Rereading the Stone
Desire and the Making of Fiction in Dream of the Red Chamber
Seiten
1997
Princeton University Press (Verlag)
978-0-691-01561-3 (ISBN)
Princeton University Press (Verlag)
978-0-691-01561-3 (ISBN)
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This text analyzes the 18th-century "Hongloumeng", known in English as "Dream of the Red Chamber" or "The Story of the Stone", which is considered to be one of the greatest of Chinese novels, blending realism and romance, psychological motivation and fate, daily life and mythical occurences.
The 18th-century "Hongloumeng", known in English as "Dream of the Red Chamber" or "The Story of the Stone" is considered to be one of the greatest of Chinese novels, blending realism and romance, psychological motivation and fate, daily life and mythical occurences, as it narrates the decline of a powerful Chinese family. This study examines the novel as a story about fictive representation. Through literary devices, the novel challenges the authority of history as well as referential biases in reading. This text argues that at the heart of the novel is the narration of desire. Desire appears in this tale as the defining trait and problem of human beings and, at the same time, shapes the novel's literary invention and effect. Through close readings of selected episodes, the text analyzes principal motifs of the narrative, such as dream, mirror, literature, religious enlightenment, and rhetorical reflexivity in relation to fictive representation. It contextualizes its discussion with a comprehensive genealogy of "quing" - desire, disposition, sentiment, feeling - a concept of fundamental importance in historical Chinese culture, and shows how the text exploits its multiple meanings.
The 18th-century "Hongloumeng", known in English as "Dream of the Red Chamber" or "The Story of the Stone" is considered to be one of the greatest of Chinese novels, blending realism and romance, psychological motivation and fate, daily life and mythical occurences, as it narrates the decline of a powerful Chinese family. This study examines the novel as a story about fictive representation. Through literary devices, the novel challenges the authority of history as well as referential biases in reading. This text argues that at the heart of the novel is the narration of desire. Desire appears in this tale as the defining trait and problem of human beings and, at the same time, shapes the novel's literary invention and effect. Through close readings of selected episodes, the text analyzes principal motifs of the narrative, such as dream, mirror, literature, religious enlightenment, and rhetorical reflexivity in relation to fictive representation. It contextualizes its discussion with a comprehensive genealogy of "quing" - desire, disposition, sentiment, feeling - a concept of fundamental importance in historical Chinese culture, and shows how the text exploits its multiple meanings.
Anthony C. Yu is the Carl Darling Buck Distinguished Service Professor in the Humanities at the University of Chicago, where he teaches in the Divinity School, in the departments of East Asian Languages and Civilizations, English, and Comparative Literature, and serves on the Committee on Social Thought. He is best known for his complete, annotated translation of The Journey to the West.
| Verlagsort | New Jersey |
|---|---|
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 709 g |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 0-691-01561-9 / 0691015619 |
| ISBN-13 | 978-0-691-01561-3 / 9780691015613 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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