Art and Creativity in a New Guinea Society
The Kwoma in Cross-Cultural Perspective
Seiten
2025
Lexington Books (Verlag)
978-1-7936-1138-3 (ISBN)
Lexington Books (Verlag)
978-1-7936-1138-3 (ISBN)
This book examines the Kwoma of Papua New Guinea—renowned for their distinctive Pacific art—revealing how their spiritual and cultural understanding of creativity contrasts with Western concepts.
The Kwoma, the subject of this book, are one of a number of peoples in the Sepik River region of northern Papua New Guinea who have created some of the most distinctive visual art in the Pacific. Through case studies of their painting, sculpture, architecture and ritual this book examines in detail how people in this society understand their art as a cultural phenomenon. This includes how they understand its origins in the spirit world, how they judge quality in art and how they understand artistic creativity. The book contrasts Kwoma beliefs with the radically different approach to art found in the modern West. The modern Western concept of art first emerged not in the eighteenth century in the Enlightenment, or even later, as anthropologists and art historians often assume, but several centuries earlier in the Renaissance. The book gives an account of radical changes that took place culturally in Europe between the twelfth and sixteenth centuries in the way human intellectual creativity was understood, and how this gave rise to a new concept of art, one that remains unchanged in the modern West today.
The Kwoma, the subject of this book, are one of a number of peoples in the Sepik River region of northern Papua New Guinea who have created some of the most distinctive visual art in the Pacific. Through case studies of their painting, sculpture, architecture and ritual this book examines in detail how people in this society understand their art as a cultural phenomenon. This includes how they understand its origins in the spirit world, how they judge quality in art and how they understand artistic creativity. The book contrasts Kwoma beliefs with the radically different approach to art found in the modern West. The modern Western concept of art first emerged not in the eighteenth century in the Enlightenment, or even later, as anthropologists and art historians often assume, but several centuries earlier in the Renaissance. The book gives an account of radical changes that took place culturally in Europe between the twelfth and sixteenth centuries in the way human intellectual creativity was understood, and how this gave rise to a new concept of art, one that remains unchanged in the modern West today.
Ross Bowden is an Australian cultural anthropologist whose main interests are in the art, history and social organization of societies in the Sepik River region of northern Papua New Guinea.
Chapter 1. Sources of Creativity in Art
Chapter 2. The Supernatural Origins of Men’s Houses and Their Art
Chapter 3. The Supernatural Origins of Kwoma Ritual
Chapter 4. Cultural Implications of Kwoma Notions of Creativity in Art
Chapter 5. A Cross-Cultural Perspective
Chapter 6. Related Issues
| Erscheinungsdatum | 23.11.2024 |
|---|---|
| Zusatzinfo | 1 b/w illustration; 33 b/w photos |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Sozialwissenschaften ► Ethnologie | |
| Sozialwissenschaften ► Soziologie | |
| ISBN-10 | 1-7936-1138-6 / 1793611386 |
| ISBN-13 | 978-1-7936-1138-3 / 9781793611383 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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