Roman Comedy against the Subject
Seiten
2025
Oxford University Press (Verlag)
978-0-19-892009-0 (ISBN)
Oxford University Press (Verlag)
978-0-19-892009-0 (ISBN)
This book integrates several critical-theoretical approaches including object-oriented ontology, queer theory, and feminist phenomenology to create a set of tools for de-familiarizing Roman comedy.
Roman Comedy against the Subject provides an expansive interpretation of four Roman comedies named after objects--Plautus's Cistellaria, Aulularia, and Rudens, and Terence's Eunuchus. In this book, the titular object provides an opportunity not to reconceive the relational politics of Roman comedy, but to conceive a different politics of familial and social relations with Roman comedy. Employing object-oriented ontology, psychoanalysis, queer theory, and Black critical theory, the book radically recasts perennial problems of Roman comedy and literature in general: the author, in relation to "mothering" (alternative maternities); character, in relation to neurodiversity; genre, in relation to sibling-like parentality; and the title itself, in relation to gendering and ungendering. Roman Comedy against the Subject explores the aesthetic and political possibilities of becoming object, of embracing "itness." Rather than assimilating objects to subjects or vital agents, the book finds emancipatory potential in renouncing the normative and intrinsically exclusionary subjecthood of "he," "she," and "they," markers of privilege that are burdened by the violence of humanization and often dehumanizing of others. The introduction features nine brief but acute readings of object-oriented modern dramas: Tennessee Williams's Glass Menagerie, Yukio Mishima's The Damask Drum, Eugène Ionesco's Les Chaises, and Alice Childress's String, among others.
Roman Comedy against the Subject provides an expansive interpretation of four Roman comedies named after objects--Plautus's Cistellaria, Aulularia, and Rudens, and Terence's Eunuchus. In this book, the titular object provides an opportunity not to reconceive the relational politics of Roman comedy, but to conceive a different politics of familial and social relations with Roman comedy. Employing object-oriented ontology, psychoanalysis, queer theory, and Black critical theory, the book radically recasts perennial problems of Roman comedy and literature in general: the author, in relation to "mothering" (alternative maternities); character, in relation to neurodiversity; genre, in relation to sibling-like parentality; and the title itself, in relation to gendering and ungendering. Roman Comedy against the Subject explores the aesthetic and political possibilities of becoming object, of embracing "itness." Rather than assimilating objects to subjects or vital agents, the book finds emancipatory potential in renouncing the normative and intrinsically exclusionary subjecthood of "he," "she," and "they," markers of privilege that are burdened by the violence of humanization and often dehumanizing of others. The introduction features nine brief but acute readings of object-oriented modern dramas: Tennessee Williams's Glass Menagerie, Yukio Mishima's The Damask Drum, Eugène Ionesco's Les Chaises, and Alice Childress's String, among others.
Mario Telò is Professor of Rhetoric, Comparative Literature, and Ancient Greek and Roman Studies at UC Berkeley. He is the author of Aristophanes and the Cloak of Comedy: Affect. Aesthetics, and the Canon (University of Chicago Press, 2016), Archive Feelings: A Theory of Greek Tragedy (Ohio State University Press, 2020), Greek Tragedy in a Global Criis: Reading through Pandemic Times (Bloomsbury, 2023), Resistant Form: Aristophanes and the Comedy of Crisis (Punctum Books, 2023), and Reading Greek Tragedy with Judith Butler (Bloomsbury, 2024).
Introduction: Roman Comedy, Post-subjectivity, and Non-normative Relating
1: The Basket and the Bond
2: The Autistic P(l)ot
3: Comedy on the Ropes
4: Untitled
Epilogue
| Erscheinungsdatum | 19.08.2025 |
|---|---|
| Reihe/Serie | Postclassical Interventions |
| Zusatzinfo | 15 Illustrations |
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 145 x 225 mm |
| Gewicht | 495 g |
| Themenwelt | Literatur ► Klassiker / Moderne Klassiker |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 0-19-892009-1 / 0198920091 |
| ISBN-13 | 978-0-19-892009-0 / 9780198920090 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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Buch | Hardcover (2023)
De Gruyter (Verlag)
CHF 83,90
