Naturalism Redressed
Identity and Clothing in the Novels of Emile Zola
Seiten
2003
Legenda (Verlag)
978-1-900755-82-5 (ISBN)
Legenda (Verlag)
978-1-900755-82-5 (ISBN)
This study rescues clothing from the margins of representation, and draws on a range of 20th-century feminist and queer theory to demonstrate that clothing troubles such binary pairs as "masculine" and "feminine" and "normal" and "perverse" that lie at the foundations of Zolian naturalism.
References to clothing in the nineteenth-century naturalist novel have traditionally been read merely as examples of descriptive detail. Thompson, in her groundbreaking study on Zola, rescues clothing from the margins of representation, and draws on a wide range of twentieth-century feminist and queer theory to demonstrate that clothing troubles such binary pairs as 'masculine' and 'feminine', 'normal' and 'perverse', 'natural' and 'artificial' that lie at the foundations of Zolian naturalism. The author's investment in the signifying power of clothing in the Rougon-Macquart is such that the novels can no longer be read as unproblematic illustrations of literary naturalism; in fact its intensity demands that Zola's relationship to literature and his descriptions of Second Empire society be reassessed.
References to clothing in the nineteenth-century naturalist novel have traditionally been read merely as examples of descriptive detail. Thompson, in her groundbreaking study on Zola, rescues clothing from the margins of representation, and draws on a wide range of twentieth-century feminist and queer theory to demonstrate that clothing troubles such binary pairs as 'masculine' and 'feminine', 'normal' and 'perverse', 'natural' and 'artificial' that lie at the foundations of Zolian naturalism. The author's investment in the signifying power of clothing in the Rougon-Macquart is such that the novels can no longer be read as unproblematic illustrations of literary naturalism; in fact its intensity demands that Zola's relationship to literature and his descriptions of Second Empire society be reassessed.
Hannah Thompson is a research fellow at Darwin College, Cambridge. She has also written on Rachilde and late nineteenth-century war fiction.
Introduction; 1: The Patchwork Text; 2: Zola's Metaphoric Wardrobe; 3: The Erotics of the Department Store; 4: Transvestism and the Aesthetics of Artifice; 5: The Dynamics of the Veil; Conclusion Ornamental Designs
| Erscheint lt. Verlag | 30.10.2003 |
|---|---|
| Verlagsort | Leeds |
| Sprache | englisch |
| Maße | 138 x 216 mm |
| Gewicht | 312 g |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-900755-82-3 / 1900755823 |
| ISBN-13 | 978-1-900755-82-5 / 9781900755825 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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