Sound Communities in the Asia Pacific
Bloomsbury Academic (Verlag)
9781501375743 (ISBN)
Lonán Ó Briain is Associate Professor of Music at the University of Nottingham, UK. He is the author of Musical Minorities: The Sounds of Hmong Ethnicity in Northern Vietnam (2018) and co-editor of Made in Ireland: Studies in Popular Music (2020). Min Yen Ong is an ethnomusicologist at the University of Cambridge, UK. She is also a research associate at Darwin College and a Bye-Fellow at Homerton College and Murray Edwards College, Cambridge. She holds a PhD from SOAS, University of London, UK.
List of Figures
List of Contributors
Acknowledgements
Introduction: Musical Media in the Asia Pacific
Lonán Ó Briain, University of Nottingham, UK, and Min Yen Ong, University of Cambridge, UK
PART ONE Vocalizing Community
1. Getting Our Voices Heard: Radio Broadcasting and Secrecy in Vanuatu
Monika Stern, CNRS, France
2. Sounding an Indigenous Domain: Radio, Voice, and Lisu Media Evangelism
Ying Diao, Max Planck Institute for the Study of Religious and Ethnic Diversity, Germany
3. Narrowcasting into the Infinite Margins: Internet Sonorities of Transient Indonesian Domestic Workers in Singapore
Shzr Ee Tan, Royal Holloway, University of London, UK
PART TWO Transforming Tradition
4. Harmonies for the Homeland: Traditional Music and the Politics of Intangible Cultural Heritage on Vietnamese Radio
Lonán Ó Briain, University of Nottingham, UK
5. Mediation of Tradition: Television and Studio Productions of Khmer Music in Cambodia
Francesca Billeri, SOAS, University of London, UK
6. Going with the Flow: Livestreaming and Korean Wave Narratives in P’ansori
Anna Yates-Lu, Seoul National University, South Korea
PART THREE Sounding Authority
7. North Korea: Controlling the Airwaves and Harmonizing the People
Keith Howard, SOAS, University of London, UK
8. The Party and the People: Shifting Sonic Politics in Post-1949 Tiananmen Square
Joseph Lovell, University of California, Santa Barbara, USA
9. Broadcasting Infrastructures and Electromagnetic Fatality: Listening to Enemy Radio in Socialist China
Hang Wu, McGill University, Canada
PART FOUR Performing Activism
10. “Change the World Gently with Singing”: Queer Audibility and Soft Activism in China
Hongwei Bao, University of Nottingham, UK
11. Sounds of Political Reform: Indie Rock in Late New Order Indonesia
M. Rizky Sasono, University of Pittsburgh, USA
12. Finding Agency in Hawaiian Online Collaborative Music Videos: Reclaiming Kaulana Na Pua in a Contemporary Context
Min Bee, University of Cambridge, UK, and Jordan Anthony Kapono Bee, Independent Scholar
Index
| Erscheinungsdatum | 11.08.2022 |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 152 x 228 mm |
| Gewicht | 400 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-13 | 9781501375743 / 9781501375743 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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