Artistic and Intellectual Practices in Contemporary China
Springer Verlag, Singapore
978-981-99-8814-3 (ISBN)
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With chapters ranging from peer-reviewed scholarship to cuttingly humorous personal anecdotes, its contributing authors give rare, first-hand accounts of navigating pertinent historical and current situations, including censorship, China’s il/liberalism, and COVID-19. This book offers readers an ear to heretofore closed-door conversations in leading modern and contemporary art spaces.
Carol Yinghua LU was born in 1977 in Chaozhou, Guangdong. LU is an art historian and a curator. She received her Phd degree in art history from the University of Melbourne in 2020. She is the director of Beijing Inside-Out Art Museum.
Part 1: Other Histories of Chinese Art after 1949.- Section 1 Continuity.- Chapter 1: Chinese Art in the 1950s: An Avant-Garde Undercurrent Beneath the Mainstream of Realism Shao Dazhen.- Chapter 2: A Review of Artistic Practices from 1972 to 1982 Liu Ding, Carol Yinghua Lu.- Chapter 3: Painting in China After the Cultural Revolution: Style Developments and Theoretical Debates Hans van Dijk.- Chapter 4: The Market as Imaginary in Post Mao China Jane Debevoise.- Chapter 5: Prophecy at the Turn of the 1990s Carol Yinghua Lu.- Section 2 Frame of Mind.- Chapter 6: Somewhere (and Nowhere) Between Modernity and Tradition: Toward a Discursive Polylogue between Differing Interpretative Perspectives on Contemporary Chinese Art Paul Gladston.- Chapter 7: The Authenticity and the Neutrality of Value: on the Issue of Value in the Writings of Contemporary Art History Zou Yuejin.- Chapter 8: The More Homogeneous, Pure and Clear the History, the More Dangerous It Is Luo Xin.- Part 2: Expanses and Limitation.- Section 1 Universality.- Chapter 9: What is Asia? - On Anthropological Difference Naoki Sakai.- Chapter 10: Creating New Universality Sun Ge.- Chapter 11: Pull Universality Down From the Alter of Being Singular Naoki Sakai, Sun Ge.- Section 2 Particularity.- Chapter 12: On the Founding of The Scholar Journal Wang Hui.- Chapter 13: Some Tendencies in Small-Scale Art Publishing in Asia Lim Kyung-yong.- Chapter 14: Self-Publishing as a Method Lim Kyung-yong, Carol Yinghua Lu.- Section 3 Self-Criticism.- Chapter 15: How We Deal With the Virus Determines What It Is Xiao Yin.- Chapter 16: China, On the Verge of a "Momentous Era" Wang Xiaoming.- Chapter 17: Bringing Back "Self-Criticism" Hong Zicheng.
| Erscheinungsdatum | 22.01.2025 |
|---|---|
| Zusatzinfo | 2 Illustrations, color; 4 Illustrations, black and white |
| Verlagsort | Singapore |
| Sprache | englisch |
| Maße | 155 x 235 mm |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Schlagworte | Artistic and Intellectual Practices • Beijing Inside-Out Art Museum • China as an Issue • Chinese and Asian scholars • Chinese Art and Literature |
| ISBN-10 | 981-99-8814-4 / 9819988144 |
| ISBN-13 | 978-981-99-8814-3 / 9789819988143 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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