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Art and the Senses in Ancient America -

Art and the Senses in Ancient America

Materiality and Meaning
Buch | Softcover
316 Seiten
2024
Archaeopress Publishing (Verlag)
978-1-80327-811-7 (ISBN)
CHF 97,40 inkl. MwSt
This book explores the materiality and sensory dimensions of pre-Columbian art in Mesoamerica and the Andes. Chapters examine the physicochemical study of raw materials, sensory arts like music and cuisine, and the sociocultural meanings of textures, sounds, and scents, linking ancient practices to modern indigenous traditions.
Art and the Senses in Ancient America addresses three essential questions. The first is the materiality of the arts in pre-Columbian America, considering different cultures of both ancient Mesoamerica and the Andean area. In several of its chapters, the importance of physicochemical studies applied to the study of the art of past cultures is evident, because they offer results on the raw materials that were used, which were not always referenced in written or visual sources. The volume approaches art not only from its tangible dimension, but also from its immaterial one, as demonstrated by chapters focused on the culinary, aromatic and musical arts, which appeal to the senses of taste, smell and hearing. This brings us to the second dimension under discussion: the close relationship between the materiality of the arts and their sociocultural meanings. In this sense, the raw materials from which the images, textures, sounds, fragrances and flavors were made, which were part of the art and daily life of these pre-Columbian cultures, had meanings of great importance in their environments of belonging and use, whether they were public or private. This, finally, leads to the third argument that this book explores: the senses and sensory perception of art and daily life that participated in the sacred and the profane, giving identity to numerous sociocultural practices that are present in today’s indigenous communities, who safeguard the historical memory of their ancestors.

The contributions collected in this book are presented by authors working in different academic institutions in Europe and the Americas. Their long research trajectories are characterized by innovative interdisciplinary approaches that are characteristic of their respective universities and research centers, including the Getty Research Institute, Emory University, Princeton University, University of New Mexico, Universidad Nacional Autónoma de México, Center for Research and Advanced Studies (Mérida, Yucatán), Universitat de València, Istituto di Fisica Applicata “Nello Carrara”-Consiglio Nazionale delle Ricerche, Università di Bologna, Centre National de la Recherche Scientifique-Paris, among others. In this way, the book brings together structured contributions from diverse disciplinary fields, such as art history, history, archaeology, anthropology or archaeometry, among others. The authors have all published widely in international journals and books.

Introduction. Art and the Senses in ancient America – Ma. Luisa Vázquez de Ágredos Pascual, Ana García Barrios, Megan E. O’Neil


 


Part I. Art, sensory perception and experience among the ancient Maya


Chapter 1. Materia, textura, color y percepción de las imágenes sagradas mayas – Ana García Barrios, Alejandra Martínez de Velasco Cortina


 


Chapter 2. A miniature world of sensorial art – Mary E. Miller







Chapter 3. Modelando el sonido en barro: figurillas-silbatos miniatura del basurero de un noble del Grupo IV de Palenque – Ana García Barrios, Andrés Ciudad Ruiz, Jesús Adánez Pavón


 


Chapter 4. Aromas y experiencia olfativa en la cultura maya prehispánica – Ma. Luisa Vázquez de Ágredos Pascual, Patricia Horcajada Campos


 


Chapter 5. Envolviendo a los gobernantes mayas. Un estudio arqueométrico de dos contextos funerarios del sitio arqueológico de Calakmul, Campeche, México – Vera Tiesler, Patricia Quintana Owen, Kadwin Pérez López, Daniel H. Aguilar Treviño, Ivan Oliva Arias, J.V. Cauich Rodríguez, William J. Folan, María del Rosario Domínguez Carrasco


 


Chapter 6. Flavours, aromas and textures: art and everyday life among the ancient Maya – Lilia Fernández Souza


 


Chapter 7. Mixtures and textures in Maya culinary art: evidence from yesterday and today – María Jesús Novelo-Pérez, Esteban Moisés Herrera-Parra







Chapter 8. Entrando a un patio doméstico maya del Clásico Tardío-Terminal – Marie Charlotte Arnauld


 


Chapter 9. La serpiente en la cultura visual maya. Materia y simbolismo – Cristina Vidal Lorenzo


 


Chapter 10. Los grafitos mayas prehispánicos: percepción y representación – Núria Feliu Beltrán


 


Chapter 11. Archaeometric study of the stuccos in archaeological sites of the Northern Maya Lowlands (Yucatan Peninsula, Mexico): the lime from the mortars of the preparation layers – Núria Guasch-Ferré, José Luis Prada Pérez, Ma. Teresa Doménech-Carbó, Ma. Luisa Vázquez de Ágredos Pascual, Laura Osete-Cortina


 


Chapter 12. Thrones of the Dresden Codex: The Materiality of Power – Merideth Paxton


 


Part II. Art, sensory perception and experience among other Mesoamerican and Pre-Columbian Cultures


Chapter 13. Eternity Carved in Stone: Mayan and Olmec Greenstone Artifacts Characterized by in situ Spectroscopic Methods – Mayra Dafne Manrique-Ortega, José Luis Ruvalcaba-Sil, Edgar Casanova-González, Laura Filloy-Nadal, Pieterjan Claes, María Angélica García-Bucio, Malinalli Wong-Rueda, Valentina Aguilar-Melo


 


Chapter 14. Análisis tecnológico del mono de obsidiana de la sala mexica del Museo Nacional de Antropología de la Ciudad de México – Emiliano Melgar Tísoc, Reyna Beatriz Solís Ciriaco, Bertina Olmedo Vera


 


Chapter 15. Scrolls of Smoke and Sky: Reevaluating Scent and Sound in the Borgia Group Manuscripts – Alanna S. Radlo-Dzur







Chapter 16. Estudios de la materialidad de los códices mesoamericanos: I. Apuntes para una historia de los análisis científicos – Davide Domenici, Élodie Dupey García


 


Chapter 17. Estudios de la materialidad de los códices mesoamericanos: II. Acercamientos desde la historia y perspectivas para el futuro – Élodie Dupey García, Davide Domenici


 


Chapter 18. Sounds of Copper and Fire. Acoustic Symbolism of Copper Alloys in pre-Hispanic Musical Instruments – Mónica Gudemos


 


Chapter 19. Colours from the past: Mesoamerican pre-Hispanic dyes in Spanish Colonial Architecture in Northern Mexico – Karla Muñoz Alcocer, Laura Fuster-López, Ma. Luisa Vázquez de Ágredos Pascual, Marcello Picollo, Diana Maldonado-Escobar, Daniel Salazar-Alemán

Erscheinungsdatum
Sprache spanisch
Gewicht 885 g
Themenwelt Geisteswissenschaften Archäologie
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
ISBN-10 1-80327-811-0 / 1803278110
ISBN-13 978-1-80327-811-7 / 9781803278117
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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