A Companion to Early Iberian Traditional Lyrics
Tamesis Books (Verlag)
978-1-85566-389-3 (ISBN)
Dating to the tenth century, the earliest vernacular lyric poems in the Iberian Peninsula have been seen as evidence of an even older, oral, folk tradition and attest to the multicultural, multilingual nature of the genre from its very beginning. Primarily preserved in manuscript and printed songbooks, these poems were widely diffused across the Hispanic world.
This Companion offers an accessible, reliable introduction in English to early Iberian traditional lyrics from a comparative and interdisciplinary perspective, paying special attention to their multicultural origins and their complex nature as both oral and written compositions. The opening chapters discuss the importance of understanding this dual essence in studying traditional lyrics today, provide an outline of their structure and formal features, and offer a contemporary overview of the field. The volume then examines the kharjas, the cantigas de amigo, and the tradition of Catalan lyricism before turning to a comparison of popular lyrics with the poetry of the cancioneros and romanceros and the preservation of the tradition in Sephardic ballads. The final chapters examine the survival of popular lyrics into the modern era and explore a new means of interpreting these poems through musical archaeology and musicological studies.
MARIANA MASERA is a Senior Researcher at the Universidad Nacional Autónoma de México (UNAM), director of the Laboratorio de Culturas e Impresos Populares Iberoamericanos (LACIPI), coordinator of the Red Internacional de Lyra Minima (RELYMI) and co-founder of the International Congress of Lyra Mínima. Senior Lecturer in Spanish, University of Durham. MARIANA MASERA is a Senior Researcher at the Universidad Nacional Autónoma de México (UNAM), director of the Laboratorio de Culturas e Impresos Populares Iberoamericanos (LACIPI), coordinator of the Red Internacional de Lyra Minima (RELYMI) and co-founder of the International Congress of Lyra Mínima.
Introduction: Studying Early Iberian Traditional Lyrics Today - Mariana Masera
Section I: Early Hispanic Traditional and Popular Lyrics
1. The Old Hispanic Popular and Traditional Lyrics - Mariana Masera
2. Black Skins, White Breasts: The Sexualisation of the Female Subject in the Traditional Castilian Lyric - Andrew M. Beresford
Section II: Early Iberian Multicultural Traditions
3. The Ḫarǧas (Jarchas) - Teresa Garulo
4. Cantigas de Amigo Paralelísticas. Iberian Echoes of Women's Voices in a Men's World
Ria Lemaire-Mertens
5. Early Popular and Traditional Catalan Lyric Poetry - Raül Sanchis-Francés and Anna Alberni
Section III: Traditions and Genres
6. Old Hispanic Popular Lyrics and Cancionero Poetry: The Gaze as Topic and Discourse - Martha Bremauntz
7. Early Iberian Traditional Lyrics and the Romancero Viejo: Different Branches from the Same Tree - Magdalena Altamirano
8. Judeo-Spanish Ballads - Hilary Pomeroy
Section IV: Old Songs' Survival
9. From The Middle Ages to the Contemporary Era: Memory and Creativity in Oral and Popular Lyrics - José Manuel Pedrosa
Section V: Music
10. The Music of Medieval and Traditional Iberian Lyric: Diversity, Paradigms, and Communicative Efficiency - Antoni Rossell
Works Cited
Digital Resources
Glossary
Index of first verses and titles
General Index
| Erscheinungsdatum | 07.08.2025 |
|---|---|
| Reihe/Serie | Tamesis Companions |
| Co-Autor | Ana Alberni, Ana Rosa Gómez Mutio, Professor Andrew M Beresford, Antoni Rossell |
| Zusatzinfo | 16 b/w illus. |
| Verlagsort | Woodbridge |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-85566-389-9 / 1855663899 |
| ISBN-13 | 978-1-85566-389-3 / 9781855663893 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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