Tyranny and Theater in the Ancient World
Bloomsbury Academic (Verlag)
978-1-350-42654-2 (ISBN)
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Traversing various Greco-Roman playwrights, such as Euripides, Sophocles and Octavia, this book analyses the dangerous, unstable tyrants of ancient tragedy alongside the dangerous, unstable tyrants of ancient historiography in order to map out the ancient world’s discourses about the allure and peril of absolute power. Duncan argues that while any kind of political display has theatrical qualities, it is tyranny that has an especially theatrical mode. The conclusion is that tyrants and playwrights began to influence each other over the course of Greco-Roman antiquity, so that tragedy tyrants began to resemble real rulers, and real rulers began to style themselves after tragedy tyrants, each trying to tap into the other’s power to command audiences.
Anne Duncan is Associate Professor of Classics at the University of Nebraska-Lincoln, UK. She is the author of Performance and Identity in the Classical World (2006).
Introduction
Chapter 1: Naïve Spectators: Barbarian Kings in Greek Tragedy
Chapter 2: Writing for Tyrants: Athenian Playwrights at Court
Chapter 3: ‘Transformed from a Man to a Wolf’: Stock Tyrants in Greek Tragedy
Chapter 4: The Tyrant Tragedian: Dionysius I of Syracuse
Chapter 5: Alexander’s Divine Performances
Chapter 6: Seeing Monsters: Mad Kings in Greek and Roman Tragedy
Chapter 7: Atreus and Thyestes: Icons of Misrule
Chapter 8: The Julio-Claudian Emperors: Unmasking a Dynasty
Chapter 9: Tragic History: the Octavia
Epilogue: ‘The Worst Actor Plays the King’
Notes
Bibliography
Index Locorum
General Index
Erscheint lt. Verlag | 6.2.2025 |
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Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Themenwelt | Literatur ► Klassiker / Moderne Klassiker |
Geschichte ► Allgemeine Geschichte ► Vor- und Frühgeschichte | |
Geschichte ► Allgemeine Geschichte ► Altertum / Antike | |
ISBN-10 | 1-350-42654-7 / 1350426547 |
ISBN-13 | 978-1-350-42654-2 / 9781350426542 |
Zustand | Neuware |
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