Howard Carter
From Tracer to Tutankhamun
Seiten
2024
Egypt Exploration Society (Verlag)
978-0-85698-262-0 (ISBN)
Egypt Exploration Society (Verlag)
978-0-85698-262-0 (ISBN)
Howard Carter, who discovered the tomb of Tutankhamun, began his career as an artist working for the Egypt Exploration Fund in 1891. By shining a spotlight on Carter’s watercolour painting of a scene from the shrine to Anubis in Hatshepsut’s temple, Carl Graves uncovers the life and legacy of one of Egypt’s greatest archaeologists.
Howard Carter is often remembered for the discovery of the tomb of Tutankhamun in 1922, but his legacy in the field of Egyptology spreads far further than this single discovery. The youngest of 11 children, Howard Carter began his career as an artist working for the Egypt Exploration Fund in 1891. Despite his young age, he pioneered new techniques in archaeological recording and used those skills to create beautiful, accurate images of tomb and temple scenes preserved on the monuments of Egypt.
Carter’s largest known watercolour painting (EES.ART.224) is a full-scale reproduction of a scene from the shrine to Anubis in Hatshepsut’s temple at Deir el-Bahari. This work, actually comprised of six pieces of paper combined together to create the scene, is testament to his expertise as an artist. It shows Tuthmosis I and his mother Senseneb before an offering table laden with food dedicated to the god Anubis, a jackal-headed god of embalming. Very little is known about queen Senseneb, and this scene represents one of the few known depictions of her.
By shining a spotlight on the painting, Carl Graves provides context to it while uncovering the life and legacy of one of Egypt’s greatest archaeologists.
Howard Carter is often remembered for the discovery of the tomb of Tutankhamun in 1922, but his legacy in the field of Egyptology spreads far further than this single discovery. The youngest of 11 children, Howard Carter began his career as an artist working for the Egypt Exploration Fund in 1891. Despite his young age, he pioneered new techniques in archaeological recording and used those skills to create beautiful, accurate images of tomb and temple scenes preserved on the monuments of Egypt.
Carter’s largest known watercolour painting (EES.ART.224) is a full-scale reproduction of a scene from the shrine to Anubis in Hatshepsut’s temple at Deir el-Bahari. This work, actually comprised of six pieces of paper combined together to create the scene, is testament to his expertise as an artist. It shows Tuthmosis I and his mother Senseneb before an offering table laden with food dedicated to the god Anubis, a jackal-headed god of embalming. Very little is known about queen Senseneb, and this scene represents one of the few known depictions of her.
By shining a spotlight on the painting, Carl Graves provides context to it while uncovering the life and legacy of one of Egypt’s greatest archaeologists.
Carl Graves is Director of the Egypt Exploration Society. He completed his PhD at the University of Birmingham, and his research focuses on ancient Egyptian settlement archaeology and the development of British Egyptology during the late eighteenth century.
Foreword
Timeline
Maps
Acknowledgements
Introduction
The Early Years, 1874–1890
Epigraphy
From artist to archaeologist, 1891–1899
Scandals in the sand: The case of ‘Boot and Barefoot’
The Inspector, 1901–1905
The Saqqara Affair
An independent agent, 1905–1909
Tutankhamun, 1909–1939
Further reading
Endnotes
| Erscheinungsdatum | 04.10.2024 |
|---|---|
| Zusatzinfo | 66 illns |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 237 g |
| Themenwelt | Geisteswissenschaften ► Archäologie |
| Geschichte ► Allgemeine Geschichte ► Altertum / Antike | |
| ISBN-10 | 0-85698-262-8 / 0856982628 |
| ISBN-13 | 978-0-85698-262-0 / 9780856982620 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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