The Parthenon Marbles
The Case for Reunification
Seiten
2008
|
2nd edition
Verso Books (Verlag)
978-1-84467-252-3 (ISBN)
Verso Books (Verlag)
978-1-84467-252-3 (ISBN)
The opening of the Acropolis Museum in Athens in spring 2008 provides the opportunity to re-state the case for the return of the Elgin Marbles to Athens. This title makes a contribution to ensuring that the Marbles return to their place of origin.
The Parthenon Marbles (formerly known as the Elgin Marbles), designed and executed by Pheidias to adorn the Parthenon, are perhaps the greatest of all classical sculptures. In 1801, Lord Elgin, then ambassador to the Turkish government, had chunks of the frieze sawn off and shipped to England, where they were subsequently seized by Parliament and sold to the British Museum to help pay off his debts.
This scandal, exacerbated by the inept handling of the sculptures by their self-appointed guardians, remains unresolved to this day. In his fierce, eloquent account of a shameful piece of British imperial history, Christopher Hitchens makes the moral, artistic, legal and political case for re-unifying the Parthenon frieze in Athens.
The opening of the New Acropolis Museum emphatically trumps the British Museum's long-standing (if always questionable) objection that there is nowhere in Athens to house the Parthenon Marbles. With contributions by Nadine Gordimer and Professor Charalambos Bouras, The Parthenon Marbles will surely end all arguments about where these great treasures belong, and help bring a two-centuries-old disgrace to a just conclusion.
The Parthenon Marbles (formerly known as the Elgin Marbles), designed and executed by Pheidias to adorn the Parthenon, are perhaps the greatest of all classical sculptures. In 1801, Lord Elgin, then ambassador to the Turkish government, had chunks of the frieze sawn off and shipped to England, where they were subsequently seized by Parliament and sold to the British Museum to help pay off his debts.
This scandal, exacerbated by the inept handling of the sculptures by their self-appointed guardians, remains unresolved to this day. In his fierce, eloquent account of a shameful piece of British imperial history, Christopher Hitchens makes the moral, artistic, legal and political case for re-unifying the Parthenon frieze in Athens.
The opening of the New Acropolis Museum emphatically trumps the British Museum's long-standing (if always questionable) objection that there is nowhere in Athens to house the Parthenon Marbles. With contributions by Nadine Gordimer and Professor Charalambos Bouras, The Parthenon Marbles will surely end all arguments about where these great treasures belong, and help bring a two-centuries-old disgrace to a just conclusion.
Christopher Hitchens was a contributing editor to Vanity Fair and the author of the best-selling God Is Not Great. His books published by Verso include The Trial of Henry Kissinger, No One Left to Lie To, The Missionary Position, Unacknowledged Legislation, The Parthenon Marbles, Hostage to History, and more.
| Erscheint lt. Verlag | 8.5.2008 |
|---|---|
| Co-Autor | Charalamabos Bouras, Robert Browning |
| Vorwort | Nadine Gordimer |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 130 x 198 mm |
| Gewicht | 212 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geisteswissenschaften ► Geschichte ► Hilfswissenschaften | |
| ISBN-10 | 1-84467-252-2 / 1844672522 |
| ISBN-13 | 978-1-84467-252-3 / 9781844672523 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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