Translation (Theory) as an Assemblage
Routledge (Verlag)
9781041146032 (ISBN)
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This experimental book on translation borrows its title and methodology from the introduction to Deleuze and Guattari’s A Thousand Plateaus. As they theorize it, an assemblage (French agencement) works through a complex socio-material network characterized by fluidity, exchangeability, and connectivity. They contrast the assemblage with what they call the “root-tree,” which is rooted in stable ontological soil and issues forth into tidy binaries: one becomes two, two becomes four, and so on.
An assemblage is not simply the kind of postmodern form of allegory or analogy where what points beyond itself to “reality” is not a fictional story or image but what Kenneth Burke called “perspectives by incongruity.” Rather, whatever “pointing” an assemblage does is radically local and shifting, or what Deleuze and Guattari call rhizomatic. A rhizomatic assemblage (dis)organizes people, events, and the planes on which they occur, and the speeds at which they occur, through a nonlinear network that is constantly in motion.
Robinson reads Franz Kafka (and other authors) and their translations in kaleidoscopic snippets that work as temporary mappings rather than stable calques—tiny fleeting ways or moments of looking at or feeling one’s way into or otherwise experiencing translingual address. That orientation makes this book experimental, and the types of translation (theory) that Robinson explores in it experimental as well.
It will be of interest to graduate students and professors of translation and comparative world literature, those interested in modernist, experimental, or avant-garde fiction, and those who also do literary and scholarly translation.
Douglas Robinson is Professor of Translation Studies and Head of the Division of Intercultural Communication at the Chinese University of Hong Kong, Shenzhen, and author of three dozen monographs on translation, literature, rhetoric, and semiotics. He has been translating from Finnish since 1975, experimentally since 2020.
Preface. Rhizomatizing Kafka
Brunied Green 1
First Plateau: Uprooting Schleiermacher’s Crabgrass
Brunied Green 2
Second Plateau: The Wish (Not) to be an Interpreter: The Wasp and the Orchid
Brunied Green 3
Third Plateau: The Silence of the Crabgrass
Brunied Green 4
Fourth Plateau: The Shamanic Translator as Constellator
Brunied Green 5
Fifth Plateau: Ants in the House and the Forming of Norms
Brunied Green 6
Sixth Plateau: The Leopards (and the Wasps) of Translation
Brunied Green 7
Seventh Plateau: Collections: Indirect Translations as Babelian Assemblages
Brunied Green 8
Conclusion: Tough Row to Hoe
| Erscheint lt. Verlag | 24.3.2026 |
|---|---|
| Reihe/Serie | Routledge Advances in Translation and Interpreting Studies |
| Zusatzinfo | 3 Line drawings, black and white; 1 Halftones, black and white; 4 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Sprachwissenschaft | |
| ISBN-13 | 9781041146032 / 9781041146032 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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