A Companion to British Art – 1600 to the Present
John Wiley & Sons Inc (Hersteller)
978-1-118-31375-6 (ISBN)
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This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. * A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art * Combines original research with a survey of existing scholarship and the state of the field * Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 * Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study * Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art's relationship to Modernity, nationhood and nationality, and the institutions of the British art world
Dana Arnold is Professor of Architectural History at the University of Southampton. She edited the Wiley-Blackwell journal Art History and three Wiley-Blackwell series: New Interventions in Art History, Blackwell Companions to in Art History, and Blackwell Anthologies in Art History. She has published widely with Wiley-Blackwell, Routledge, and OUP. David Peters Corbett is Professor of History of Art and Dean of the Faculty of Arts and Humanities at the University of East Anglia. He has published a number of books, and has received prizes from the Historians of British Art, College Art Association USA, and a Guardian book of the year award. He is the editor of the journal Art History .
Editors Contributors Part 1. Editors' Introduction Part 2. General 1. The 'Englishness' of English Art Theory Mark A. Cheetham 2. Modernity and the British Andrew Ballantyne 3. English Art and Principled Aesthetics Janet Wolff Part 3. Institutions 4. Those Wilder Sorts of Painting: The Painted Interior in the Age of Antonio Verrio Richard Johns 5. Nineteenth Century Art Institutions and Academies Colin Trodd 6. Crossing the Boundary: British Art across Victorianism and Modernism David Peters Corbett 7. British Pop Art and the High/ Low Divide Simon Faulkner 8. When Attitudes Became Formless: Art and Antagonism in the 1960s Jo Applin Part 4. Nationhood 9. Art and Nation in Eighteenth-Century Britain Cynthia Roman 10. International Exhibition Maps: Linking Culture, Commerce, and Nation Julie F. Codell 11. Itinerant Surrealism: British Surrealism Either Side of World War Two Ben Highmore 12. 55o North, 3o West: A Panorama from Scotland Tom Normand 13. Retrieving, Remapping, and Rewriting Histories of British Art: Lubaina Humid's Revenge Dorothy Rowe Part 5. Landscape 14. Defining, Shaping and Picturing Landscape Anne Helmreich 15. Theories of the Picturesque Michael Charlesworth 16. Landscape into Art: Painting and Place-Making in England, c. 1760-1830 Tom Williamson 17. Landscape Painting, c. 1770-1840 Sam Smiles 18. Phoenix Park and British Landscape Identity Dana Arnold Part 6. Men and Women 19. The Elizabethan Miniature Dympna Callaghan 20. The Crown and Glory of a Woman": Female Chastity in Eighteen-Century British Art Kate Retford 21. Serial Portraiture and the Death of Man in Late-Eighteenth Century Britain Whitney Davis 22. Virtue, Vice, Gossip, and Sex: Narratives of Gender in Victorian and Edwardian Painting Pamela M. Fletcher Index
| Verlagsort | New York |
|---|---|
| Sprache | englisch |
| Maße | 150 x 250 mm |
| Gewicht | 666 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| ISBN-10 | 1-118-31375-5 / 1118313755 |
| ISBN-13 | 978-1-118-31375-6 / 9781118313756 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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