Stannaki Forum. Kunst und Forschung im Gespräch
Art and Research in Conversation
Seiten
• 500 years of the Dresden State Collections put to the test
• Colonialism, enslavement, dispossession and cultural appropriation
• Contemporary dialogs and future perspectives
Stannaki Forum: Art and Research in Conversation is a research format at the Staatliche KunstsammlungenDresden that facilitates conversations that fosters dialogue across different horizons of knowledge. Each forum begins with a specific object, which acts as both a witness and an interlocutor. These objects, shaped by their material provenance, acquisition and trading history, visual grammar, cultural techniques, or biography, reflect contexts ranging from colonialism, enslavement, dispossession, and cultural appropriation to diplomacy, exile, migration, economic relations, and education. The Stannaki Forum aims to acknowledge these contextual entanglements, thereby evoking the diasporic histories of the 500-years old state collections, which are conjured through contemporary conversations that seek to instigate shared futures.Doreen Mende is director of the cross-collections Research Department at the Staatliche Kunstsammlungen Dresden [State Collections of Art Dresden], associate professor at HEAD Genève of HES-SO, and co-founder of the Harun Farocki Institut in Berlin.
• Colonialism, enslavement, dispossession and cultural appropriation
• Contemporary dialogs and future perspectives
Stannaki Forum: Art and Research in Conversation is a research format at the Staatliche KunstsammlungenDresden that facilitates conversations that fosters dialogue across different horizons of knowledge. Each forum begins with a specific object, which acts as both a witness and an interlocutor. These objects, shaped by their material provenance, acquisition and trading history, visual grammar, cultural techniques, or biography, reflect contexts ranging from colonialism, enslavement, dispossession, and cultural appropriation to diplomacy, exile, migration, economic relations, and education. The Stannaki Forum aims to acknowledge these contextual entanglements, thereby evoking the diasporic histories of the 500-years old state collections, which are conjured through contemporary conversations that seek to instigate shared futures.Doreen Mende is director of the cross-collections Research Department at the Staatliche Kunstsammlungen Dresden [State Collections of Art Dresden], associate professor at HEAD Genève of HES-SO, and co-founder of the Harun Farocki Institut in Berlin.
Cover
Titlepage
Contents
Foreword - Marion Ackermann and Doreen Mende
SLAVERY AND SKIN
FROM PORCELAIN TO PORCELAIN
AQUASI BOACHI
CAPTURED IN WATERCOLOR
KNOTTED AND ARMED
DRUMS AND STICKS
Biographies
Thanks
Colophon
Titelseite
Inhalt
Vorwort - Marion Ackermann und Doreen Mende
SKLAVEREI UND HAUT
VON PORZELLAN AUF PORZELLAN
AQUASI BOACHI
FESTGEHALTEN IN WASSERFARBEN
VERKNÜPFT UND BEWAFFNET
TROMMELN UND STÖCKE
Biografien
Dank
Impressum
| Erscheinungsdatum | 26.03.2025 |
|---|---|
| Vorwort | Doreen Mende, Marion Ackermann |
| Sprache | englisch; deutsch |
| Maße | 106 x 210 mm |
| Gewicht | 386 g |
| Themenwelt | Kunst / Musik / Theater |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Schlagworte | ART • Art History • Kunst • Kunstgeschichte • museology • Post colonialism • Postkolonialismus • Provenance research • Provenienzforschung • Sammlungsgeschichte • Staatliche Kunstsammlungen Dresden |
| ISBN-13 | 9783775760058 / 9783775760058 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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