848
Chapter 25. The Age of Positivism: Realism, Impressionism, and the Pre-Raphaelites, 1848–1885
Chapter 26. Progress and Its Discontents: Post-Impressionism, Symbolism, and Art Nouveau, 1880–1905
Chapter 27. Toward Abstraction: The Modernist Revolution, 1905–1914
Chapter 28. Art Between the Wars
Chapter 29. Postwar to Postmodern, 1945–1980
Chapter 30. The Postmodern Era: Art Since 1980
FULL TABLE OF CONTENTS:
PART 1: THE ANCIENT WORLD
Chapter 1. Prehistoric Art
Paleolithic Art
Neolithic Art
Chapter 2. Ancient Near Eastern Art
Sumerian Art
Art of Akkad
Neo-Sumerian Revival
Babylonian Art
Assyrian Art
Late Babylonian Art
Persian Art
Chapter 3. Egyptian Art
Predynastic and Early Dynastic Art
The Old Kingdom: A Golden Age
The Middle Kingdom: Reasserting Tradition
The New Kingdom: Restored Glory
Akhenaten and the Amarna Style
Chapter 4. Aegean Art
Early Cycladic Art
Minoan Art
Mycenaean Art
Chapter 5. Greek Art
The emergence of Greek Art: The Geometric Style
The Orientalizing Style: Horizons Expand
Archaic Art: Art of the City-State
The Classical Age
The Age of Alexander and the Hellenistic Period
Chapter 6. Etruscan Art
Funerary Art
Architecture
Sculpture
Chapter 7. Roman Art
Early Rome and the Republic
The Early Empire
Art and Architecture in the Provinces
Domestic Art And Architecture in the Proviences
PART 2: THE MIDDLE AGES
Chapter 8. Jewish, Early Christian, and Byzantine Art
Jewish Art
Early Christian Art
Byzantine Art
Chapter 9. Islamic Art
The formation of Islamic Art
The Development of Islamic Style
Islamic Art and the Persian Inheritance
The Ottoman Empire
Chapter 10. Early Medieval Art
Anglo-Saxon Art
Hiberno-Saxon Art
Carolingian Art
Ottonian Art
Chapter 11. Romanesque Art
First Expressions of Romanesque Style
Mature Romanesque
Regional Variants of the Romanesque Style
Chapter 12. Gothic Art
Early Gothic Art in France
High Gothic Art in France
Rayonnant or Court Style
Late Gothic Art in France
The Spread of Gothic Art
PART 3: THE RENAISSANCE THROUGH THE ROCOCO: EARLY MODERN EUROPE
Chapter 13. Art in Thirteenth- and Fourteenth-Century Italy
The Cities and the Mendicant
New Directions in Tuscan Painting
Late Fourteen-Century Crises
Chapter 14. Artistic Innovations in Fifteenth-Century Northern Europe
Courtly Art: The International Gothic
Urban Centers and the New Art
Regional Responses to the Early Netherlandish Style
Printing and the Graphic Arts
Chapter 15. The Early Renaissance in Fifteenth-Century Italy
The inspiration of Antiquity in Florence
Italian Art During the Era of the Medici, 1434094
The Renaissance Palace and its Furnishings, CA. 1440-90
The Renaissance Style Reverberates, 1450-1500
Chapter 16. The High Renaissance in Italy, 1495–1520
Leonardo and the Florentine High Renaissance
The High Renaissance in Rome
Venice and the High Rennaissance
Chapter 17. The Late Renaissance and Mannerism in Sixteenth-Century Italy
Late Renaissance Florence
Rome Refermed
Cities and Courts in Northern Italy and Venice
Chapter 18. Renaissance and Reformation throughout Sixteenth-Century Europe
France and Spain: Catholic Courts and Italian Influence
Central Europe: The Reformation and Art
Protestant Courts and Cities and New Forms of Art
The Netherlands: World Marketplace
Chapter 19. The Baroque in Italy and Spain
Painting in Italy
Architecture in Italy
Sculpture in Italy
Painting in Spain
Chapter 20. The Baroque in the Netherlands
Flanders
The Dutch Republic
The Market: Landscape, Still Life and Genre Painting
Chapter 21. The Baroque in France and England
France: The Style of Louis XIV
Baroque Architecture in England
Chapter 22. The Rococo
France: The Rise of the Rococo
Western European Rococo outside France
The Rococo in Central Europe
PART 4: THE MODERN WORLD
Chapter 23. Art in the Age of the Enlightenment, 1750–1789
Rome Toward 1760: The Front of Neoclassicism
Rome Toward 1960: Romanticism
Neoclassicism in Britain
Early Romanticism in Britain
Neoclassicism in France
Italian Neoclassicism Towards 1785
Chapter 24. Art in the Age of Romanticism, 1789–1848
Painting
Sculpture
Romantic Revivals in Architecture
Chapter 25. The Age of Positivism: Realism, Impressionism, and the Pre-Raphaelites, 1848–1885
Realism in France
British Realism
Realism in America
Photography: A Mechanical Medium for Mass-produced Art
Architecture and the Industrial Revolution
Ferroviteous Structures: Train Sheds and Exhibition Palaces
Chapter 26. Progress and Its Discontents: Post-Impressionism, Symbolism, and Art Nouveau, 1880–1905
Post-Impressionism
Symbolism
Art Nouveau and the Search for Modern Design
American Architecture: The Chicago School
Photography
Chapter 27. Toward Abstraction: The Modernist Revolution, 1905–1914
Fauvism
Cubism
The Impact of Fauvism and Cubism
Modernist Sculpture: Constantin Brancusi
American Art
Early Modern Architecture in Europe
Chapter 28. Art Between the Wars
Dada
Surrealism
Organic Sculpture
Creating Utopias
Art in America: Modernity, Spirituality, and Regionalism
Mexican Art: Seeking National Identity
The Eve of World War II
Chapter 29. Postwar to Postmodern, 1945–1980
Existentialism in New York: Abstract Expressionism
Rejecting Abstract Expressionism: American Art of the 1950s and1960s
Formalist Abstraction of the 1950s and 1960s
The Pluralist 1970s: Post-Minimalism
Art with a Social Agenda
Late Modernist Architecture
Chapter 30. The Postmodern Era: Art Since 1980
Architecture
Poster-minimalism and Pluralism: Limitless Possibilities
| Erscheint lt. Verlag | 11.4.2013 |
|---|---|
| Sprache | englisch |
| Gewicht | 41 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-10 | 0-205-93171-5 / 0205931715 |
| ISBN-13 | 978-0-205-93171-2 / 9780205931712 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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