Transcultural Histories of Art and Artisanal Epistemologies
Routledge (Verlag)
978-1-032-59449-1 (ISBN)
As chapters in this book demonstrate, the category of artisanal knowledge opens up the history of culture, allowing discourse to be freed from a narrative of cultural development without excluding Art with a capital A from consideration. Our shared inquiry, approached through many different case studies involving many kinds of data and contexts, focuses attention on methodological aspects. Each chapter provides a sustained meditation on artisanal knowledge that includes intellectual, social, economic, and political factors without relying on universals, monolithic categories, hierarchies of genre and medium, or the use of binaries, least of all the global/local binary. As different as they are from one another, all the chapters in this book ask about various connectivities among peoples, ideas, things.
The book will be of interest to artists, critics, curators, and scholars working in art history, museum studies, history, material culture studies, performance studies, eco-criticism, Latin American studies, colonial studies, religious studies, anthropology, and Indigenous studies.
The Introduction and Coda of this book are freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.
Claire Farago (Ph.D., University of Virginia) is Professor Emerita at the University of Colorado Boulder. She has written widely on early modern art theory, historiography, cultural exchange, the materiality of the sacred, the history of style, and museology, including Writing Borderless Histories of Art: Human Exceptionalism and the Climate Crisis (2025). Susan Lowish (Ph.D., Monash University, Melbourne) is Senior Lecturer in Australian Art History, University of Melbourne. She has published extensively on Indigenous collections, digital image archives for Australian art history, and rock art, including her award-winning book, Rethinking Australia’s Art History: The Challenge of Aboriginal Art (2018). Jens Baumgarten (Ph.D., Hamburg University) is Professor of Art History at the Federal University of São Paulo, where he established one of the first autonomous departments of Art History in Brazil. He specializes in the early modern art history of Latin America and Europe, the historiography of art, and contemporary visual culture.
List of Contributors
Introduction and Acknowledgements
1. Theoretical Introduction: Artisanal Epistemology as a Transcultural Concept
Claire Farago
New Epistemologies in Formation
2. The Making and Materiality of Kalaallit assilialiait:
Inuit Artisanal Knowledge in the Global Nineteenth Century
Bart Pushaw
3. Artisanal Waste Construction in Contemporary Art and Architecture of Mexico City:
The Conceptual Impact of Abraham Cruzvillegas
Peter Krieger
Transcultural Institutions
4. Self-Reflexive Practices in the Arts of Luis García Hevia: From Colonial Workshop to Experiential Processes in Nineteenth-century Colombia
Patricia Zalamea
5. “Para o inglês ver – para o brasileiro acreditar”:
Transcultural Discourses and Practices in Contemporary Brazilian Arts and Cultures
Jens Baumgarten and Vinicius Spricigo
Material Flows/Circulating Objects
6. Artisanal Authority and Indigenous Knowledge in the Book Culture of Sixteenth-century Mexico
Jeanette Favrot Peterson
7. From Stone and Wood: Carving Christian Identity in Early Modern India
Erin Benay
8. Making and Sensing: Ceramics, Metalwork, and Aromatics in Transcultural Exchanges
Leah R. Clark
Knowledge-sharing Models
9. Migrating Inventions: Brunelleschi’s Dome and the East
Dario Donetti and Lorenzo Vigotti
10. Material Concerns: Experiential Teaching and Learning with First Nations Artists in Australia
Susan Lowish
11 Coda: Collaborations, Transformations, and Continuing Conversations
Susan Lowish, Jens Baumgarten, and Claire Farago
| Erscheinungsdatum | 16.08.2025 |
|---|---|
| Reihe/Serie | Routledge Advances in Art and Visual Studies |
| Zusatzinfo | 22 Halftones, color; 48 Halftones, black and white; 22 Illustrations, color; 48 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 174 x 246 mm |
| Gewicht | 620 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geisteswissenschaften ► Geschichte | |
| Geisteswissenschaften ► Philosophie ► Erkenntnistheorie / Wissenschaftstheorie | |
| ISBN-10 | 1-032-59449-7 / 1032594497 |
| ISBN-13 | 978-1-032-59449-1 / 9781032594491 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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