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Thinking Revolution Through Film

On Audiovisual Stagings of Political Change

(Autor)

Buch | Hardcover
X, 223 Seiten
2022
De Gruyter (Verlag)
978-3-11-075375-2 (ISBN)
CHF 97,90 inkl. MwSt
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This book aims to redefine the relationship between film and revolution. Starting with Hannah Arendt’s thoughts on the American and French Revolution, it argues that, from a theoretical perspective, revolutions can be understood as describing a relationship between time and movement and that ultimately the spectators and not the actors in a revolution decide its outcome. Focusing on the concepts of ‘time,’ ‘movement,’ and ‘spectators,’ this study develops an understanding of film not as a medium of agitation but as a way of thinking that relates to the idea of historicity that opened up with the American and French Revolution, a way of thinking that can expand our very notion of revolution. The book explores this expansion through an analysis of three audiovisual stagings of revolution: Abel Gance’s epic on the French Revolution Napoléon, Warren Beatty’s essay on the Russian Revolution Reds, and the miniseries John Adams about the American Revolution. The author thereby offers a fresh take on the questions of revolution and historicity from the perspective of film studies.

lt;strong>Hanno Berger, Freie Universität Berlin, Berlin, Germany.

Erscheinungsdatum
Reihe/Serie Cinepoetics – English edition ; 10
Zusatzinfo 1 b/w and 2 col. ill.
Verlagsort Berlin/Boston
Sprache englisch
Maße 155 x 230 mm
Gewicht 454 g
Themenwelt Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Schlagworte Cinematic Thinking • French Film Theory • Hannah Arendt • Revolution
ISBN-10 3-11-075375-8 / 3110753758
ISBN-13 978-3-11-075375-2 / 9783110753752
Zustand Neuware
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