From Heidegger to Performance
Rowman & Littlefield (Verlag)
978-1-5381-6845-5 (ISBN)
In Being and Time, Martin Heidegger developed a way of considering human existence as ‘being there’, a process of interrelationships with aspects of the environment in which the very process itself constitutes the essence of human being. From Heidegger to Performance engages with this radical perspective and consider Heidegger’s thinking in relation to different senses of performance, from the familiar, such as theatrical contexts of dance, live art and theatre, to explorations of modes of being within these performative situations. The contributors engage with a wide variety of topics from clowning to questions of linguistic construction; from the phenomenology of objects in stage space to the ephemerality of performance; from the performance of personal memory to the anxiety of the moment of choice in performing a complex movement. This book explores the ways in which Heidegger’s work and ideas of performance and performativity intersect, across their various senses and usages and will be useful to scholars, teachers and students who are interested in thinking about performance, and themselves as performative, in new ways.
Martin Leach is senior lecturer of Performance Studies at De Montfort University where he teaches anatomy, physiology and philosophy to dance students. Marie Hay is senior lecturer in Dance in the School of Humanities and Performing Arts and part of the Centre for Interdisciplinary Research in Dance at De Montfort University.
Acknowledgements
Introduction: From Heidegger to Performance
Marie Hay and Martin Leach
Part I: Temporality and Performance
Chapter 1. Entering into this Fundamental Occurrence
Stuart Grant
Chapter 2. Heidegger’s Augenblick and the Ephemerality of Dance
Catherine F. Both
Part II: Attunement and Performance
Chapter 3. Speakingdance and Attunement: The Moment of Disclosing Who I Am
Marie Hay
Chapter 4. Heideggerian Care and Relational Performance
Paul Geary
Chapter 5. They Rock
Hester Reever
Part III: Unconcealment and Performance
Chapter 6. Choreographing Death ‘Truthfully’: Dancing Unconcealment with Heidegger and Stanislavski in Sato’s Rain
Karen da Silva
Chapter 7. ‘Dwelling Poetically’ in the Dance Studio: The Poetry in the Prose of Being
Martin Leach
Chapter 8. Heidegger, Art and Reality: Rethinking the Grounds of the Artist’s Techne
Kirsi Monni
Chapter 9. Misfitness: the hermeneutics of failure and the poetics of the clown
Marcelo Beré
Index
About the Contributors
| Erscheinungsdatum | 20.12.2024 |
|---|---|
| Reihe/Serie | Performance Philosophy |
| Zusatzinfo | 5 BW Photos |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit | |
| ISBN-10 | 1-5381-6845-6 / 1538168456 |
| ISBN-13 | 978-1-5381-6845-5 / 9781538168455 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
| Haben Sie eine Frage zum Produkt? |
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