Textual Narratives and a New Metaphysics
Seiten
2020
Routledge (Verlag)
978-1-138-72333-7 (ISBN)
Routledge (Verlag)
978-1-138-72333-7 (ISBN)
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This title was first published in 2002: Drawing extensively upon recent developments in post-phenomenological philosophy, especially 'the textual turn' exemplified by Paul Ricoeur, Jacques Derrida and Maurice Merleau-Ponty.
This title was first published in 2002: Drawing extensively upon recent developments in post-phenomenological philosophy, especially 'the textual turn' exemplified by Paul Ricoeur, Jacques Derrida and Maurice Merleau-Ponty, this book explores the role that textual narratives have in the possibility of reasonably affirming the intelligibility of the world. Shorthouse reveals how textual narratives can play a primary role in affirming rational meaning in a continuing hermeneutical process. Offering a radically new approach to metaphysics, Shorthouse demonstrates that rational meaning is ontologically grounded in terms of a transcendental viewpoint or perspective. It is this grounding which transcends the language and the self in a hermeneutical movement towards the affirmation of rational meaning. Revealing that the critical characteristic of reading a narrative is rhythm, Shorthouse explains how each narrative has a rhythmic structure, or prose rhythm, in relation to its semantic and figurative characteristics, activity and mood.
This title was first published in 2002: Drawing extensively upon recent developments in post-phenomenological philosophy, especially 'the textual turn' exemplified by Paul Ricoeur, Jacques Derrida and Maurice Merleau-Ponty, this book explores the role that textual narratives have in the possibility of reasonably affirming the intelligibility of the world. Shorthouse reveals how textual narratives can play a primary role in affirming rational meaning in a continuing hermeneutical process. Offering a radically new approach to metaphysics, Shorthouse demonstrates that rational meaning is ontologically grounded in terms of a transcendental viewpoint or perspective. It is this grounding which transcends the language and the self in a hermeneutical movement towards the affirmation of rational meaning. Revealing that the critical characteristic of reading a narrative is rhythm, Shorthouse explains how each narrative has a rhythmic structure, or prose rhythm, in relation to its semantic and figurative characteristics, activity and mood.
Contents: Preface; Introduction; The question of presence; Presence and metaphor; Metaphor and narrative; Prose rhythm: the mediation of sonorous being; The primordial dialectic and temporal perspective; Self and other; The creative imagination; Reasonable hope; A new metaphysics; Bibliography; Appendix; Index.
| Erscheint lt. Verlag | 5.12.2020 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Themenwelt | Geisteswissenschaften ► Philosophie ► Erkenntnistheorie / Wissenschaftstheorie |
| Geisteswissenschaften ► Philosophie ► Metaphysik / Ontologie | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-138-72333-9 / 1138723339 |
| ISBN-13 | 978-1-138-72333-7 / 9781138723337 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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