Chinese Feminisms and The Vagina Monologues
Seiten
2026
Cambridge University Press (Verlag)
978-1-009-66777-7 (ISBN)
Cambridge University Press (Verlag)
978-1-009-66777-7 (ISBN)
- Noch nicht erschienen (ca. Februar 2026)
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This Element focuses on three Chinese productions of The Vagina Monologues, Yin Dao Du Bai, Yin Dao Zhi Dao, and Dao Yin. Each production was staged in and informed by the changing landscape of Chinese feminism. This Element explores this historical analysis and proposes the concept of 'collapsed feminisms'.
This Element focuses on three Chinese productions of The Vagina Monologues (TVM, 1996), a radical-feminist play by the North American artist and activist Eve Ensler: Yin Dao Du Bai (The Vagina Monologues, 2003), Yin Dao Zhi Dao (Vagina's Way, 2013), and Dao Yin (Saying Vagina, 2021). Each production was staged in and informed by the changing landscape of Chinese feminism: from 2003 to the early 2010s, the making of TVM was a process of exploring the subject position of an autonomous citizen, but from 2015, feminist theatre making had to contend with gains being eroded by state neoliberalism, an issue reflected in the third performance, Dao Yin (2021). Drawing on this historical analysis, in the fifth and final section, the author proposes the concept of 'collapsed feminisms' to argue that Chinese feminist theatres from 2003 to 2021 staged an extremely complicated scene where all these feminisms overlapped and 'collapsed' together.
This Element focuses on three Chinese productions of The Vagina Monologues (TVM, 1996), a radical-feminist play by the North American artist and activist Eve Ensler: Yin Dao Du Bai (The Vagina Monologues, 2003), Yin Dao Zhi Dao (Vagina's Way, 2013), and Dao Yin (Saying Vagina, 2021). Each production was staged in and informed by the changing landscape of Chinese feminism: from 2003 to the early 2010s, the making of TVM was a process of exploring the subject position of an autonomous citizen, but from 2015, feminist theatre making had to contend with gains being eroded by state neoliberalism, an issue reflected in the third performance, Dao Yin (2021). Drawing on this historical analysis, in the fifth and final section, the author proposes the concept of 'collapsed feminisms' to argue that Chinese feminist theatres from 2003 to 2021 staged an extremely complicated scene where all these feminisms overlapped and 'collapsed' together.
1. The vagina monologues and feminism(s) in China; 2. The politics of desire: feminist erotic desires in yin dao du bai and (neo)liberalism; 3. Vagina's way: confronting medical-patriarchal-nationalist ideologies in and beyond feminist theatre; 4. Feminist theatre during the COVID-19 pandemic: dao yin and neoliberal globalization; 5. Conclusion: collapsed feminisms, chaos, relics, and feminist hope; References.
| Erscheint lt. Verlag | 28.2.2026 |
|---|---|
| Reihe/Serie | Elements in Women Theatre Makers |
| Zusatzinfo | Worked examples or Exercises |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Themenwelt | Literatur ► Lyrik / Dramatik ► Lyrik / Gedichte |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften ► Politik / Verwaltung ► Politische Theorie | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 1-009-66777-7 / 1009667777 |
| ISBN-13 | 978-1-009-66777-7 / 9781009667777 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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