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Mortals, Deities and Divine Symbols: Rethinking Ancient Images from the Levant to Mesopotamia -

Mortals, Deities and Divine Symbols: Rethinking Ancient Images from the Levant to Mesopotamia

Studies Offered to Tallay Ornan

Benjamin Sass, Laura Battini (Herausgeber)

Buch | Softcover
712 Seiten
2025
Archaeopress Archaeology (Verlag)
978-1-80327-293-1 (ISBN)
CHF 209,45 inkl. MwSt
Dedicated to Tallay Ornan, a scholar distinguished in ancient Western Asian iconographic studies. It is divided into her major themes: New Discoveries and Approaches; The Human World; The Divine World. This discusses iconological and textual problems, in a chronological span from the third to first millennia BCE.
Mortals, Deities and Divine Symbols: Rethinking Ancient Imagery from the Levant to Mesopotamia is dedicated to Tallay Ornan, a scholar who has distinguished herself in ancient Western Asian iconographic studies and has become an undisputed reference in this field. It is divided into three parts, which give greater prominence to Tallay Ornan’s major themes: New Discoveries and Approaches in twelve chapters; The Human World (e.g. royals, women) in fourteen chapters; The Divine World (anthropomorphic deities and divine symbols) in eighteen chapters.







The chapters discuss iconological and textual problems from the Levant to Mesopotamia, in a chronological span from the third to first millennia BCE.

Benjamin Sass is Emeritus Professor of Archaeology of Tel Aviv University. Among his books are Corpus of West Semitic Stamp Seals (1997), The Alphabet at the Turn of the Millennium (2005), and Aramaic and Figural Stamp Impressions on Bricks of the Sixth Century B.C. from Babylon (2010). For the last decade he has been writing extensively about the alphabet in the earlier Iron Age, frequently in collaboration with Israel Finkelstein.  Laura Battini is a researcher at the French National Centre of Scientific Research. Among her books are L'espace domestique en Mésopotamie (1999), Making Pictures of War (2016), and La déesse aux oies (forthcoming, 2025). She is director of the journal Ash Sharq, and is editor of the series Archaeopress Ancient Near Eastern Archaeology, as well as a blog (https://ane.hypotheses.org/). Her principle areas of research are Mesopotamian architecture and urbanism, materiality and the body, and violence.

Introduction


Photographic Souvenirs of Tali’s Career


Tallay Ornan’s Publications through May 2024


 


FIRST PART: NEW MATERIALS AND APPROACHES


Chapter 1: Closed Case: An Iron Age Trove of Jewellery from the Israel Museum Collection and the Identification of Its Provenance at Tel ‘Ira (Israel) – Eran Arie


Chapter 2: Articulating Foundation Myths in Milesian Festivals: A Diachronic Perspective – Mary R. Bachvarova


Chapter 3: Ancient Images in Mesopotamia: Ancient Gaze and Present Observation between Visual Sources and Textual Sources. Questions and Limitations – Rita Dolce


Chapter 4: Naturalism, Photography, and Empire in the Old Akkadian Period – Marian H. Feldman


Chapter 5: A Reassesment: Is the Cone-Shaped Object Held by the Genii in Aššurnaṣirpal II’s Palace at Kalḫu a Citron? – Norma Franklin


Chapter 6: The Reception of the Law Code Stele of Hammurabi in Spain: From a Treatise on Ophthalmology to a White Plaster Cast – Agnès Garcia-Ventura


Chapter 7: New Gleanings at the Temples of Sidon, Tyre and Jerusalem (Decoding Phoenician Art – II) – Eric Gubel


Chapter 8: The Imagery of the Neo-Assyrian Seals Belonging to the Palace. An Interpretation of the Scene on a Stamp Seal Formerly Kept in the Southesk Collection – Zoltán Niederreiter


Chapter 9: Gods, Rulers, and Death. Nonverbal Expressions and Group Identity in Syro–Anatolian and Assyrian Monumental Art – Ludovico Portuese


Chapter 10: Inscribed Bullae from the Samaria Excavations Forgotten for Ninety Years – Benjamin Sass and Eythan Levy


Chapter 11: The Impact of Models and Prototypes in Carving and Sculpturing. How Craftspeople Referred to Prototypes and Conventions. Two Various Examples – Silvia Schroer


Chapter 12: How Meaning Evolves. Proto-Cuneiform Signs: Considerations on Their Origins at the Intersection of Visual and Oral Communication – Gebhard J. Selz


 


SECOND PART: THE HUMAN WORLD


Chapter 13: The Threat of the Women Warriors: From the Arab Women to the Amazons – Débora V. Ben-Ami


Chapter 14: Ideological Differences between Representations of the Pharaoh during the 18th and 19th Dynasties Reflected on Scarabs and Stamp-Seals – Daphna Ben-Tor and Othmar Keel


Chapter 15: In a Masked World: On the Physiognomy of Assyrian Faces – Dominik Bonatz


Chapter 16: The “Lady at the Window” from Arslan Tash – Annie Caubet


Chapter 17: Revisiting the Seated Figure on Wall Painting No. 9 from Kuntillet Ajrud … Once Again – Izak Cornelius


Chapter 18: Sennacherib’s Open-Air Sanctuary at Khinis/Bavian: Quarries, Quarry Workers, Recarved Panels, and Polylithic Bulls – Stephanie Dalley


Chapter 19: Akhenaten’s Divine Crop – Arlette David


Chapter 20: Two Iron Age Female Figurines from Tel Rekhesh – Shuichi Hasegawa and Shizuka Mito


Chapter 21: In the Sign of the Scorpion: The Administrative Seals of the Neo-Assyrian Queen and the Queen’s Household  – Suzanne Herbordt


Chapter 22: The Image of the City as a Symbol and Scene in Assyrian Representation – Maria Grazia Masetti-Rouault


Chapter 23: Whose Head is Hanging from the Tree? – Natalie Naomi May


Chapter 24: Back to Life. On a Lifelike Female Statue Head from Assur? – Astrid Nunn, Heinrich Piening and Becca Saladin Segovia


Chapter 25: On Goats, Mountains and the Elusive Babylonian Royal Seal – Rocío Da Riva


Chapter 26: A Preliminary Survey of the Documentation from Dilbat and Several Other Places in Central and Northern Babylonia Chiefly during the Long 6th Century BCE – Ran Zadok


 


THIRD PART:THE DIVINE WORLD


Chapter 27: The Meaning and Sense of the Ugaritic Baal–Mot Conflict Narrative – Tzvi Abusch and David P. Wright


Chapter 28: A Confidential Message: Divine Combat and Death in a Forgotten Akkadian Seal from Ur – Laura Battini


Chapter 29: Three Kassite Seals in the Bible Lands Museum Jerusalem – Yigal Bloch


Chapter 30: “I Have Set My Bow in the Cloud” – Symbolism and Myth – Ruhama Bonfil and Robert Bonfil


Chapter 31: The Symbol of the Triumph – Baruch Brandl


Chapter 32: The Soldier and the Exorcist: A Cylinder Seal in the Ashmolean Museum – Paul Collins


Chapter 33: Birds and Gods in Ancient Mesopotamia – Uri Gabbay


Chapter 34: For Whom the Bell Tolls: Horse Harnesses at Megiddo and Beyond – Yosef Garfinkel


Chapter 35: The Late Babylonian Worship Scene at Persepolis – Mark B. Garrison


Chapter 36: A New Look at the Hittite Silver Vessel in the Shape of a Fist – Clement Hazan


Chapter 37: The Tale of “Nergal and Ereškigal” Revisited – Dina Katz


Chapter 38: In His Image: God or Ruler? A Stone Relief from the Iron IIA Cultic Precinct at Tel Moẓa – Shua Kisilevitz, Amotz Agnon, Nuphar Gedulter and Oded Lipschits


Chapter 39: The Sanctuary of Ataroth and Its Inscriptions – Nadav Na’aman


Chapter 40: Beyond the Visible. Feeling the Divine Presence in Ancient Mesopotamia – Anne-Caroline Rendu Loisel


Chapter 41: The Hunters’ Palette. A Guide to Weapons Used in Egypt in the Late Predynastic Period – Michael Sebbane


Chapter 42: The Repertoire of Motifs and Their Composition on Ivory Furniture from Samaria. An Updated Inventory and Reflections on Egyptianizing Trends in Ancient Israel – Claudia E. Suter


Chapter 43: An Unprovenanced Inscribed Stone Macehead – Nathan Wasserman


Chapter 44: Topographic Imagery in Pictorial Art – Irit Ziffer

Erscheinungsdatum
Reihe/Serie Archaeopress Ancient Near Eastern Archaeology
Zusatzinfo 424 figures
Verlagsort Oxford
Sprache englisch
Maße 205 x 290 mm
Gewicht 2725 g
Themenwelt Geisteswissenschaften Archäologie
Geschichte Allgemeine Geschichte Vor- und Frühgeschichte
ISBN-10 1-80327-293-7 / 1803272937
ISBN-13 978-1-80327-293-1 / 9781803272931
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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