Performance & Consciousness

Buch | Softcover

142 Seiten

1999
Routledge (Verlag)
978-90-5755-096-6 (ISBN)

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The papers in this journal cover: Indian theatre aesthetics and philosophy; actors' and critics' experimental points of views; a discussion of the nature of consciousness in Shakespeare's "Hamlet"; and an analysis of altered states of consciouness as experienced by Walter Benjamin.

This is volume 1, part 4 of the Performing Arts International forum. This collection of essays covers a breadth of topics on the theme of consciousness; addressing the trend of studies trying to put human experience into more concrete, cogent, less poetic and metaphorical terms. Major issues raised by the essays are summarised, and a hypothesis serving as a stimulus for further research and debate is suggested by the volume's conclusion.

Daniel Meyer-Dinkgrafe

Introduction, Drugs, Perception and Altered States of Consciousness in the Arcades Project (Passagen-Werk) by Walter Benjamin, Constructions of Consciousness in Hamlet, Kissing Holes for the Bullets: Consciousness in Directing and Playing Barker's Uncle Vanya, Edges of Perception in Performance and Audience, Performing Theories of Consciousness, The Motion of Our Human Blood Almost Suspended: The Desirable Consciousness of the Actor, U-Man Zoo's Love, Life and Laundry - a Study of the Linguistics of Theatrical Play, Performance and Consciousness as Freedom, Consciousness and the Concept of Rasa, Consciousness and Contemporary Indian Theatre, Conclusion, Notes on Contributors, Index

Erscheint lt. Verlag	24.8.1999
Verlagsort	London
Sprache	englisch
Maße	152 x 229 mm
Gewicht	272 g
Themenwelt	Kunst / Musik / Theater ► Theater / Ballett
ISBN-10	90-5755-096-2 / 9057550962
ISBN-13	978-90-5755-096-6 / 9789057550966
Zustand	Neuware