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Letting Go?

Sharing Historical Authority in a User-Generated World
Buch | Hardcover
2020
Routledge (Verlag)
978-1-138-40513-4 (ISBN)
CHF 249,95 inkl. MwSt
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In this innovative anthology almost 30 leading practitioners in public history, informal education, art, and museum fields explore the implications of letting audiences create, not just receive, historical content in traditional and new media contexts.
Letting Go? investigates path-breaking public history practices at a time when the traditional expertise of museums seems challenged at every turn by the Web and digital media, by community-based programming, by new trends in oral history and by contemporary art. In this anthology of 19 thought pieces, case studies, conversations and commissioned art, almost 30 leading practitioners such as Michael Frisch, Jack Tchen, Lizevcenko, Kathleen McLean, Nina Simon, Otabenga Jones and Associates, and Fred Wilson explore the implications of letting audiences create, not just receive, historical content. Drawing on examples from history, art, and science museums, Letting Go? offers concrete examples and models that will spark innovative work at institutions of all sizes and budgets. This engaging new collection will serve as an introductory text for those newly grappling with a changing field and, for those already pursuing the goal ofletting go, a tool for taking stock and pushing ahead.

Foreword, Introduction, VIRTUALLY BREAKING DOWN: AUTHORITY AND THE WEB, Thought Piece: Participatory Design and the Future of Museums, Case Study: Where Are the Best Stories? Where Is My Story? — Participation and Curation in a New Media Age, Conversation: Online Dialogue and Cultural Practice: A Conversation, Thought Piece: Get Real! The Role of Objects in the Digital Age, THROWING OPEN THE DOORS: COMMUNITIES AS CURATORS, Thought Piece: Whose Questions, Whose Conversations?, Conversation: The "Dialogic Museum" Revisited: A Collaborative Reflection, Case Study: Moving Pictures: Minnesota’s Most Rewarding Film Competition, Case Study/Conversation: Community as Curator: A Case Study at the Brooklyn Historical Society, HEARING VOICES: SHARING AUTHORITY THROUGH ORAL HISTORY, Thought Piece: From A Shared Authority to the Digital Kitchen, and Back, Case Study: Make Yourself at Home—Welcoming Voices in Open House: If These Walls Could Talk, Case Study: The Black Bottom: Making Community-Based Performance in West Philadelphia, Case Study: Listening Intently: Can StoryCorps Teach Museums How to Win the Hearts of New Audiences?, THE QUESTION OF EVALUATION: UNDERSTANDING THE VISITORS' RESPONSE: Public Curation: From Trend to Research-Based Practice, CONSTRUCTING PERSPECTIVES: ARTISTS AND HISTORICAL AUTHORITY, Thought Piece: Peering Behind the Curtain: Artists and Questioning Historical Authority, Conversation: Mining the Museum Revisited: A Conversation, Case Study: “The Fever Dream oí the Amateur Historian”: Ben Katchor’s The Rosenbach Company: A Tragicomedy, Case Study: Embracing the Unexpected: Artists in Residence at the American Philosophical Society Museum, Art Piece: Sanford and Sun, Case Study: A London Ttavelogue: Visiting Dennis Severs’ House, Contributors, Ackowledgments, Index

Erscheint lt. Verlag 18.12.2020
Verlagsort London
Sprache englisch
Maße 152 x 229 mm
Themenwelt Geisteswissenschaften Archäologie
ISBN-10 1-138-40513-2 / 1138405132
ISBN-13 978-1-138-40513-4 / 9781138405134
Zustand Neuware
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