Composers in the Middle Ages (eBook)

Anne-Zoe Rillon-Marne, Gael Saint-Cricq (Herausgeber)

eBook Download: EPUB

2024
336 Seiten
Boydell & Brewer Ltd (Verlag)
978-1-80543-579-2 (ISBN)

Infos

A reflection on the idea of the "e;composer"e; in the medieval period, including a study of the individuals and groups active in the creation of medieval music.The modern concept of the individual composer is central to accounts of Western music, and continues to represent a critical field of research in musicology. However, this approach cannot be straightforwardly transposed to the Middle Ages, as it does not reflect the complex creative realities of medieval composition, and conflicts with the evidence from extant sources and documentation.This collection, the first full-length study of the subject, questions and revises the concept of the composer for the medieval period through five thematic parts: 'Historiographical Critique', 'Ascriptions, Attributions, Signatures', 'Medieval Constructions of Authority and of the Authorial Persona', 'The Composing Workshop', and 'Composers as Communities'. Spanning a period from the seventh century to the early Renaissance, and taking in different cultural and geographical areas of Western Europe, the essays examine a range of repertoires and fields - plainchant, Latin devotional song, medieval motet, trouvere song, Ars nova, drama, and illuminated Gothic manuscripts - in diverse contexts, from clerical communities, to princely courts and lay workshops. Overall, the new perspectives here shed fresh light on the musical practices and repertoires of the Middle Ages.Chapters 6 and 10 are available as Open Access under the Creative Commons license CC-BY-NC-ND.

Inhalt

Introduction: From Composer to Composers
Gaël Saint-Cricq, with Anne-Zoé Rillon-Marne

I. Historiographical Critique
1. Gregory and Friends: Plural Authorities in the History of Romano-Frankish Chant
Henry Parkes
2. Inspiration vs Attribution: The Voice of the Planctus ante nescia
Charles E. Brewer
3. Petrus de Cruce, Philippe de Vitry, Notational Epochs, and the Spans of Human Lives
Anna Zayaruznaya

II. Ascriptions, Attributions, Signatures
4. Composing in the Late Middle Ages: Paradoxes in Anonymity and Attributions
Margaret Bent
5. Questions of Signatures and Authorship: Some Elusive Scribes and Artists in Late Thirteenth- and Early Fourteenth-Century France
Alison Stones

III. Medieval Constructions of Authority and of the Authorial Persona
6. Encoded Signatures: Devotion and Artistic Self-Presentation in the Motet Ferre solet (1373)
Manon Louviot
7. The (Critical) Reception of Adam de la Halle's Motets by Petrus de Cruce and His Circle
Catherine A. Bradley

IV. The Composing Workshop
8. In the Writing Workshop: Composing for the Stage in French during the Long Fifteenth Century
Estelle Doudet
9. Facere, Componere, Invenire: Reassembling the Composer in the Long Thirteenth Century
Mark Everist

V. Composers as Communities
10. W. de Wicumbe as a Composer of Alleluya Rondelli
Karen Desmond
11. Rethinking Trouvère: Biographical and Historical Perspectives on Thirteenth-Century Musical Culture
Brianne Dolce
12. Encounters of Poets, Composers and Performers in Ars Nova Song: The Case of Jaquet de Noyon, Minstrel, and the Ballade Puis que je sui fumeux
Yolanda Plumley

General bibliography
Index of sources
Index of proper nouns and places
Index of works

Produkt-Details

• Erscheint lt. Verlag: 19.11.2024
• Reihe/Serie: Studies in Medieval and Renaissance Music
• Co-Autor: Margaret Bent, Yolanda Plumley, Anne-Zoe Rillon-Marne, Gael Saint-Cricq, Alison Stones, Anna Zayaruznaya, Catherine A Bradley, Charles E Brewer, Karen Desmond, Brianne Dolce, Estelle Doudet, Mark Everist, Manon Louviot, Henry Parkes
• Zusatzinfo: 2 diagrams, 12 musical exx. and 19 b/w illus.
• Verlagsort: Woodbridge
• Sprache: englisch
• Maße: 160 x 160 mm
• Themenwelt: Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical
• Themenwelt: Kunst / Musik / Theater ► Musik ► Musikgeschichte
• Themenwelt: Geisteswissenschaften ► Geschichte
• Schlagworte: Anonymous Composers • Ars nova • artistic identity • authorship attribution • biographical studies • Chant Traditions • Composer Networks • French Motets • Liturgical Music • liturgical performance • Manuscript Studies • Medieval Devotional Music • Medieval Musicology • Musical Patronage • Music Composition Techniques • music historiography • Music notation • Notational Practices • Scribe Identification • Trouvère Songs
• ISBN-10: 1-80543-579-5 / 1805435795
• ISBN-13: 978-1-80543-579-2 / 9781805435792