American Painting of the Nineteenth Century
Realism, Idealism, and the American Experience with a New Preface
Seiten
2006
|
2nd Revised edition
Oxford University Press Inc (Verlag)
978-0-19-530942-3 (ISBN)
Oxford University Press Inc (Verlag)
978-0-19-530942-3 (ISBN)
'What is American in American Art?' The first volume in Novak's trilogy on American art and culture isolates certain characteristics in nineteenth-century American art that we can denote as American.
In this distinguished work, which Hilton Kramer in The New York Times Book Review called "surely the best book ever written on the subject," Barbara Novak illuminates what is essentially American about American art. She highlights not only those aspects that appear indigenously in our art works, but also those features that consistently reappear over time. Novak examines the paintings of Washington Allston, Thomas Cole, Asher B. Durand, Fitz H. Lane,
William Sidney Mount, Winslow Homer, Thomas Eakins, and Albert Pinkham Ryder. She draws provocative and original conclusions about the role in American art of spiritualism and mathematics, conceptualism and the
object, and Transcendentalism and the fact. She analyzes not only the paintings but nineteenth-century aesthetics as well, achieving a unique synthesis of art and literature. Now available with a new preface and an updated bibliography, this lavishly illustrated volume--featuring more than one hundred black-and-white illustrations and sixteen full-color plates--remains one of the seminal works in American art history.
In this distinguished work, which Hilton Kramer in The New York Times Book Review called "surely the best book ever written on the subject," Barbara Novak illuminates what is essentially American about American art. She highlights not only those aspects that appear indigenously in our art works, but also those features that consistently reappear over time. Novak examines the paintings of Washington Allston, Thomas Cole, Asher B. Durand, Fitz H. Lane,
William Sidney Mount, Winslow Homer, Thomas Eakins, and Albert Pinkham Ryder. She draws provocative and original conclusions about the role in American art of spiritualism and mathematics, conceptualism and the
object, and Transcendentalism and the fact. She analyzes not only the paintings but nineteenth-century aesthetics as well, achieving a unique synthesis of art and literature. Now available with a new preface and an updated bibliography, this lavishly illustrated volume--featuring more than one hundred black-and-white illustrations and sixteen full-color plates--remains one of the seminal works in American art history.
Barbara Novak is Helen Goodhart Altschul Professor of Art History Emerita at Barnard College and Columbia University. She is the acclaimed author of American Painting of the Nineteenth Century ("surely the best book ever written on the subject"-Hilton Kramer, The New York Times Book Review) and Nature and Culture ("awesomely good"-Anatole Broyard, The New York Times). She has been a Commissioner of the Smithsonian's National Portrait Gallery for the last twenty-five years.
| Erscheint lt. Verlag | 12.1.2007 |
|---|---|
| Zusatzinfo | 116 halftones, 8pp color insert |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 234 x 160 mm |
| Gewicht | 714 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918) | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| ISBN-10 | 0-19-530942-1 / 0195309421 |
| ISBN-13 | 978-0-19-530942-3 / 9780195309423 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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