The Art of Remembering

Essays on African American Art and History

Gwendolyn DuBois Shaw (Autor)

Buch | Hardcover

320 Seiten

2024
Duke University Press (Verlag)
978-1-4780-2592-4 (ISBN)

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In The Art of Remembering art historian and curator Gwendolyn DuBois Shaw explores African American art and representation from the height of the British colonial period to the present. She engages in the process of "rememory"-the recovery of facts and narratives of African American creativity and self-representation that have been purposefully set aside, actively ignored, and disremembered. In analyses of the work of artists ranging from Scipio Moorhead, Moses Williams, and Aaron Douglas to Barbara Chase-Riboud, Kara Walker, Kehinde Wiley, and Deana Lawson, Shaw demonstrates that African American art and history may be remembered and understood anew through a process of intensive close looking, cultural and historical contextualization, and biographic recuperation or consideration. Shaw shows how embracing rememory expands the possibilities of history by acknowledging the existence of multiple forms of knowledge and ways of understanding an event or interpreting an object. In so doing, Shaw thinks beyond canonical interpretations of art and material and visual culture to imagine “what if,” asking what else did we once know that has been lost.

Gwendolyn DuBois Shaw is Class of 1940 Bicentennial Term Associate Professor of History of Art at the University of Pennsylvania, author of Seeing the Unspeakable: The Art of Kara Walker, also published by Duke University Press, and Portraits of a People: Picturing African Americans in the Nineteenth Century.

List of Illustrations ix
Acknowledgments xiii
Introduction 1
Part I. Past As Prelude 15
1. Facing Phillis Wheatley: Portraiture and Publishing in the Era of the American Revolution 19
2. Profiling Moses Williams: Silhouettes and Race in the Early Republic 42
3. The Freedom to Marry for All: Painting Interracial Families During the Era of the Civil War 62
4. Landscapes of Labor: Race, Religion, and Rhode Island in the Painting of Edward Mitchell Bannister 73
Part II. Modern Blackness 85
5. “This Gifted Sculptress of the Race”: The Intersectional Art of May Howard Jackson 91
6. Singing Saints: Sargent Johnson’s Modern Blackness 111
7. Norman Lewis’s Dan Mask: The Challenge of the African “Thing” in the 1930s 127
8. “Bolshevized by Conditions”: African American Artists and Mexican Muralism 135
9. Malcolm X Rising: Barbara Chase-Riboud’s Phenomenological Art 144
10. Richard Yarde’s Mojo Blues 161
Part III. Beginning Again 187
11. Remembering the Remnants: Contemporary Art and Hurricane Katrina 191
12. The Wandering Gaze of Carrie Mae Weems’s The Louisiana Project 203
13. Ten Years of 30 Americans 213
14. “No Man Is an Island”: The Diasporic Performances of Wanda Raimundi-Ortiz and Sheldon Scott 229
15. What Deana Lawson Wants 237
Notes 247
Bibliography 277
Index 289

Erscheinungsdatum	05.04.2024
Reihe/Serie	The Visual Arts of Africa and Its Diasporas
Zusatzinfo	62 color illustrations
Verlagsort	North Carolina
Sprache	englisch
Maße	152 x 229 mm
Gewicht	748 g
Themenwelt	Kunst / Musik / Theater ► Kunstgeschichte / Kunststile
	Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte
	Sozialwissenschaften ► Ethnologie
	Sozialwissenschaften ► Soziologie
ISBN-10	1-4780-2592-1 / 1478025921
ISBN-13	978-1-4780-2592-4 / 9781478025924
Zustand	Neuware