Song and Circumstance
The Work of David Byrne from Talking Heads to the Present
Seiten
2010
Continuum International Publishing Group Ltd. (Verlag)
978-0-8264-4168-3 (ISBN)
Continuum International Publishing Group Ltd. (Verlag)
978-0-8264-4168-3 (ISBN)
David Byrne's work functions almost completely through the mass media - in popular music, experimental theatre, film, television, fine art and writing. The underlying connection is a conceptual approach to both high and popular art. This title offers an account of Byrne's sprawling artistic portfolio.
This is the first book to offer a full account of Byrne's sprawling artistic portfolio. The account of Byrne's career, while told in roughly chronological order, is ordered by choosing a specific abstract approach, or a combination of two approaches, for each chapter, discussing the parallels and contradictions between such approaches to benefit the interpretation of Byrne's art. This is the first book to offer a full account of Byrne's sprawling artistic portfolio. David Byrne's work functions almost completely through the mass media - in popular music, experimental theatre, film, television, fine art and writing. The underlying connection is a conceptual approach to both high and popular art. Byrne has always accompanied his work with a stream of conceptual reflections, by developing a loose theoretical patchwork of ideas on music, ritual, culture and myth, reading widely in anthropology, socio-biology, neurology, ethnomusicology, art theory, media theory, comparative mythology and more.
Based on the fame he gained with his band Talking Heads (1977-circa 1989), Byrne is able to enter into collaborations with many artists, some of popular fame - Brian Eno, Jonathan Demme - many known best in more specialized artistic circles - Joseph Kosuth (conceptual artist), Caetano Veloso (Brazilian singer/songwriter of Tropicalismo fame). The map of collaborations, including the casual and incidental ones, reveals an ongoing effort to combine avant-gardism with popular appeal. While Byrne developed his career in a pragmatic way, grasping opportunities for collaboration when they presented themselves, this theoretical patchwork is a constant factor. The account of Byrne's career, while told in roughly chronological order, is ordered by choosing a specific abstract approach, or a combination of two approaches, for each chapter, discussing the parallels and contradictions between such approaches to benefit the interpretation of Byrne's art. As a result, the fertile conceptual brew that characterizes Byrne's way of making art is present from the beginning, while each chapter adds to a thorough insight.
This is the first book to offer a full account of Byrne's sprawling artistic portfolio. The account of Byrne's career, while told in roughly chronological order, is ordered by choosing a specific abstract approach, or a combination of two approaches, for each chapter, discussing the parallels and contradictions between such approaches to benefit the interpretation of Byrne's art. This is the first book to offer a full account of Byrne's sprawling artistic portfolio. David Byrne's work functions almost completely through the mass media - in popular music, experimental theatre, film, television, fine art and writing. The underlying connection is a conceptual approach to both high and popular art. Byrne has always accompanied his work with a stream of conceptual reflections, by developing a loose theoretical patchwork of ideas on music, ritual, culture and myth, reading widely in anthropology, socio-biology, neurology, ethnomusicology, art theory, media theory, comparative mythology and more.
Based on the fame he gained with his band Talking Heads (1977-circa 1989), Byrne is able to enter into collaborations with many artists, some of popular fame - Brian Eno, Jonathan Demme - many known best in more specialized artistic circles - Joseph Kosuth (conceptual artist), Caetano Veloso (Brazilian singer/songwriter of Tropicalismo fame). The map of collaborations, including the casual and incidental ones, reveals an ongoing effort to combine avant-gardism with popular appeal. While Byrne developed his career in a pragmatic way, grasping opportunities for collaboration when they presented themselves, this theoretical patchwork is a constant factor. The account of Byrne's career, while told in roughly chronological order, is ordered by choosing a specific abstract approach, or a combination of two approaches, for each chapter, discussing the parallels and contradictions between such approaches to benefit the interpretation of Byrne's art. As a result, the fertile conceptual brew that characterizes Byrne's way of making art is present from the beginning, while each chapter adds to a thorough insight.
Sytze Steenstra, PhD, is Assistant Professor in the Faculty of Arts and Social Sciences at Maastricht University, The Netherlands, and a freelance author/editor.
INTRODUCTION; Part One: STRIPPING DOWN ROCK SONGS; Part Two: A WIDER MUSICAL COMMUNITY; Part Three: MOVIES, TV AND THEATRE: THE RITUAL IN DAILY LIFE; Part Four: ROCK STAR AND ETHNOGRAPHER; Part Five: IN THE VISUAL ARENA; Part Six: TROPICALISMO IN NEW YORK; Part Seven: AN EMOTIONAL EPISTEMOLOGY; Conclusion; Appendices; Index.
| Erscheint lt. Verlag | 30.5.2010 |
|---|---|
| Zusatzinfo | 24 |
| Verlagsort | London |
| Sprache | englisch |
| Gewicht | 456 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| Kunst / Musik / Theater ► Musik ► Pop / Rock | |
| ISBN-10 | 0-8264-4168-8 / 0826441688 |
| ISBN-13 | 978-0-8264-4168-3 / 9780826441683 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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