Chat @ Asian Galleries
Flame Point Press (Verlag)
978-1-0687956-3-3 (ISBN)
For nearly a decade, museum guide Peter H. Hufschmid-Hirschbuehl has led visitors through the National Museum of Thailand, answering spontaneous questions beside statues, murals, and relics. Over time, these one-to-one conversations grew into more than a hundred concise reflections – clear, accessible, and rich with cultural depth.
This book gathers 106 standalone chapters exploring how Buddhist, Hindu, and Southeast Asian traditions shaped the region’s artistic imagination. From Indian cosmology to Thai royal symbolism, from Borobudur’s mandalas to the mudrās of classical dance, each chapter distills complex ideas into insights that are both scholarly and inviting.
Readers will encounter:
• The Buddha’s Middle Way, Dependent Origination, and the 32 & 80 Marks of Enlightenment.
• Śiva’s cosmic dance, the Śiva-Liṅga, and the subtle philosophy of Śakti.
• Esoteric Buddhism across Śrīvijaya and Java; the rise of Majapahit and Islamic sultanates.
• Thai temple architecture, spirit houses, sacred geometry, and animistic traditions.
• The lost-wax bronze method, royal regalia, crowned Buddha images, and more.
Balancing historical accuracy with approachable storytelling, Chats @ Asian Galleries serves as a portable companion to Asian art – ideal for travelers, readers of religion, and anyone seeking an intuitive entry into Buddhist and Hindu worlds.
Across galleries, temples, and kingdoms, this book traces a continuous thread: how art becomes philosophy in visible form. These short chapters invite readers to slow down, look closely, and rediscover the wisdom embedded in the masterpieces of Asia.
Accessible yet accurate, Chats @ Asian Galleries is a perfect companion for travelers, museum lovers, and anyone exploring Asian spirituality through its sculptures, murals, and rituals.
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Swiss National Peter H. Hufschmid-Hirschbuehl is a content creator and museum guide between Europe and Asia, which he has known for fifty years. He ended his journalistic career, which also took him to Asia as a foreign correspondent, as deputy director of Swiss Radio International (SRI/swissinfo).
1 Five Skandhas (Five Aggregates)
1.1 Form (Rūpa)
1.2 Sensation/Feeling (Vedanā)
1.3 Perception/Recognition (Saṃjñā)
1.4 Mental Formations (Saṃskāra)
1.5 Consciousness (Vijñāna)
1.6 Doctrinal Significance
1.7 The Five Skandhas at Human Conception
1.7.1 Key
Principles of Interdependence
1.8 The Five Skandhas as the Initial Vector of Life
1.8.1 Why
“Vector” Fits
1.8.2 Skandhas
as Vector Components
1.8.3 Karma
and Conditioned Arising
1.8.4 Impermanence
and Flux
2 Major Hindu Traditions
2.1 Vaiṣṇavism (Worshippers
of Viṣṇu)
2.2 Śaivism (Worshippers of Śiva)
2.3 Śāktism (Worshippers of the
Goddess—Śakti)
2.3.1 Key
Similarities and Important Notes
2.4 Smārtism (Plural Worship within
Advaita Vedānta)
2.5 Comparative Insight
2.5.1 Comparison
Table
3 Eighteen Arhats
4 Thirty-One Planes of Existence (Theravāda Buddhism)
4.1 Three Realms (Bhūmi)
4.1.1 Kāma-loka
(Sensual Sphere)
4.1.2 Rūpa-loka
(Fine-Material Sphere)
4.1.3 Arūpa-loka
(Immaterial Sphere)
4.2 Planes of Existence – Key Points
4.2.1 Important
Notes
5 Buddhist Brahma Worlds
5.1 Inhabited by Brahmas
5.1.1 Association
with High Meditative Attainment
5.2 Transcendence of Sensual Desire
5.3 Distinction from Lower Devas
5.3.1 Why
This Distinction Matters in Buddhist Teaching
6 One Hundred and Eight Auspicious Signs
6.1 Categories of Signs
6.2 Context and Meaning
7 Buddha in “Walking Meditation” and “Descent from
Heaven”
7.1 The Sukhothai Walking Buddha: The Path of Mindful Action
7.2 The “Buddha Descending from Tāvatiṃsa Heaven”: A
Divine Narrative
7.3 Key Differences: Why Distinction Matters
7.4 Conclusion: Understanding the Confusion
8 Seven Buddhas of Antiquity
8.1 The Seven Buddhas
8.2 Teachings of the Seven Buddhas
8.2.1 Common
Teachings
8.2.2 Distinct
Emphases
8.2.3 Iconography
and Symbolism
8.2.4 Worship
and Ritual
8.3 Comparative Perspective
8.4 Theravāda View within the Present Kalpa
8.5 Buddhas Before and After Gautama (Buddhavaṃsa)
9 Devasathan and Royal Brahmins of Thailand
9.1 Function
9.2 The Three Main Shrines
9.3 The Royal Brahmins of Thailand
9.4 The Crucial Thai Buddhist Context
10 Dhutanga – Ascetic Practices
10.1 The Thirteen Classic Dhūtaṅgas
10.2 Purpose and Benefits
10.3 Key Characteristics
11 Difference between a Buddha and an Arhat
11.1 Arhat
11.2 Buddha
11.3 Key Differences
11.4 Summary
12 Emptiness (Śūnyatā)
12.1 Core Meaning: Empty of What?
12.2 How Emptiness Works: The Logic of Dependent Arising
12.2.1 Why
This Matters — Practical Freedom
12.2.2 Emptiness
in Buddhist Traditions
12.3 Are Buddhas Empty?
12.3.1 Buddhas
and the Dharmakāya
12.3.2 The
Paradox of Functioning Emptiness
12.3.3 Buddha-Nature
(Tathāgatagarbha)
Is Not a Self
12.4 Heart of the Perfection of Wisdom Sutra
12.4.1 Key
Notes “Heart Sutra”
13 Eight Auspicious Symbols in Buddhism
13.1 Conch Shell (Śaṅkha)
13.2 Lotus (Padma)
13.3 Wheel (Dharmacakra)
13.4 Parasol (Chattra)
13.5 Endless Knot (Śrīvatsa)
13.6 Pair of Golden Fish (Suvarṇamatsya)
13.7 Victory Banner (Dhvaja)
13.8 Treasure Vase (Kalaśa/Bum-pa)
13.9 Collective Significance
14 Śiva Naṭarāja (Lord of Dance)
14.1 Core Symbolism – The Cosmic Dance
14.1.1 Key
Elements and Symbolism
14.2 Raurava Āgama Prescription
14.2.1 Philosophical
Essence and Significance
14.2.2 Essence
of the Icon
15 Forty Buddhist Meditation Subjects for Spiritual
Growth
15.1 Forty Meditation Subjects
15.1.1 Ten Kasiṇas (Devices for
Total Absorption)
15.1.2 Ten
Asubhas (Contemplations on Foulness)
15.1.3 Ten
Anussatis (Recollections)
15.1.4 Four
Brahmavihāras (Divine Abodes)
15.1.5 Four
Āruppas (Formless Spheres)
15.1.6 One
Perception (Saññā)
15.1.7 One
Analysis (Vavatthāna)
15.2 Thirty-Two Parts of the Body
15.2.1 Key
Features of Practice
15.2.2 Relation
to the Four Elements
15.3 Meditation Subjects – Source and Context
16 Indra’s Net – A Jewel of Interconnection
16.1 The Image of the Net
16.2 Where It Appears
16.3 Key Philosophical Meanings
16.4 Why It Matters Today
16.5 A Practice of Seeing
17 Aspects of Enlightenment (Theravāda/Mahāyāna)
17.1 Theravāda Perspective – The Arhat Ideal
17.2 Mahāyāna Perspective – The Bodhisattva Ideal
17.3 Key Differences Summarized
17.4 Shared Foundations
17.5 Theravāda: The Final Blowing Out (Parinibbāna)
17.6 Mahāyāna: Buddhahood and Boundless Activity
17.7 Core Difference Simplified
17.8 Clarifying “Death” in Both Traditions
18 Dependent Origination
18.1 Core Principle
18.2 The Twelve Links (Nidānas)
18.2.1 Forward
Order — The Arising of Suffering
18.2.2 Reverse
Order — The Cessation of Suffering
18.3 Key Insights and Implications
18.4 Beyond Literal Rebirth
18.5 Philosophical and Practical Meaning
18.6 The wheel of Life
19 Traibhumikatha: The Story of the Three Planes of
Existence
19.1 Historical Background of the Traibhumikatha
19.2 World of Desire (Kamaloka)
19.3 World of Form (Rupaloka)
19.4 World of Formlessness (Arupaloka)
19.5 Ethiscs, Kingship, and Liberation
20 Muchalinda Buddha
20.1 The Story
20.1.1 Significance
and Symbolism
20.2 Sources
20.2.1 Iconography
20.3 Origins and Early Depictions
20.4 Spread to Mainland Southeast Asia
20.5 Why the Muchalinda Icon Thrived in Southeast Asia
20.6 Paper on the Migration of a Buddhist Icon
20.7 Another Interpretation of the Muchalinda Buddha
21 Buddha “Protected by the Nāga” or “Buddha Enthroned on
the Nāga”?
21.1 Narrative Origin of “Buddha Protected by the Nāga”
21.2 Narrative Origin of ‘Buddha Enthroned on the Nāga’
21.3 Iconographic Distinctions
21.4 Historical and Regional Contexts
21.5 Symbolic Differences
21.6 Broader Religious Significance
21.7 Two Images
22 Esoteric Buddhism in Medieval Maritime Southeast Asia
22.1 Key Details and Characteristics
23 Shiva Linga
23.1 Physical Form
23.2 Profound Symbolism
23.3 Types and Significance
23.4 Worship (Pūjā)
23.5 Liṅga and Levels of Consciousness
23.6 Spiritual Practice and the Liṅga
23.7 Alignment with the Tattvas
24 Bangkok Wats
24.1 Temple Classification in Thailand
24.2 The Sacred Space: Phutthawat and Sangkhawat
24.3 Layout and Key Structures
24.4 Historical and Dynastic Patronage
24.4.1 Founding
Vision and Royal Intent
24.4.2 Strategic
and Defensive Geography
24.5 The “Sacred Quadrangle” Theory
24.5.1 Geomancy
and Protection
24.5.2 The
Cardinal Temples and Their Guardians
25 Five Buddha Families and Five Wisdoms
25.1 Core Framework of the Five Buddha Families
25.1.1 Key
Explanations
25.2 The Five Families as a Map of Enlightenment
25.3 Mahāyāna Foundation and Vajrayāna Elaboration
25.3.1 Mahāyāna
Groundwork
25.3.2 Vajrayāna
Development
25.4 The Five Wisdoms
26 Indonesia’s Transformation from Hindu-Buddhist
Kingdoms to an Islamic Archipelago
26.1 Pre-Islamic Landscape: Hindu-Buddhist Syncretism and Maritime Power
26.2 Arrival of Islam: Trade Winds and Mystical Currents (7ᵗʰ–13ᵗʰ Centuries CE)
26.3 Mechanisms of Conversion (13ᵗʰ–16ᵗʰ Centuries)
26.4 Patterns of Spread and Resistance
26.5 Majapahit Eclipse and the Rise of the Sultanates
27 Mantras, Yantras, Mandalas
27.1 Mantra – The Power of Sacred Sound
27.2 Yantra – The Power of Sacred Geometry
27.3 Mandala – The Power of the Sacred Circle
27.4 Connections and Distinctions
28 Integration of Thai Animism into Thai Theravāda
Buddhism
28.1 Core Mechanisms of Integration
28.2 The Big Picture — Hongsuwan’s Relic Myth Analysis
28.2.1 Selected
Myths Illustrating Integration
28.3 Cultural Meaning and Continuity
28.3.1 Myths
Translated into Ritual Practice
28.3.2 Urban
and Rural Adaptations
29 The Bodhisattva Path (Flower Garland Sutra)
29.1 Key Aspects of the Bodhisattva Path
29.1.1 The
Five Paths (Pañcamārga)
29.2 The Ten Stages of the Bodhisattva Path (Daśabhūmi)
29.2.1 Context
and Nuances
29.3 Integration: How the Paths and Bhūmis Interconnect
29.4 The Two Obscurations (Āvaraṇa)
30 Sudhana’s Pilgrimage
30.1 Core Meaning and Significance
30.1.1 Structure
of the Journey
30.2 Climax — Maitreya’s Tower
30.3 Culmination — Samantabhadra’s Revelation
30.4 Key Takeaways
31 Borobudur and Sudhana’s Spiritual Journey
31.1 Structural Correspondence to Sudhana’s Journey
31.1.1 Base
to Summit
31.1.2 Narrative
Reliefs: Sudhana’s Story in Stone
31.1.3 Symbolic
Culmination: The Central Stupa
31.2 Philosophical Alignment with Huayan/Kegon Teachings
31.2.1 Ritual
Function: Pilgrimage as Path
31.3 Why Borobudur is a “Sudhana Monument”
32 Three Gunas and the Bhagavad Gita
32.1 The Three Building Blocks
32.1.1 Sattva
(Sāttvika) – Purity and Harmony
32.1.2 Rajas
(Rājasic) – Activity and Passion
32.1.3 Tamas
(Tāmasic) – Inertia and Ignorance
32.2 Insights from the Bhagavad Gita
32.2.1 Everyday
Illustrations
32.2.2 Fluid
States
32.2.3 The
Bhagavad Gita in Essence
32.2.4 Core
Teachings
32.2.5 Timeless
Relevance
32.2.6 The
Turning Point
32.3 Transcending the Gunas (Gunātīta)
32.3.1 The
Chariot Metaphor
32.3.2 Essential
Verses
33 Lalitavistara Sutra: Cosmic Drama of the Buddha’s Life
33.1 Outline of the Twenty-Seven Chapters
33.2 Meaning and Legacy
34 Spiritual Hierarchy of the Buddhas
34.1 Key Concepts and Figures
34.1.1 Buddhas
— The Supreme Attainment
34.1.2 Bodhisattvas
— The Compassionate Aspirants
34.1.3 Arhats
— The Liberated Disciples
34.1.4 Devas
and Brahmas — The Worldly Deities
34.1.5 Other
Beings — Asuras, Humans, Animals, Pretas, Hell Beings
34.2 Understanding the “Hierarchy”
34.3 Trikāya Doctrine — Three Bodies of a Buddha
34.3.1 Dharmakāya
(Truth Body)
34.3.2 Sambhogakāya
(Enjoyment or Bliss Body)
34.3.3 Nirmāṇakāya (Emanation or Transformation Body)
34.4 Key Principles of the Trikāya Doctrine
34.5 “Tathāgata” Explained
34.5.1 Core
Sense
34.5.2 Philosophical
Depth
34.5.3 In
the Buddha’s Own Words
34.5.4 Across
Traditions
34.5.5 Meaning
35 Thai Tattoos and Thai Amulets
35.1 Sak Yant — The Sacred Tattoo
35.1.1 Core
Concepts and Beliefs
35.1.2 The
Process: Ritual and Discipline
35.1.3 Common
Sak Yant Designs and Their Meanings
35.1.4 Rules
and Taboos — The “Khru” Code
35.1.5 Modern
Context and Global Popularity
35.2 Phra Krueng — The Thai Amulet
35.2.1 Core
Concept and Purpose
35.2.2 Anatomy
of an Amulet
35.2.3 Major
Types of Thai Amulets
35.2.4 The
Culture of Amulet Collecting
35.2.5 Use
and Veneration
36 Understanding the “Khwan”: Heart of Thai Wellbeing
36.1 Nature and Role of the Khwan
36.1.1 The
Ceremony to Call the Vital Spirit Home
36.2 Tying a Child’s Khwan — A Protective Embrace
36.3 Bai Sri — The Khwan’s Throne and Lure
36.3.1 Structure
and Symbolism
36.3.2 Symbolic
Offerings
36.3.3 Ritual
Function
36.4 Bringing Child and Bai Sri Together
36.5 Tham Khwan before Ordination as a Monk
36.5.1 Symbolic
and Cultural Depth
37 Canonical List of Thai Rattanakosin Buddhas
37.1 The 40 Thai Buddha Postures
37.2 Interpretation and Legacy
38 Buddha’s Miracles at Śrāvastī
38.1 Challenge at Śrāvastī
38.2 Prelude: Lesser Miracles
38.3 The Twin Miracle
38.3.1 Purpose
and Symbolism
38.3.2 Aftermath
and Legacy
38.4 Historical and Textual Context
38.5 The Miracle of Instruction
38.5.1 Core
Meaning
38.6 Legacy in Practice
39 Eight Jhānas for Meditative Absorption
39.1 Four Material Jhānas (Rūpa
Jhāna)
39.1.1 First
Jhāna
39.1.2 Second
Jhāna
39.1.3 Third
Jhāna
39.1.4 Fourth
Jhāna
39.2 Four Immaterial Jhānas (Arūpa
Jhāna)
39.2.1 Base
of Infinite Space
39.2.2 Base
of Infinite Consciousness
39.2.3 Base
of Nothingness
39.2.4 Base
of Neither Perception nor Non-Perception
39.3 Beyond the Jhānas: Cessation (Nirodha
Samāpatti)
39.4 Key Characteristics of the Jhānas
39.4.1 Definitions
of Jhāna Factors
39.4.2 Summary
Table of Jhāna Factors
39.4.3 Condensed
Jhāna Factor Table
40 Buddhist Nirvāṇa versus Hindu
Nirvāṇa
40.1 Core Contrasts
40.2 Jñāna, Bhakti, and Karma yoga: Hindu Spiritual Paths
40.2.1 Jñāna-yoga
— the Path of Wisdom/Knowledge
40.2.2 Bhakti-yoga
— the Path of Devotion/Love
40.2.3 Karma-yoga
— the Path of Selfless Action
40.2.4 How
the Three Paths Interrelate
41 The Middle Way and the Mural in the Buddhaisawan
Chapel
41.1 Origin in the Buddha’s Life Experience
41.1.1 The
Two Extremes
41.1.2 Two
Main Dimensions
41.2 Core Principles Embodied by the Middle Way
41.3 Siddhartha’s Initial Understanding
41.4 Artistic Interpretation in the Buddhaisawan Chapel Mural
42 Children’s Entry into the Religious Community
42.1 Hinduism
42.2 Buddhism
43 Hindu Devarāja and Buddhist Dharmarāja
43.1 Hindu Devarāja (God-King)
43.2 Buddhist Dharmarāja (Righteous
King)
43.3 Key Contrasts and Shared Functions
43.3.1 Shared
and Transitional Forms
43.4 The Ten Royal Virtues (Dasa Rāja Dharma)
44 A Glimpse into Hindu and Buddhist Tantra
44.1 Core Idea: Transformation Through Everything
44.1.1 Shared
Practices (with Distinct Flavors)
44.2 Tantra: Key Differences in Focus
44.3 Tantra in Vajrayāna Buddhism
44.4 Tantra in Hinduism
44.4.1 Major
Frameworks
44.4.2 Unifying
Threads Across Hindu Tantra
45 Mudras: Sacred Hand Gestures Across Traditions
45.1 Mudras in Buddhist Iconography (Buddha
Statues)
45.2 Khon Dance Mudras: The Language of Gods & Demons (Thai Sacred Dance)
45.3 Mudras in Hinduism
45.4 Cross-Traditional Insights: Mudras as Embodied Philosophy
45.5 Bharatanatyam’s 108 Mudras: The Alphabet of Divine Drama
46 Barlaam and Josaphat
46.1 Core Story
46.2 Origin and Transmission
46.3 Significance
46.4 The Buddha Connection Revealed
47 Thai Royal Crafts
47.1 Ten Traditional Royal Crafts (Chet Sip Chang)
47.2 Beyond the Ten Arts
48 Phra Mae Thorani
48.1 Origins in the Theravāda Tradition
48.2 The Enlightenment Narrative
48.3 Symbolism and Interpretation
48.4 Phra Mae Thorani in Thai Tradition
48.5 Comparison Across Theravāda Regions
49 Kassapa Buddha and Mahākassapa
49.1 Kassapa Buddha
49.1.1 Mahāpadāna
Sutta – The Great Discourse on the
Lineage
49.1.2 Buddhavaṃsa – The Chronicle of Buddhas
49.2 Mahākassapa
49.2.1 Life
and Role
49.2.2 The
Prophecy and Purpose
49.2.3 Scriptural
References
49.2.4 Symbolism
49.2.5 The
Mountain Vigil
49.2.6 Why
Mahākassapa?
49.2.7 Interpretations
Across Traditions
49.2.8 Modern
Significance
49.2.9 Why
Similar Names?
50 Religious Shift within the Khmer Empire
50.1 Indian Influence
50.2 Primarily Hindu Kings
50.3 Primarily Buddhist Kings
50.4 Key Considerations
51 Hindu and Buddhist Concepts of Time
51.1 The Hindu Concept of Time
51.2 The Buddhist Concept of Time
51.3 Comparative Summary
51.4 Crucial Role of the Anantarakalpa
51.4.1 Primary
Event: The Lifespan Cycle Reverses Direction
51.4.2 The
Appearance of a Buddha
51.4.3 What
Does NOT Happen Between Antarakalpas
52 Auspicious Numbers in Hinduism and Buddhism
52.1 Shared Auspicious Numbers
52.1.1 Hinduism
52.1.2 Buddhism
52.2 Prominent Auspicious Numbers in Hinduism
52.3 Prominent Auspicious Numbers in Buddhism
52.4 Why These Numbers are Auspicious
53 Spread of Buddhism
53.1 Origins and Early Expansion in India
53.2 Diversification into Major “Vehicles” (Yānas)
53.3 Routes of Expansion
53.4 Factors Enabling the Spread
53.5 Later Developments and the Modern Era
54 Shift from Mahāyāna/Vajrayāna Buddhism to Theravāda
Buddhism in Thailand
54.1 Early Buddhist Landscape (Before
the 13th Century)
54.2 The Turning Point: Sukhothai and Sinhalese Contact (13th – 14th C CE)
54.3 Ayutthaya Consolidation (14th –
18th C CE)
54.4 Purification and Unification (15th
– 16th C CE)
54.5 Why Theravāda Prevailed
54.6 Legacy of Mahāyāna in Modern Thai Buddhism
54.7 Key Timeline
55 Thai Merit Making
55.1 The Core Concept: Merit (Bun)
55.2 The Threefold Basis of Merit (Bun
Kiriya Watthu)
55.3 Motivations and Beliefs
55.4 Common Methods and Rituals
55.5 The Role of the Monks (Saṅgha)
55.6 Social and Cultural Significance
56 Seven States of Consciousness
56.1 Foundation: The Six Consciousnesses (Shared Across Early Buddhism)
56.2 The Yogācāra Expansion: Eight Consciousnesses
56.3 The Seven-Consciousness Model: Transitional Form
56.3.1 Significance
of the Seventh Consciousness
56.4 Comparative Overview
57 Karma
57.1 Core Principles
57.2 Comparative Perspectives
57.2.1 Common
Misunderstandings
57.2.2 Practical
Wisdom
57.3 The Architecture of Karma
57.3.1 Types
of Karma in Indian Thought
57.3.2 Jain
View: Karma as Subtle Matter
57.3.3 The
Fruit of Karma: How It Ripens
57.4 Karma, Fate, and Free Will
57.5 Liberation from Karma
57.5.1 Advanced
Philosophical Questions
57.6 Working with Karma: A Practical Toolkit
58 Ten Fetters and Ten Pāramīs
58.1 Ten Fetters (Saṃyojana)
58.1.1 The
Ten Fetters (Theravāda Perspective)
58.1.2 Mahāyāna
View
58.1.3 Stages
of Liberation (Theravāda: Four Noble Ones)
58.2 Ten Perfections (Pāramī/Pāramitā)
58.2.1 Theravāda:
Ten Pāramīs
58.2.2 Mahāyāna:
Six Pāramitās (Foundational Set)
58.3 Comparative Notes on the Pāramīs and Pāramitās
58.4 Mahāyāna: The Ten Bhūmis and Ten Pāramitās
58.5 How Fetters and Pāramīs Interact
58.6 Meditation to Dissolve the Ten Fetters
58.7 Practices to Cultivate the Ten Pāramīs
58.8 The Karmic Lens: Fetters, Pāramīs and Karma
59 Esoteric Buddhism (Vajrayāna/Tantric Buddhism)
59.1 Key Characteristics
59.2 Key Practices & Methods
59.2.1 Working
with the Subtle Body
59.3 Philosophical Basis
59.4 Major Tantric Traditions
60 Major Buddhist Traditions and Schools
60.1 Theravāda
60.2 Mahāyāna
60.3 Vajrayāna
60.4 Diversity of Buddhist Paths – Comparative Overview
61 So Many Buddhas
61.1 Theravāda Buddhism
61.2 Mahāyāna Buddhism
61.3 Five Theravāda Buddhas or One Thousand Mahāyāna Buddhas?
61.3.1 The
1,000 Buddhas of the Fortunate Aeon (Mahāyāna
View)
61.3.2 The
5 Buddhas of the Present Kalpa (Theravāda
View)
61.3.3 Reconciling
the Two Perspectives
61.4 Vajrayāna Buddhism
61.5 Mahamuni Buddha
61.5.1 Primary
Meaning
61.5.2 Contexts
of Use
62 Four Stupas at Wat Pho
62.1 Phra Maha Chedi Raja-Lak (King
Rama I)
62.2 Phra Maha Chedi Dilok Dhammakaroknit (King Rama II)
62.3 Phra Maha Chedi Muni Batborikharn (King
Rama III)
62.4 Phra Maha Chedi Praphutthabat Buddhasihing (For the Buddha Relics)
62.5 Architectural and Symbolic Significance
62.6 Architecture and Rituals of the Four Great Stupas
62.6.1 General
Structure
62.6.2 Distinctive
Features
62.6.3 Consecration
Rituals
62.7 Symbolism and Spiritual Meaning
62.8 Modern Significance
62.9 Comparative Analysis
62.9.1 Wat
Pho vs Wat Phra Kaew
62.9.2 Wat
Pho vs Wat Arun
62.9.3 Wat Pho vs Wat Phra Si Sanphet (Ayutthaya)
62.10 Unique
Features
63 Avalokiteśvara and Amoghapāśa
63.1 Avalokiteśvara
63.2 Amoghapāśa
63.2.1 Amoghapāśa
in Various Traditions
63.2.2 Tantric
Iconography: “Weaponized Compassion”
63.3 Avalokiteśvara vs. Amoghapāśa
63.4 Devotional vs. Tantric Context: Amitābha and Amoghapāśa
63.5 The “Compassion Squad” of Vajrayāna
63.6 Tārā, Mahākāla, and Hindu Parallels
63.6.1 Tārā
– The Swift Saviouress
63.6.2 Mahākāla
– The Great Black Protector
63.6.3 Hindu
Parallels
64 Avalokiteśvara: Dhyāni Bodhisattva and Emanation
64.1 Dhyāni Bodhisattva – The Meditative Buddha-to-Be
64.2 Avalokiteśvara as an Emanation (Nirmāṇakāya)
64.2.1 Meaning
for Practitioners
64.3 Mantras of Avalokiteśvara
64.3.1 The
Great Six-Syllable Mantra
64.3.2 Extended
Chenrezig Mantra (Tibetan Tradition)
64.3.3 Chinese
Tradition
64.3.4 Namo
Amitābha Buddha
64.4 Visualizations of Avalokiteśvara
64.4.1 Avalokiteśvara
(Chenrezig) Sādhana
64.5 Heinrich Zimmer on Avalokiteśvara
65 Mahāyāna/Vajrayāna and Theravāda Philosophies
65.1 Mahāyāna Buddhist Philosophy
65.1.1 Core
Philosophical Themes
65.2 Vajrayāna Buddhist Philosophy
65.2.1 Mahāyāna
Foundations
65.2.2 Distinctive
Philosophical Emphases
65.2.3 Aim
65.3 Theravāda Buddhist Philosophy
65.3.1 Core
Teachings
65.4 The Noble Eightfold Path (Universal
Framework)
65.4.1 Mahāyāna
Emphasis
65.4.2 Vajrayāna
Emphasis
65.5 Abhidhamma/Abhidharma and Nibbāna/Nirvāṇa
65.5.1 Theravāda’s
Four Ultimate Realities
65.5.2 Nibbāna
in Theravāda
65.5.3 Nirvāṇa in Other Schools
65.6 Rebirth and Karma (Shared Ground)
65.7 Comparative Views of Nibbāna/Nirvāṇa
65.8 Important Buddhist Schools (Brief
Profiles)
66 Hindu Brahman and Hindu Brahmins
66.1 Classifications of Hindu Brahman (The
Ultimate Reality)
66.2 Interpretations in Major Philosophical Schools
66.3 Classifications of Hindu Brāhmaṇas (The Priestly Class)
67 Lai Thai and Thai Kranok
67.1 Kranok – The Fundamental Pattern
67.1.1 Visual
Appearance
67.1.2 Symbolism
& Meaning
67.1.3 Where
You See It
67.1.4 Three
Kranok Patterns
67.1.5 Table
67.2 Krabi – The “Sword” Motif
67.3 – The “Gilded” Pattern
67.4 – The “Female” Motif
67.5 Kuncha or Krajang
68 Buddhist Jātakas
68.1 Foundational Collection
68.2 Paññāsa Jātaka (Non-Canonical)
69 Chinese Clan Houses in Bangkok
69.1 Types of Clan Houses
69.2 Key Locations and Notable Examples
69.3 Larger District Associations
69.4 Architectural Features
69.5 Functions and Significance
69.5.1 Visiting
69.6 Chinese Migration to Siam/Thailand
69.7 Summary and Historical Context
70 Thai Nine Gems (Navaratna)
70.1 Nine Gems and Their Celestial Associations
70.2 Mandala Layout
70.3 Uses and Applications in Thai Culture
70.4 Key Cultural Notes
70.5 Differences from the Indian Navaratna
71 Thai Animism
71.1 Core Belief – Spirits Everywhere
71.2 Guardian Spirits of Place (Phi
Phra Phum):
71.3 Practices and Rituals
71.4 Significance and Function
71.5 Relationship with Buddhism
72 Thirty-Two Major and Eighty Minor Marks of a Buddha
72.1 Thirty-Two Major Marks
72.1.1 Key
Points – Thirty-Two Major Marks
72.2 Eighty Minor Marks
72.2.1 Traditional
List of Eighty Minor Marks
72.3 Key Points and Variations
73 Development of the Buddha Image
73.1 Aniconic Phase (c. 5th Century BCE
- 1st Century CE)
73.1.1 Buddha’s
Empty Throne
73.2 Emergence of the Anthropomorphic Buddha (1st - 4th Centuries CE)
73.3 Gupta Period: The “Classical Ideal” (4th - 6th Centuries CE)
73.4 Regional Diversification & Flourishing (6th Century CE onwards)
73.5 Modern & Contemporary Periods (19th
Century - Present)
74 Development of the Thai Buddha Image
74.1 Pre-Thai Periods (6th – 13th
Centuries CE)
74.1.1 Dvaravati
Period (6th – 11th Centuries CE)
74.1.2 Lopburi
(Lavo)/Khmer Influence Period (11th –
13th Centuries CE)
74.2 Sukhothai Period (13th – 15th
Centuries CE) — The “Classic Thai Ideal”
74.3 Ayutthaya Period (14th – 18th
Centuries CE)
74.4 Rattanakosin Period (18th Century
to Present)
74.5 Key Distinguishing Features Across Thai Styles
75 Trees of Enlightenment
75.1 The Twenty-Eight Buddhas and Their Trees
75.2 The Trees of Buddha Sakyamuni
75.2.1 The
Sal Tree — Tree of Birth
75.2.2 The
Bodhi Tree — Tree of Enlightenment
75.2.3 The
Sal Tree — Tree of Passing
76 Bodhisattva’s Realization
77 Maitreya and the Stupa Emblem
77.1 Maitreya’s Connection to Buddha Kassapa
77.1.1 Maitreya’s
Role as the Future Buddha
77.2 Stupas as Symbols of Enlightenment
77.2.1 Artistic
Evolution
77.3 Theological Significance
77.3.1 Key
Texts and Depictions
78 Exploring Non-duality
78.1 Key Aspects of Non-duality
78.1.1 Common
Misunderstandings
78.1.2 Practices
Leading to Non-dual Awareness
78.2 Key Aspects of Non-duality in Buddhism
78.2.1 Contrast
with Hindu Advaita
78.2.2 Practical
Implications
79 Kalachakra Tantra: The Wheel of Time
79.1 Origins and Significance
79.2 Kalachakra Initiation
79.2.1 Purpose
of the Initiation
79.2.2 The
Four Empowerments (Abhiṣekas)
79.2.3 Ritual
Elements and Symbolism
79.2.4 Commitments
and Samaya Vows
79.2.5 Benefits
of the Initiation
79.2.6 Controversies
and Modern Adaptations
79.2.7 Preparation
for Initiation
79.3 Kalachakra Mantra: Meaning and Power
79.3.1 Controversies
and Warnings
79.4 Comparing Mantras: Kalachakra and Other Vajrayāna Mantras
79.4.1 Kalachakra
Mantra
79.4.2 Avalokiteśvara
Mantra
79.4.3 Vajrasattva
Mantra
79.4.4 Guru
Rinpoche (Padmasambhava) Mantra
79.4.5 Tārā
Mantras (Green and White)
79.4.6 Comparative
Summary
80 Chakravartin Ideology and Crowned Buddhas
80.1 The Chakravartin Ideology: A Brief Primer
80.2 King Rama I and the Revival of the Chakravartin
80.3 King Rama II and the Flourishing of Culture
80.4 Conclusion: The Ideological Synthesis
80.5 Ayutthaya-Style Crowned Buddhas
80.6 Rama I and the Reclamation of Ayutthaya’s Legacy
80.7 Rama II and Cultural Embodiment
80.8 Crowned Buddha as Icon of a Unified Ideology
81 Royal Insignia and Emblems of King Maha Vajiralongkorn
(Rama X)
81.1 The Chakri Dynasty Emblem
81.2 The Royal Emblem of King Rama X’s Coronation
81.2.1 Central
Elements
81.2.2 Supporting
and Background Elements
81.3 The King’s Personal Monogram
81.4 The Garuda – National Emblem of Thailand
82 Mirrors on Thai Temple Door Frames
83 Thai Spirit Houses (San Phra Phum)
83.1 Core Purpose and Belief
83.2 Types of Spirit Shrines
83.2.1 Design
and Architecture
83.2.2 Placement
and Installation
83.2.3 Offerings
and Maintenance
83.3 Cultural Significance
83.3.1 Taboos
and Respect
83.4 Evolution and Modern Practice
84 Structure of the Thai Sangha
84.1 Maha Nikaya (Great Order)
84.2 Dhammayuttika Nikaya (Thammayut
Order)
84.3 Key Features of the Thai Sangha System
84.3.1 Current
Head of the Thai Sangha
84.4 Absence of Full Female Ordination in Thai Theravāda
84.4.1 History
of Theravada Female Ordination
84.4.2 Mae
Chi and the Ten Precepts
84.4.3 Bhikkhu
Discipline – The 227 Rules
84.4.4 Summary
Comparison:
84.4.5 The
Broader Implication
85 Theravada, Mahayana, and Vajrayana Temples
85.1 Theravada Temples – “The Way of the Elders”
85.2 Mahayana Temples – “The Great Vehicle”
85.3 Vajrayana Temples – “The Diamond Vehicle”
85.4 Summary Comparison
86 Buddhist Scriptures
86.1.1 Sutta
Piṭaka — The Basket of Discourses
86.1.2 Vinaya
Piṭaka — The Basket of Discipline
86.1.3 Abhidhamma
Piṭaka — The Basket of Higher Doctrine
86.2 Major Traditions and Their Canonical Collections
86.2.1 Theravāda
Buddhism
86.2.2 Mahāyāna
Buddhism
86.2.3 Vajrayāna
Buddhism
87 Hindu Scriptures
87.1 Core Concept – Śruti & Smṛti: The Two
Great Streams
87.2 Śruti – The Foundational Revelation
87.2.1 The
Four Vedas (c. 1500–500 BCE)
87.2.2 The
Upaniṣads
87.3 Smṛti – The Remembered Tradition
87.3.1 Vedāṅgas – “Limbs of the Veda”
87.3.2 Itihāsa
– Epics (History + Myth + Dharma)
87.3.3 Purāṇas – Mythological & Theological Lore
87.3.4 Dharmaśāstras
– Treatises on Law & Ethics
87.3.5 Āgamas
& Tantras
87.3.6 Darśana
Śāstras – Philosophical Systems
87.4 Key Hindu Texts of Particular Importance
87.5 Interpreting the Hindu Scriptures
88 Buddhist Meditation: The Heart of the Path to
Liberation
88.1 The Twin Wings: Samatha & Vipassanā
88.1.1 Samatha
(Tranquility/Calm Abiding)
88.1.2 Vipassanā (Insight/Clear Seeing)
88.2 Key Practices Across Buddhist Traditions
88.2.1 Theravāda
(Southeast Asia)
88.2.2 Mahāyāna
(East Asia and Beyond)
88.2.3 Vajrayāna
(Tibet, Bhutan, Mongolia, Himalayas)
89 Hindu Yoga: Science of Union and Liberation
89.1 Foundational Framework: Patañjali’s Aṣṭāṅga Yoga
89.2 Core Philosophy Underlying Yoga
89.3 The Major Paths (Mārgas)
of Yoga
89.4 Key Subtle Concepts
89.4.1 Modern
Yoga and Practical Starting Points
90 Major Gods and Goddesses of Hinduism
90.1 The Trimūrti – The “Holy Trinity” of Cosmic Functions
90.1.1 Brahmā
– The Creator
90.1.2 Viṣṇu – The Preserver
90.1.3 Śiva
– The Destroyer/Transformer
90.2 The Tridevī – The Divine Feminine (Śakti)
90.2.1 Sarasvatī
– Consort of Brahmā
90.2.2 Lakṣmī
– Consort of Viṣṇu
90.2.3 Pārvatī/Durgā/Kālī
– Consort of Śiva
90.3 Other Major Deities
90.3.1 Gaṇeśa
90.3.2 Hanumān
90.3.3 Indra
90.3.4 Sūrya
90.3.5 Agni
90.4 Core Concepts
90.5 Brahmā and Indra in Buddhism
90.5.1 Laukika
and Lokottara : Buddhist Distinction
91 Thai Buddhist Temple Murals
91.1 Key Elements
91.2 Placement Rules and Sacred Geography
91.2.1 Hierarchy
of Buildings
91.2.2 Vertical
Hierarchy Inside the Hall
91.2.3 Narrative
Flow and Ritual Movement
91.2.4 Evolution
and Regional Variation
92 Hindu and Buddhist Karma
92.1 Shared Core Principles
92.2 Key Differences
92.3 Practical Implications
92.3.1 Hinduism
92.3.2 Buddhism
93 Rebirth in Buddhism
93.1 Core Mechanism: Dependent Origination
93.2 Realms of Rebirth (Six Gati)
93.3 What Dies and What Rebirths? The Five Aggregates (Skandha)
93.4 The Moment of Death
93.5 The Moment of Rebirth
93.5.1 Why
Rebirth Matters
93.6 Mahāyāna Elaborations on Rebirth
93.6.1 Yogācāra:
Storehouse Consciousness (Ālaya-vijñāna)
93.6.2 The
Bodhisattva’s Voluntary Rebirth
93.7 In Practice: Relating to Rebirth
93.8 Rebirth in the Traibhūmikathā (“The Story of the Three Planes of Existence”)*
93.8.1 Signs
at Death and the Role of Karma
93.8.2 Dissolution
of the Elements
93.8.3 The
Journey of the “Gandhabba” (Seeking
Being)
93.8.4 Conception
and the New Life
93.8.5 Entry
into Thirty-One Planes
93.8.6 Key
Philosophical Point
93.9 The Big Question
93.10 Same
Logic in Different Frameworks
93.10.1 Theravāda
Abhidhamma: the “Stream” without a Self
93.10.2 Mahāyāna
Philosophy: Emptiness, Mind, and Buddha-nature
93.10.3 Bringing
it together
94 Lost Wax Method
94.1 Core Principle
94.1.1 Step
by Step
94.2 Advantages and Limitations
94.3 Historical and Modern Significance
95 Genius of Nāgārjuna, Tsongkhapa, and Śaṅkarācārya
95.1 Nāgārjuna: Philosopher of the Middle Way
95.1.1 Historical
Context
95.1.2 Doctrine
of Emptiness (Śūnyatā)
95.1.3 Dependent
Origination and the Two Truths
95.1.4 The
Refutation of Extremes
95.1.5 Major
Works
95.1.6 Legacy
95.2 Tsongkhapa: Founder of the Gelug (“Virtuous”)
School
95.2.1 Life
and Historical Context
95.2.2 Restoration
of Monastic Discipline
95.2.3 Systematization
of Philosophy
95.2.4 Defender
of the Prāsaṅgika-Madhyamaka
95.2.5 Integration
of Sutra and Tantra
95.2.6 Institutional
Achievements
95.2.7 Summary
of Legacy
95.3 Śaṅkarācārya: The World as Illusion
95.3.1 Historical
Context
95.3.2 Core
Doctrines of Advaita Vedānta
95.3.3 Consolidation
of Scripture and Philosophy
95.3.4 Establishment
of the Four Maṭhas
95.3.5 Public
Engagement and Devotion
95.3.6 Life
and Legends
95.3.7 Critics
and Counter-Schools
95.3.8 Legacy
95.4 Comparative Summary: Nāgārjuna | Tsongkhapa | Śaṅkarācārya
96 Thai Ramakien
96.1 Historical Development
96.2 Main Characters and Their Thai Names
96.3 How the Ramakien is Performed
96.3.1 Khon
– Masked Dance Drama
96.3.2 Lakhon
– Classical Dance Drama
96.3.3 Nang
Yai – Grand Shadow Puppetry
96.3.4 Hun
Lakhon Lek – Small Puppet Theatre
96.3.5 Cultural
Context and Performance Elements
96.4 Differences from the Indian Ramayana
96.5 Cultural Significance and Legacy
96.6 The Ramakien Murals at Wat Phra Kaew
96.6.1 North
Gallery – Prelude
96.6.2 East
Gallery – Exile and Abduction
96.6.3 South
Gallery – War Preparations and Battles
96.6.4 West
Gallery – Victory and Return
97 Mount Meru in Hinduism and Buddhism
97.1 Mount Meru in Hinduism
97.2 Mount Meru in Buddhism
98 Thirty-Seven Aids to Enlightenment
98.1 The Seven Sets of the Thirty-Seven Factors
98.1.1 Four
Foundations of Mindfulness (Satipaṭṭhāna)
98.1.2 Four
Right Efforts (Sammappadhāna)
98.1.3 Four
Bases of Spiritual Power (Iddhipāda)
98.1.4 Five
Faculties (Indriya)
98.1.5 Five
Powers (Bala)
98.1.6 Seven
Factors of Enlightenment (Satta Bojjhaṅgā)
98.1.7 The
Noble Eightfold Path (Ariya-Aṭṭhaṅgika-Magga)
98.2 Summary and Key Points
99 The Concept of Bodhicitta
99.1 Core Definition: The Two Aspects of Bodhicitta
99.2 Cultivating Bodhicitta: The Gradual Path
99.3 The Bodhisattva Vow and Activity
99.3.1 The
Bodhisattva Vow
99.3.2 The
Bodhisattva’s Practice – The Six Pāramitās
100 Historical Buddha: Eight Events and Seven Holy
Stations
100.1 The
Eight Great Events
100.1.1 Birth
of the Buddha
100.1.2 The
Great Departure (Renunciation)
100.1.3 The
Great Enlightenment
100.1.4 The
First Sermon (Turning the Wheel of
Dharma)
100.1.5 The
Great Miracle at Śrāvastī
100.1.6 Descent
from the Heaven of the Thirty-Three Gods
100.1.7 Taming
of the Nāḷāgiri Elephant
100.1.8 The
Great Passing (Parinirvāṇa)
100.1.9 Significance
of the Eight Events
100.2 The
Seven Holy Stations (Sapta-Mahāsthāna)
100.2.1 Lumbinī
– The Birth
100.2.2 Bodh
Gayā – The Enlightenment
100.2.3 Sārnāth
– The First Sermon
100.2.4 Kuśinagara
– The Parinirvāṇa
100.2.5 Śrāvastī
– The Great Miracle
100.2.6 Rājagṛha – The Taming of Nāḷāgiri &
Teachings
100.2.7 Vaiśālī
– The Monkey’s Gift & Announcement of Parinirvāṇa
101 The Myth of the Naga and the Four Noble Lineages
(Thailand)
101.1 The
Naga: A Foundational Symbol and Four Lineages
101.2 The
Myth Itself
101.3 Symbolism
and Interpretation
101.4 Modern
Resonance
102 Six Yogas of Nāropa: A Psycho-Physical Technology
102.1 Inner
Heat (Tummo)
102.2 Illusory
Body (Gyulu)
102.3 Clear
Light (Ösel)
102.4 Consciousness
Transference (Phowa)
102.5 Forceful
Projection (Bardo Practice)
102.6 Consciousness
Injection (Sikpo Druktul)
102.7 Key
Themes and Context
103 Thai Rattanakosin Buddha Postures
103.1 Key
Facts
103.2 The
List of 40 Postures
103.2.1 Important
Notes on the List
104 Stupa, Chedi, Pagoda, Chaitya, Prang
104.1 At
a Glance: What They Are
104.1.1 Similarities:
The Common Thread
104.2 Differences
& Major Examples
104.2.1 A
Simple Way to Think About It
104.3 Four
Types of Chedi in Thailand
104.4 Major
Examples of Chaitya Halls
104.4.1 The
Karla Caves (Karli Chaitya) –
Maharashtra, India
104.4.2 The
Ajanta Caves – Maharashtra, India
104.4.3 The
Bhaja Caves – Maharashtra, India
104.4.4 Chaitya
Halls Beyond Ancient India
104.5 Ayutthaya
Gold Treasure Exhibition
105 Thai Buddhist and Hindu Festivals
105.1 Buddhist
Festivals
105.1.1 Core
Festivals Celebrated Across Theravada Buddhism
105.1.2 Major
National & Cultural Buddhist Festivals
105.2 Hindu
Festivals
105.2.1 Core
Festivals Celebrated Widely
105.3 Regional
Festivals
105.3.1 Northern
Thailand (Lanna Kingdom Influence)
105.3.2 Northeastern
Thailand (Isan)
105.3.3 Southern
Thailand
105.3.4 Central
Thailand
106 Standard Set of Abbreviations used in Buddhist Studies
for referencing Texts from the Pali Canon
106.1 The
Five Nikayas (The Main Collections of
Discourses)
106.2 Key
Texts from the Khuddaka Nikaya (KN)
106.3 The
Vinaya Piṭaka (The
Monastic Discipline)
106.4 The
Abhidhamma Piṭaka (The Philosophical Psychology)
106.5 How
to Read a Reference
107 Index
| Erscheinungsdatum | 12.12.2025 |
|---|---|
| Zusatzinfo | 29 BW |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Kunst / Musik / Theater |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geisteswissenschaften ► Religion / Theologie ► Buddhismus | |
| ISBN-10 | 1-0687956-3-8 / 1068795638 |
| ISBN-13 | 978-1-0687956-3-3 / 9781068795633 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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