The Aesthetics of Digital Montage
Routledge (Verlag)
978-1-041-18713-4 (ISBN)
Marc Furstenau is Professor of Film Studies at Carleton University, Ottawa. He published articles on a range of topics and is the editor of The Film Theory Reader: Debates and Arguments (Routledge, 2010), co-editor of Cinema and Technology: Cultures, Theories, Practices (Palgrave, 2008), and co-editor of Special Effects on the Screen: Faking the View from Méliès to Motion Capture (Amsterdam: Amsterdam University Press, 2022). He is past editor of the Canadian Journal of Film Studies.
List of illustrations, Introduction, 1: The Fate of Film Editing, 2: Editing, Intention, and the Work of Film Art, 3: The Technology and Technique of Film Editing, 4: Digital Montage and the Ontology of the Cinema, 5: The Art of Editing in the Digital Era, Conclusion, Acknowledgements, Bibliography, Index.
| Erscheinungsdatum | 20.11.2025 |
|---|---|
| Reihe/Serie | Cinema and Technology |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 540 g |
| Themenwelt | Geisteswissenschaften ► Geschichte |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-041-18713-0 / 1041187130 |
| ISBN-13 | 978-1-041-18713-4 / 9781041187134 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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