Vali Dakhani and the Early Rekhtah Networks
Sharing Poetry’s Pleasures
Seiten
2025
I.B. Tauris (Verlag)
978-0-7556-5005-7 (ISBN)
I.B. Tauris (Verlag)
978-0-7556-5005-7 (ISBN)
This book reexamines the emergence of Urdu as a literary and poetic language in the 18th century, at the time called Rekhtah, highlighting its engagement with diverse regional cultures and communities in South Asia.
Sharing Poetry’s Pleasures reframes the history of Urdu within the diverse contexts from which it emerged. It places the earliest Urdu-Rekhtah poets and their craft in the lively social gatherings, bazaars, shrines, and courts of 18th century South Asia.
Through aesthetic analysis and historical contextualization of poems, using primary sources in manuscripts, the authors reveal why everyday vernaculars, multi-lingual puns, alongside the use of courtly Persian and complex metaphors attracted a wide audience for this new literary language.
Dhavan and Pauwels re-examine the long-dominant mischaracterization of Urdu as an elite language of South Asian Muslims by analysing the poetic biographies of Vali Dakhani and his contemporaries Fa’iz, Abru and Hatim. The authors reveal how selective attention to a handful of poets and rarefied courtly texts obscured the much more diverse roots of an important vernacular tradition, thereby reconstructing a lost literary network of speakers, poets and participants in Urdu’s past.
Sharing Poetry’s Pleasures reframes the history of Urdu within the diverse contexts from which it emerged. It places the earliest Urdu-Rekhtah poets and their craft in the lively social gatherings, bazaars, shrines, and courts of 18th century South Asia.
Through aesthetic analysis and historical contextualization of poems, using primary sources in manuscripts, the authors reveal why everyday vernaculars, multi-lingual puns, alongside the use of courtly Persian and complex metaphors attracted a wide audience for this new literary language.
Dhavan and Pauwels re-examine the long-dominant mischaracterization of Urdu as an elite language of South Asian Muslims by analysing the poetic biographies of Vali Dakhani and his contemporaries Fa’iz, Abru and Hatim. The authors reveal how selective attention to a handful of poets and rarefied courtly texts obscured the much more diverse roots of an important vernacular tradition, thereby reconstructing a lost literary network of speakers, poets and participants in Urdu’s past.
Purnima Dhavan is Associate Professor of History at the University of Washington, USA. She is the author of When Sparrows Became Hawks: The Making of the Sikh Warrior Tradition (2011). Heidi Pauwels is Professor Asian Languages and Literature at the University of Washington, USA. She is the author of The Voice of the Indian Mona Lisa: Gender and Culture in Rajasthan (2023).
Introduction
1. Vali Revisited: Tazkirahs and Other Sources
2. Circulation of Vali’s Divan from Manuscript to Print
3. Fa’iz Dihlavi and Vernacular Experimentation in Rekhtah
4. Abru and the Urbane in Rekhtah
5. Vali-Mania: Zuhur ud-Din Hatim and his Network
6. Rekhtah in the Provinces: Rajasthan, the Deccan, and Punjab
Conclusion
Bibliography
| Erscheinungsdatum | 12.06.2025 |
|---|---|
| Reihe/Serie | Library of Islamic South Asia |
| Sprache | englisch |
| Maße | 160 x 238 mm |
| Gewicht | 560 g |
| Themenwelt | Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 0-7556-5005-0 / 0755650050 |
| ISBN-13 | 978-0-7556-5005-7 / 9780755650057 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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