The Artist-Philosopher in the Age of Addiction
Heidegger’s Climatology
Seiten
2025
Routledge (Verlag)
9781032557328 (ISBN)
Routledge (Verlag)
9781032557328 (ISBN)
George Smith argues that modern humanity suffers from a late-stage, pre-fatal addiction to scientific-technological thinking. Like most pre-fatal addictions, this one will most likely result in one of three ways: misery, extinction, or human transformation. The question remains, wherein lies the third way?
According to Smith, mankind’s chronic and as yet undiagnosed sickness originates in early Western metaphysics and has long been thoroughly globalized. It explains unstoppable extractionism and its relentlessly increasing by-product, carbon dioxide. It also explains today’s ever-increasing rate of species extinction and the increasingly likely collapse of the biosphere. Citing climate change tolerance and denial as symptomatic of pre-fatal addiction, Smith turns his analysis to Heidegger’s "question concerning technology" and shows that even Heidegger had become "hooked" on scientific-technological thinking. Surrendering to his disease, Heidegger "steps back" into "meditative thought." This in turn opens Heidegger to an East-West mode of scientific-poetic consciousness, the thinking of artist-philosophers such as Laozi, Hölderlin, and Rachel Carson. For Heidegger, this way of thinking lays the path to mankind’s transformative emancipation from an otherwise inescapable catastrophe.
The book will be of interest to scholars of the arts and culture, histories of consciousness, and climate studies.
Chapter 3 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license
According to Smith, mankind’s chronic and as yet undiagnosed sickness originates in early Western metaphysics and has long been thoroughly globalized. It explains unstoppable extractionism and its relentlessly increasing by-product, carbon dioxide. It also explains today’s ever-increasing rate of species extinction and the increasingly likely collapse of the biosphere. Citing climate change tolerance and denial as symptomatic of pre-fatal addiction, Smith turns his analysis to Heidegger’s "question concerning technology" and shows that even Heidegger had become "hooked" on scientific-technological thinking. Surrendering to his disease, Heidegger "steps back" into "meditative thought." This in turn opens Heidegger to an East-West mode of scientific-poetic consciousness, the thinking of artist-philosophers such as Laozi, Hölderlin, and Rachel Carson. For Heidegger, this way of thinking lays the path to mankind’s transformative emancipation from an otherwise inescapable catastrophe.
The book will be of interest to scholars of the arts and culture, histories of consciousness, and climate studies.
Chapter 3 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license
George Smith is Founder, President Emeritus, and Edgar E. Coons, Jr. Professor of New Philosophy at the Institute for Doctoral Studies in the Visual Arts, USA.
Preface Introduction 1. Shamans 2. Wittgenstein 3. Heidegger, Hölderlin, and the Dao 4. The Anthropocene 5. Heidegger’s Bottom 6. “Reverse is the Movement of the Tao”
| Erscheinungsdatum | 11.03.2025 |
|---|---|
| Reihe/Serie | Routledge Advances in Art and Visual Studies |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 174 x 246 mm |
| Gewicht | 510 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit | |
| ISBN-13 | 9781032557328 / 9781032557328 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
ein Dialog mit Simone Weil
Buch | Softcover (2025)
Matthes & Seitz Berlin (Verlag)
CHF 19,55
