Against All England
Regional Identity and Cheshire Writing, 1195-1656
Seiten
2009
University of Notre Dame Press (Verlag)
978-0-268-02209-9 (ISBN)
University of Notre Dame Press (Verlag)
978-0-268-02209-9 (ISBN)
Examines a diverse set of poems, plays, and chronicles produced in Cheshire and its vicinity from the 1190s to the 1650s that argue for the localization of British literary history. This title challenges chronologies of literary history that emphasize cultural rupture and view the 'Renaissance' as a sharp break from England's medieval past.
Against All England examines a diverse set of poems, plays, and chronicles produced in Cheshire and its vicinity from the 1190s to the 1650s that collectively argue for the localization of British literary history. These works, including very early monastic writing emanating from St. Werburgh's Abbey, the Chester Whitsun plays, Sir Gawain and the Green Knight, seventeenth-century ceremonials, and various Stanley romances, share in the creation and revision of England's cultural tradition, demonstrating a vested interest in the intersection of landscape, language, and politics. Barrett's book grounds itself in Cestrian evidence in order to offer scholars a new, dynamic model of cultural topography, one that acknowledges the complex interlacing of regional and national identities within the longue durée extending from the post-Conquest period to the Restoration. Covering nearly five centuries of literary production within a single geographical location, the book challenges still dominant chronologies of literary history that emphasize cultural rupture and view the "Renaissance" as a sharp break from England's medieval past.
Against All England examines a diverse set of poems, plays, and chronicles produced in Cheshire and its vicinity from the 1190s to the 1650s that collectively argue for the localization of British literary history. These works, including very early monastic writing emanating from St. Werburgh's Abbey, the Chester Whitsun plays, Sir Gawain and the Green Knight, seventeenth-century ceremonials, and various Stanley romances, share in the creation and revision of England's cultural tradition, demonstrating a vested interest in the intersection of landscape, language, and politics. Barrett's book grounds itself in Cestrian evidence in order to offer scholars a new, dynamic model of cultural topography, one that acknowledges the complex interlacing of regional and national identities within the longue durée extending from the post-Conquest period to the Restoration. Covering nearly five centuries of literary production within a single geographical location, the book challenges still dominant chronologies of literary history that emphasize cultural rupture and view the "Renaissance" as a sharp break from England's medieval past.
Robert W. Barrett, Jr., is associate professor of English and medieval studies at the University of Illinois at Urbana-Champaign.
| Erscheint lt. Verlag | 15.1.2009 |
|---|---|
| Reihe/Serie | ReFormations: Medieval and Early Modern |
| Zusatzinfo | 7 halftones and 2 maps - 7 Halftones, unspecified - 2 Maps |
| Verlagsort | Notre Dame IN |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 432 g |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 0-268-02209-7 / 0268022097 |
| ISBN-13 | 978-0-268-02209-9 / 9780268022099 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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