Medievalism
The Middle Ages in Modern England
Seiten
2007
Yale University Press (Verlag)
978-0-300-11061-6 (ISBN)
Yale University Press (Verlag)
978-0-300-11061-6 (ISBN)
- Titel ist leider vergriffen;
keine Neuauflage - Artikel merken
Presenting the history of the Medieval Revival, this is an account of its social, political, religious, architectural and artistic aspects, especially as these are expressed and reflected in literature. It focuses on the period 1760 to 1971.
The style of the medieval period inhabits the bloodstream of western culture, and returned to dominate post-Enlightenment England. This one-volume history of the Medieval Revival as a whole is the first coherent account of its social, political, religious, architectural and artistic aspects, especially as these are expressed and reflected in literature. Its focus is on the period 1760 to 1971, with an Epilogue on the reverberations of medievalism in the present day. The rebuilding of the Palace of Westminster, after its destruction by fire in 1834, re-established Gothic as a national style. But medieval imitation manifests itself wherever one cares to look: in literature (Horace Walpole, Scott, Tennyson, Ruskin); in architecture (on campuses from Glasgow to Sydney to Yale, follies from Strawberry Hill to San Simeon, in churches, banks and railway stations); in the decorative arts (Pugin, William Morris, Eric Gill); religion (the Oxford Movement); politics (Guild Socialism and the trade union movement) and Hollywood (Braveheart, Robin Hood, and The Name of the Rose).
In this skilled dissection of the components of this pervasive cultural movement, Michael Alexander rejects the idea that medievalism was confined to the Victorian period, and overturns the suspicion that it is by its nature escapist.
The style of the medieval period inhabits the bloodstream of western culture, and returned to dominate post-Enlightenment England. This one-volume history of the Medieval Revival as a whole is the first coherent account of its social, political, religious, architectural and artistic aspects, especially as these are expressed and reflected in literature. Its focus is on the period 1760 to 1971, with an Epilogue on the reverberations of medievalism in the present day. The rebuilding of the Palace of Westminster, after its destruction by fire in 1834, re-established Gothic as a national style. But medieval imitation manifests itself wherever one cares to look: in literature (Horace Walpole, Scott, Tennyson, Ruskin); in architecture (on campuses from Glasgow to Sydney to Yale, follies from Strawberry Hill to San Simeon, in churches, banks and railway stations); in the decorative arts (Pugin, William Morris, Eric Gill); religion (the Oxford Movement); politics (Guild Socialism and the trade union movement) and Hollywood (Braveheart, Robin Hood, and The Name of the Rose).
In this skilled dissection of the components of this pervasive cultural movement, Michael Alexander rejects the idea that medievalism was confined to the Victorian period, and overturns the suspicion that it is by its nature escapist.
Michael Alexander held the Chair of English at St. Andrews University. His many books include A History of English Literature and Reading Shakespeare.
| Erscheint lt. Verlag | 13.4.2007 |
|---|---|
| Zusatzinfo | 100 illustrations, including 24 in colour |
| Sprache | englisch |
| Maße | 189 x 234 mm |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 0-300-11061-8 / 0300110618 |
| ISBN-13 | 978-0-300-11061-6 / 9780300110616 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Paul Celans Poetik der Mehrsprachigkeit
Buch | Hardcover (2025)
De Gruyter (Verlag)
CHF 153,90
