Voyages of the Self

Pairs, Parallels, and Patterns in American Art and Literature

Novak (Autor)

Buch | Hardcover

144 Seiten

2007
Oxford University Press Inc (Verlag)
978-0-19-530590-6 (ISBN)

Titel ist leider vergriffen;
keine Neuauflage

Artikel merken

Through reading paintings and texts from the same period against each other, the author shows how the meaning of self has influenced and changed through American identity and culture from the late 18th to the 20th century.

Barbara Novak is one of America's premier art historians, the author of the seminal books American Painting of the Nineteenth Century and Nature and Culture, the latter of which was named one of the Ten Best Books of the Year by The New York Times and was nominated for a National Book Critics Circle Award. Now, with Voyages of the Self, this esteemed critic completes the trilogy begun with the two earlier works,
offering once again an exhilarating exploration of American art and culture. In this book, Novak explores several inspired pairings of key writers and painters, drawing insightful parallels between such masters as John Singleton Copley
and Jonathan Edwards, Winslow Homer and William James, Frederic Edwin Church and Walt Whitman, and Jackson Pollock and Charles Olson. Through these and other groupings, Novak tracks the varied meanings of the self in America, in which the most salient characteristics of each artist or writer is shown to draw from--and in turn influence--the larger map of American life. Two major threads weaving through the book are the American preoccupation with the "object" and our continuing return to
pragmatism. Novak notes for instance how Copley's art mirrors the puritan denial of self found in Jonathan Edwards and how as colonial scientists they share an interest in sensation and observation. She sees
Winslow Homer and William James as practitioners of a pragmatic self grounded in an immediate experience that looks for concrete results. Through such fruitful comparisons--whether between Copley and Edwards, or Lane and Emerson, or Ryder and Dickinson--Novak sheds unmatched light on our nation's artistic heritage. Wonderfully illustrated with dozens of black-and-white pictures and sixteen full-color plates, here is a stunning work that yields a wealth of insight into American
art and culture--and concludes Novak's landmark trilogy.

Barbara Novak is Helen Goodhart Altschul Professor of Art History Emerita at Barnard College and Columbia University. She is the acclaimed author of American Painting of the Nineteenth Century ("surely the best book ever written on the subject"--Hilton Kramer, The New York Times Book Review) and Nature and Culture ("awesomely good"--Anatole Broyard, The New York Times). She has been a Commissioner of the Smithsonian's National Portrait Gallery for the last twenty-five years.

Preface
Acknowledgements
Introduction
1: Copley and Edwards: Self, Consciousness, and Thing
2: Emerson and Lane: Luminist Time and the Transcendental Aboriginal Self
3: Thoreau and Indian Selfhood: Circles, Silence, and Democratic Land
4: Whitman and Church: Transcendent Optimism and the Democratic Self
5: Homer and James: The Pragmatic Self Made Concrete
6: Dickinson and Ryder: Immortality, Eternity, and the Reclusive Self
7: Pollock and Olson: Time, Space, and the Activated Bodily Self
Notes
Selected Bibliography
Illustration Credits
Index

Erscheint lt. Verlag	1.3.2007
Zusatzinfo	Illustrations
Verlagsort	New York
Sprache	englisch
Themenwelt	Kunst / Musik / Theater ► Kunstgeschichte / Kunststile
	Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918)
	Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte
ISBN-10	0-19-530590-6 / 0195305906
ISBN-13	978-0-19-530590-6 / 9780195305906
Zustand	Neuware